Directory of world cinema, Volume 21: Brazil
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bristol, England ; Chicago, Illinois
Intellect
2013
|
| Series: | Directory of world cinema
|
| Subjects: | |
| Online Access: | FAW01 FAW02 |
| Item Description: | Description based on online resource; title from PDF title page (ebrary, viewed August 7, 2014) |
| Physical Description: | 1 online resource (296 pages) illustrations, photographs |
| ISBN: | 9781783200092 9781783202300 1783202300 178320009X |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043782479 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 160920s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9781783200092 |9 978-1-78320-009-2 | ||
| 020 | |a 9781783202300 |c ebook |9 978-1-78320-230-0 | ||
| 020 | |a 1783202300 |c ebook |9 1-78320-230-0 | ||
| 020 | |a 178320009X |9 1-78320-009-X | ||
| 020 | |a 9781783200092 |9 978-1-78320-009-2 | ||
| 035 | |a (ZDB-4-EBA)ocn889270491 | ||
| 035 | |a (OCoLC)889270491 | ||
| 035 | |a (DE-599)BVBBV043782479 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 791.430981 |2 23 | |
| 245 | 1 | 0 | |a Directory of world cinema, Volume 21 |b Brazil |c edited by Louis Bayman and Natália Pinazza |
| 264 | 1 | |a Bristol, England ; Chicago, Illinois |b Intellect |c 2013 | |
| 264 | 4 | |c © 2013 | |
| 300 | |a 1 online resource (296 pages) |b illustrations, photographs | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Directory of world cinema | |
| 500 | |a Description based on online resource; title from PDF title page (ebrary, viewed August 7, 2014) | ||
| 505 | 8 | |a FrontCover; Title; Copyright; Contents; Acknowledgments; Introduction; Film of the Year; Star Study; Film-makers; Cultural Crossover; The Re-emergence of Brazilian Cinema: A Brief History; Festival Focus; Early Years; Aves sem ninho; Caiçara; Fragmentos davida; Ganga bruta; Hello, Hello, Carnival!; In the Land of the Amazons; Limite; Mulher; São Paulo, Symphony of a Metropolis; Song of the Sea; Cinema Novo; Barren Lives; The Brave Warrior; The Dare; The Given Word; The Guns; Macunaíma; Porto das Caixas; A Public Opinion; São Bernardo; The Turning Wind; Gender; At Midnight I'll Take Your Soul | |
| 505 | 8 | |a Black God, White DevilGiselle; If I Were You; The Lawyer's Daughter; Neither Samson Nor Delilah; Possible Loves; Super Woman; Vera; Women in Fury; Music; Antônia; Antônio das Mortes; Black Orpheus; Cazuza: Time Doesn't Stop; Dona Flor and Her Two Husbands; It's Over For You, 1970s; Maids, The Film; Me, You, Them; Rio, Northern Zone; The Two Sons of Francisco; Afro-Brazilian Identity; Almost Brothers; Besouro; Carandiru; City of God; Jubiabá; Madame Satan; Orfeu; The Plantation Owner's Daughter; Quilombo; Xica da Silva; The Representation of the Brazilian Indian; Ajuricaba | |
| 505 | 8 | |a At Play in the Fields of the LordBrave New Land; Birdwatchers; Caramuru -- a invenção do Brasil; The Discovery of Brazil; Hans Staden; The Hills of Disorder; How Tasty Was My Little Frenchman; Iracema; Diaspora; Desmundo; Gaijin: A Brazilian Odyssey; O Homem que virou suco; Jean Charles; Now Boarding; Olga; O Quatrilho; Saudate for the Future; Two Lost in a Dirty Night; The Year My Parents Went on Vacation; Documentary; ABC of Strike; Bus 174; Di/Glauber; Garrincha, Joy of the People; Playing; Prisoner of the Iron Bars; Rio, 40 Degrees; Santiago; Twenty Years Later; Viramundo; Adaptation | |
| 505 | 8 | |a Bocage -- The Triumph of LoveThe Deceased; Hour of the Star; Mutum; Prison Memories; Tent of Miracles; To the Left of the Father; The Trespasser; Turbulence; What's the Price Or Is It by Kilo?; Comedy; All Is Well; Candinho; Carlota Joaquina: Princess of Brazil; The Deviant Baroness; A Dog's Will; The Man Who Copied; The Sputnik Man; Stories That Our Baby Sitters Would Not Tell Us; The Street Acrobats; The Three Outlaws; Road Movie; Bye Bye Brazil; Central Station; Cinema, Aspirins and Vultures; Foreign Land; A Hungarian Passport; I Travel Because I Have to, I Come back Because I Love You | |
| 505 | 8 | |a The Middle of the WorldPachamama; Suely in the Sky; Recommended Reading; Brazilian Cinema Online; Test Your Knowledge; Notes on Contributors; Filmography; BackCover | |
| 505 | 8 | |a Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures / Brazil / History | |
| 650 | 4 | |a Motion pictures / Brazil | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Motion pictures |z Brazil |x History |a Motion pictures |z Brazil |a Film | |
| 651 | 4 | |a Brasilien | |
| 700 | 1 | |a Bayman, Louis |4 edt | |
| 700 | 1 | |a Pinazza, Natália |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Directory of world cinema. Volume 21 |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029193539 | ||
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818093 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818093 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Record in the Search Index
| _version_ | 1804176613782323200 |
|---|---|
| any_adam_object | |
| author2 | Bayman, Louis Pinazza, Natália |
| author2_role | edt edt |
| author2_variant | l b lb n p np |
| author_facet | Bayman, Louis Pinazza, Natália |
| building | Verbundindex |
| bvnumber | BV043782479 |
| collection | ZDB-4-EBA |
| contents | FrontCover; Title; Copyright; Contents; Acknowledgments; Introduction; Film of the Year; Star Study; Film-makers; Cultural Crossover; The Re-emergence of Brazilian Cinema: A Brief History; Festival Focus; Early Years; Aves sem ninho; Caiçara; Fragmentos davida; Ganga bruta; Hello, Hello, Carnival!; In the Land of the Amazons; Limite; Mulher; São Paulo, Symphony of a Metropolis; Song of the Sea; Cinema Novo; Barren Lives; The Brave Warrior; The Dare; The Given Word; The Guns; Macunaíma; Porto das Caixas; A Public Opinion; São Bernardo; The Turning Wind; Gender; At Midnight I'll Take Your Soul Black God, White DevilGiselle; If I Were You; The Lawyer's Daughter; Neither Samson Nor Delilah; Possible Loves; Super Woman; Vera; Women in Fury; Music; Antônia; Antônio das Mortes; Black Orpheus; Cazuza: Time Doesn't Stop; Dona Flor and Her Two Husbands; It's Over For You, 1970s; Maids, The Film; Me, You, Them; Rio, Northern Zone; The Two Sons of Francisco; Afro-Brazilian Identity; Almost Brothers; Besouro; Carandiru; City of God; Jubiabá; Madame Satan; Orfeu; The Plantation Owner's Daughter; Quilombo; Xica da Silva; The Representation of the Brazilian Indian; Ajuricaba At Play in the Fields of the LordBrave New Land; Birdwatchers; Caramuru -- a invenção do Brasil; The Discovery of Brazil; Hans Staden; The Hills of Disorder; How Tasty Was My Little Frenchman; Iracema; Diaspora; Desmundo; Gaijin: A Brazilian Odyssey; O Homem que virou suco; Jean Charles; Now Boarding; Olga; O Quatrilho; Saudate for the Future; Two Lost in a Dirty Night; The Year My Parents Went on Vacation; Documentary; ABC of Strike; Bus 174; Di/Glauber; Garrincha, Joy of the People; Playing; Prisoner of the Iron Bars; Rio, 40 Degrees; Santiago; Twenty Years Later; Viramundo; Adaptation Bocage -- The Triumph of LoveThe Deceased; Hour of the Star; Mutum; Prison Memories; Tent of Miracles; To the Left of the Father; The Trespasser; Turbulence; What's the Price Or Is It by Kilo?; Comedy; All Is Well; Candinho; Carlota Joaquina: Princess of Brazil; The Deviant Baroness; A Dog's Will; The Man Who Copied; The Sputnik Man; Stories That Our Baby Sitters Would Not Tell Us; The Street Acrobats; The Three Outlaws; Road Movie; Bye Bye Brazil; Central Station; Cinema, Aspirins and Vultures; Foreign Land; A Hungarian Passport; I Travel Because I Have to, I Come back Because I Love You The Middle of the WorldPachamama; Suely in the Sky; Recommended Reading; Brazilian Cinema Online; Test Your Knowledge; Notes on Contributors; Filmography; BackCover Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves |
| ctrlnum | (ZDB-4-EBA)ocn889270491 (OCoLC)889270491 (DE-599)BVBBV043782479 |
| dewey-full | 791.430981 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430981 |
| dewey-search | 791.430981 |
| dewey-sort | 3791.430981 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04912nmm a2200601zc 4500</leader><controlfield tag="001">BV043782479</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160920s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781783200092</subfield><subfield code="9">978-1-78320-009-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781783202300</subfield><subfield code="c">ebook</subfield><subfield code="9">978-1-78320-230-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1783202300</subfield><subfield code="c">ebook</subfield><subfield code="9">1-78320-230-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">178320009X</subfield><subfield code="9">1-78320-009-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781783200092</subfield><subfield code="9">978-1-78320-009-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-EBA)ocn889270491</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)889270491</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043782479</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430981</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Directory of world cinema, Volume 21</subfield><subfield code="b">Brazil</subfield><subfield code="c">edited by Louis Bayman and Natália Pinazza</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bristol, England ; Chicago, Illinois</subfield><subfield code="b">Intellect</subfield><subfield code="c">2013</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (296 pages)</subfield><subfield code="b">illustrations, photographs</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Directory of world cinema</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (ebrary, viewed August 7, 2014)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">FrontCover; Title; Copyright; Contents; Acknowledgments; Introduction; Film of the Year; Star Study; Film-makers; Cultural Crossover; The Re-emergence of Brazilian Cinema: A Brief History; Festival Focus; Early Years; Aves sem ninho; Caiçara; Fragmentos davida; Ganga bruta; Hello, Hello, Carnival!; In the Land of the Amazons; Limite; Mulher; São Paulo, Symphony of a Metropolis; Song of the Sea; Cinema Novo; Barren Lives; The Brave Warrior; The Dare; The Given Word; The Guns; Macunaíma; Porto das Caixas; A Public Opinion; São Bernardo; The Turning Wind; Gender; At Midnight I'll Take Your Soul</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Black God, White DevilGiselle; If I Were You; The Lawyer's Daughter; Neither Samson Nor Delilah; Possible Loves; Super Woman; Vera; Women in Fury; Music; Antônia; Antônio das Mortes; Black Orpheus; Cazuza: Time Doesn't Stop; Dona Flor and Her Two Husbands; It's Over For You, 1970s; Maids, The Film; Me, You, Them; Rio, Northern Zone; The Two Sons of Francisco; Afro-Brazilian Identity; Almost Brothers; Besouro; Carandiru; City of God; Jubiabá; Madame Satan; Orfeu; The Plantation Owner's Daughter; Quilombo; Xica da Silva; The Representation of the Brazilian Indian; Ajuricaba</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">At Play in the Fields of the LordBrave New Land; Birdwatchers; Caramuru -- a invenção do Brasil; The Discovery of Brazil; Hans Staden; The Hills of Disorder; How Tasty Was My Little Frenchman; Iracema; Diaspora; Desmundo; Gaijin: A Brazilian Odyssey; O Homem que virou suco; Jean Charles; Now Boarding; Olga; O Quatrilho; Saudate for the Future; Two Lost in a Dirty Night; The Year My Parents Went on Vacation; Documentary; ABC of Strike; Bus 174; Di/Glauber; Garrincha, Joy of the People; Playing; Prisoner of the Iron Bars; Rio, 40 Degrees; Santiago; Twenty Years Later; Viramundo; Adaptation</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Bocage -- The Triumph of LoveThe Deceased; Hour of the Star; Mutum; Prison Memories; Tent of Miracles; To the Left of the Father; The Trespasser; Turbulence; What's the Price Or Is It by Kilo?; Comedy; All Is Well; Candinho; Carlota Joaquina: Princess of Brazil; The Deviant Baroness; A Dog's Will; The Man Who Copied; The Sputnik Man; Stories That Our Baby Sitters Would Not Tell Us; The Street Acrobats; The Three Outlaws; Road Movie; Bye Bye Brazil; Central Station; Cinema, Aspirins and Vultures; Foreign Land; A Hungarian Passport; I Travel Because I Have to, I Come back Because I Love You</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Middle of the WorldPachamama; Suely in the Sky; Recommended Reading; Brazilian Cinema Online; Test Your Knowledge; Notes on Contributors; Filmography; BackCover</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Brazil / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Brazil</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">Brazil</subfield><subfield code="x">History</subfield><subfield code="a">Motion pictures</subfield><subfield code="z">Brazil</subfield><subfield code="a">Film</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Brasilien</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bayman, Louis</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pinazza, Natália</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Directory of world cinema. Volume 21</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029193539</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818093</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=818093</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Brasilien |
| geographic_facet | Brasilien |
| id | DE-604.BV043782479 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:34:58Z |
| institution | BVB |
| isbn | 9781783200092 9781783202300 1783202300 178320009X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029193539 |
| oclc_num | 889270491 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (296 pages) illustrations, photographs |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Intellect |
| record_format | marc |
| series2 | Directory of world cinema |
| spelling | Directory of world cinema, Volume 21 Brazil edited by Louis Bayman and Natália Pinazza Bristol, England ; Chicago, Illinois Intellect 2013 © 2013 1 online resource (296 pages) illustrations, photographs txt rdacontent c rdamedia cr rdacarrier Directory of world cinema Description based on online resource; title from PDF title page (ebrary, viewed August 7, 2014) FrontCover; Title; Copyright; Contents; Acknowledgments; Introduction; Film of the Year; Star Study; Film-makers; Cultural Crossover; The Re-emergence of Brazilian Cinema: A Brief History; Festival Focus; Early Years; Aves sem ninho; Caiçara; Fragmentos davida; Ganga bruta; Hello, Hello, Carnival!; In the Land of the Amazons; Limite; Mulher; São Paulo, Symphony of a Metropolis; Song of the Sea; Cinema Novo; Barren Lives; The Brave Warrior; The Dare; The Given Word; The Guns; Macunaíma; Porto das Caixas; A Public Opinion; São Bernardo; The Turning Wind; Gender; At Midnight I'll Take Your Soul Black God, White DevilGiselle; If I Were You; The Lawyer's Daughter; Neither Samson Nor Delilah; Possible Loves; Super Woman; Vera; Women in Fury; Music; Antônia; Antônio das Mortes; Black Orpheus; Cazuza: Time Doesn't Stop; Dona Flor and Her Two Husbands; It's Over For You, 1970s; Maids, The Film; Me, You, Them; Rio, Northern Zone; The Two Sons of Francisco; Afro-Brazilian Identity; Almost Brothers; Besouro; Carandiru; City of God; Jubiabá; Madame Satan; Orfeu; The Plantation Owner's Daughter; Quilombo; Xica da Silva; The Representation of the Brazilian Indian; Ajuricaba At Play in the Fields of the LordBrave New Land; Birdwatchers; Caramuru -- a invenção do Brasil; The Discovery of Brazil; Hans Staden; The Hills of Disorder; How Tasty Was My Little Frenchman; Iracema; Diaspora; Desmundo; Gaijin: A Brazilian Odyssey; O Homem que virou suco; Jean Charles; Now Boarding; Olga; O Quatrilho; Saudate for the Future; Two Lost in a Dirty Night; The Year My Parents Went on Vacation; Documentary; ABC of Strike; Bus 174; Di/Glauber; Garrincha, Joy of the People; Playing; Prisoner of the Iron Bars; Rio, 40 Degrees; Santiago; Twenty Years Later; Viramundo; Adaptation Bocage -- The Triumph of LoveThe Deceased; Hour of the Star; Mutum; Prison Memories; Tent of Miracles; To the Left of the Father; The Trespasser; Turbulence; What's the Price Or Is It by Kilo?; Comedy; All Is Well; Candinho; Carlota Joaquina: Princess of Brazil; The Deviant Baroness; A Dog's Will; The Man Who Copied; The Sputnik Man; Stories That Our Baby Sitters Would Not Tell Us; The Street Acrobats; The Three Outlaws; Road Movie; Bye Bye Brazil; Central Station; Cinema, Aspirins and Vultures; Foreign Land; A Hungarian Passport; I Travel Because I Have to, I Come back Because I Love You The Middle of the WorldPachamama; Suely in the Sky; Recommended Reading; Brazilian Cinema Online; Test Your Knowledge; Notes on Contributors; Filmography; BackCover Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves Film Motion pictures / Brazil / History Motion pictures / Brazil PERFORMING ARTS / Reference bisacsh Motion pictures fast Geschichte Motion pictures Brazil History Motion pictures Brazil Film Brasilien Bayman, Louis edt Pinazza, Natália edt Erscheint auch als Druck-Ausgabe Directory of world cinema. Volume 21 |
| spellingShingle | Directory of world cinema, Volume 21 Brazil FrontCover; Title; Copyright; Contents; Acknowledgments; Introduction; Film of the Year; Star Study; Film-makers; Cultural Crossover; The Re-emergence of Brazilian Cinema: A Brief History; Festival Focus; Early Years; Aves sem ninho; Caiçara; Fragmentos davida; Ganga bruta; Hello, Hello, Carnival!; In the Land of the Amazons; Limite; Mulher; São Paulo, Symphony of a Metropolis; Song of the Sea; Cinema Novo; Barren Lives; The Brave Warrior; The Dare; The Given Word; The Guns; Macunaíma; Porto das Caixas; A Public Opinion; São Bernardo; The Turning Wind; Gender; At Midnight I'll Take Your Soul Black God, White DevilGiselle; If I Were You; The Lawyer's Daughter; Neither Samson Nor Delilah; Possible Loves; Super Woman; Vera; Women in Fury; Music; Antônia; Antônio das Mortes; Black Orpheus; Cazuza: Time Doesn't Stop; Dona Flor and Her Two Husbands; It's Over For You, 1970s; Maids, The Film; Me, You, Them; Rio, Northern Zone; The Two Sons of Francisco; Afro-Brazilian Identity; Almost Brothers; Besouro; Carandiru; City of God; Jubiabá; Madame Satan; Orfeu; The Plantation Owner's Daughter; Quilombo; Xica da Silva; The Representation of the Brazilian Indian; Ajuricaba At Play in the Fields of the LordBrave New Land; Birdwatchers; Caramuru -- a invenção do Brasil; The Discovery of Brazil; Hans Staden; The Hills of Disorder; How Tasty Was My Little Frenchman; Iracema; Diaspora; Desmundo; Gaijin: A Brazilian Odyssey; O Homem que virou suco; Jean Charles; Now Boarding; Olga; O Quatrilho; Saudate for the Future; Two Lost in a Dirty Night; The Year My Parents Went on Vacation; Documentary; ABC of Strike; Bus 174; Di/Glauber; Garrincha, Joy of the People; Playing; Prisoner of the Iron Bars; Rio, 40 Degrees; Santiago; Twenty Years Later; Viramundo; Adaptation Bocage -- The Triumph of LoveThe Deceased; Hour of the Star; Mutum; Prison Memories; Tent of Miracles; To the Left of the Father; The Trespasser; Turbulence; What's the Price Or Is It by Kilo?; Comedy; All Is Well; Candinho; Carlota Joaquina: Princess of Brazil; The Deviant Baroness; A Dog's Will; The Man Who Copied; The Sputnik Man; Stories That Our Baby Sitters Would Not Tell Us; The Street Acrobats; The Three Outlaws; Road Movie; Bye Bye Brazil; Central Station; Cinema, Aspirins and Vultures; Foreign Land; A Hungarian Passport; I Travel Because I Have to, I Come back Because I Love You The Middle of the WorldPachamama; Suely in the Sky; Recommended Reading; Brazilian Cinema Online; Test Your Knowledge; Notes on Contributors; Filmography; BackCover Best known to international audiences for its carnivalesque irreverence and recent gangster blockbusters, Brazilian cinema is gaining prominence with critics, at global film festivals and on DVD shelves Film Motion pictures / Brazil / History Motion pictures / Brazil PERFORMING ARTS / Reference bisacsh Motion pictures fast Geschichte Motion pictures Brazil History Motion pictures Brazil Film |
| title | Directory of world cinema, Volume 21 Brazil |
| title_auth | Directory of world cinema, Volume 21 Brazil |
| title_exact_search | Directory of world cinema, Volume 21 Brazil |
| title_full | Directory of world cinema, Volume 21 Brazil edited by Louis Bayman and Natália Pinazza |
| title_fullStr | Directory of world cinema, Volume 21 Brazil edited by Louis Bayman and Natália Pinazza |
| title_full_unstemmed | Directory of world cinema, Volume 21 Brazil edited by Louis Bayman and Natália Pinazza |
| title_short | Directory of world cinema, Volume 21 |
| title_sort | directory of world cinema volume 21 brazil |
| title_sub | Brazil |
| topic | Film Motion pictures / Brazil / History Motion pictures / Brazil PERFORMING ARTS / Reference bisacsh Motion pictures fast Geschichte Motion pictures Brazil History Motion pictures Brazil Film |
| topic_facet | Film Motion pictures / Brazil / History Motion pictures / Brazil PERFORMING ARTS / Reference Motion pictures Geschichte Motion pictures Brazil History Motion pictures Brazil Film Brasilien |
| work_keys_str_mv | AT baymanlouis directoryofworldcinemavolume21brazil AT pinazzanatalia directoryofworldcinemavolume21brazil |