The Europeanization of cinema: interzones and imaginative communities
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Urbana
University of Illinois Press
2014
|
| Subjects: | |
| Online Access: | DE-1046 DE-1047 |
| Item Description: | Print version record |
| Physical Description: | 1 online resource |
| ISBN: | 9780252096334 0252096339 |
Staff View
MARC
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| 505 | 8 | |a "In Europe and beyond, the moving image serves to imagine community and to instantiate a communal communicative space. These spaces do not not derive from harmonious but rather conflictual social configurations. To describe this space, Randall Halle presents the concept of interzone as a geographic and cultural space that develops through border crossings in the broadest sense, a place of transit, interaction, transformation, contentious and contested diveristy. To explore the communal communicative space made possible by cinema, Halle looks at cinematic relationships, especially European but also outside these borders. While treating German cinema as central, he also sweeps film production throughout central Europe, from the Baltic to the Sea of Marmara into the Mediterranean. In addition, Halle opens up a historical dimension that reaches from the pre-cinematic to contemporary post-film experiments with the moving image, from imperial Prussia to the role of European funding for contemporary films in Africa and Asia. Concentrating on the European Union's culture instead of its politics or economy, he combines analyses of films with their conditions of production, questions of both film aesthetics and financing. In this detailed investigation of cinematic space and place, Halle's themes come together to show cinema's ability to express multiple interzones in Europe and beyond"-- | |
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Record in the Search Index
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| contents | "In Europe and beyond, the moving image serves to imagine community and to instantiate a communal communicative space. These spaces do not not derive from harmonious but rather conflictual social configurations. To describe this space, Randall Halle presents the concept of interzone as a geographic and cultural space that develops through border crossings in the broadest sense, a place of transit, interaction, transformation, contentious and contested diveristy. To explore the communal communicative space made possible by cinema, Halle looks at cinematic relationships, especially European but also outside these borders. While treating German cinema as central, he also sweeps film production throughout central Europe, from the Baltic to the Sea of Marmara into the Mediterranean. In addition, Halle opens up a historical dimension that reaches from the pre-cinematic to contemporary post-film experiments with the moving image, from imperial Prussia to the role of European funding for contemporary films in Africa and Asia. Concentrating on the European Union's culture instead of its politics or economy, he combines analyses of films with their conditions of production, questions of both film aesthetics and financing. In this detailed investigation of cinematic space and place, Halle's themes come together to show cinema's ability to express multiple interzones in Europe and beyond"-- |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/094 |
| dewey-search | 791.43/094 |
| dewey-sort | 3791.43 294 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| publisher | University of Illinois Press |
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| spelling | Halle, Randall 1962- Verfasser (DE-588)137233035 aut The Europeanization of cinema interzones and imaginative communities Randall Halle Urbana University of Illinois Press 2014 1 online resource txt rdacontent c rdamedia cr rdacarrier Print version record "In Europe and beyond, the moving image serves to imagine community and to instantiate a communal communicative space. These spaces do not not derive from harmonious but rather conflictual social configurations. To describe this space, Randall Halle presents the concept of interzone as a geographic and cultural space that develops through border crossings in the broadest sense, a place of transit, interaction, transformation, contentious and contested diveristy. To explore the communal communicative space made possible by cinema, Halle looks at cinematic relationships, especially European but also outside these borders. While treating German cinema as central, he also sweeps film production throughout central Europe, from the Baltic to the Sea of Marmara into the Mediterranean. In addition, Halle opens up a historical dimension that reaches from the pre-cinematic to contemporary post-film experiments with the moving image, from imperial Prussia to the role of European funding for contemporary films in Africa and Asia. Concentrating on the European Union's culture instead of its politics or economy, he combines analyses of films with their conditions of production, questions of both film aesthetics and financing. In this detailed investigation of cinematic space and place, Halle's themes come together to show cinema's ability to express multiple interzones in Europe and beyond"-- Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh HISTORY / Europe / General bisacsh PERFORMING ARTS / Reference bisacsh Motion pictures fast Space and time in motion pictures fast Motion pictures / Europe / History Space and time in motion pictures Film Geschichte Motion pictures Europe History Space and time in motion pictures Grenze Motiv (DE-588)4285966-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Europa Mitteleuropa (DE-588)4039677-0 gnd rswk-swf Mitteleuropa (DE-588)4039677-0 g Film (DE-588)4017102-4 s Grenze Motiv (DE-588)4285966-9 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-252-03845-7 Erscheint auch als Druck-Ausgabe, Hardcover 0-252-03845-2 Erscheint auch als Druck-Ausgabe, Paperback 978-0-252-07995-5 Erscheint auch als Druck-Ausgabe, Paperback 0-252-07995-7 Erscheint auch als Druck-Ausgabe Halle, Randall Europeanization of cinema 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Halle, Randall 1962- The Europeanization of cinema interzones and imaginative communities "In Europe and beyond, the moving image serves to imagine community and to instantiate a communal communicative space. These spaces do not not derive from harmonious but rather conflictual social configurations. To describe this space, Randall Halle presents the concept of interzone as a geographic and cultural space that develops through border crossings in the broadest sense, a place of transit, interaction, transformation, contentious and contested diveristy. To explore the communal communicative space made possible by cinema, Halle looks at cinematic relationships, especially European but also outside these borders. While treating German cinema as central, he also sweeps film production throughout central Europe, from the Baltic to the Sea of Marmara into the Mediterranean. In addition, Halle opens up a historical dimension that reaches from the pre-cinematic to contemporary post-film experiments with the moving image, from imperial Prussia to the role of European funding for contemporary films in Africa and Asia. Concentrating on the European Union's culture instead of its politics or economy, he combines analyses of films with their conditions of production, questions of both film aesthetics and financing. In this detailed investigation of cinematic space and place, Halle's themes come together to show cinema's ability to express multiple interzones in Europe and beyond"-- PERFORMING ARTS / Film & Video / History & Criticism bisacsh HISTORY / Europe / General bisacsh PERFORMING ARTS / Reference bisacsh Motion pictures fast Space and time in motion pictures fast Motion pictures / Europe / History Space and time in motion pictures Film Geschichte Motion pictures Europe History Space and time in motion pictures Grenze Motiv (DE-588)4285966-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4285966-9 (DE-588)4017102-4 (DE-588)4039677-0 |
| title | The Europeanization of cinema interzones and imaginative communities |
| title_auth | The Europeanization of cinema interzones and imaginative communities |
| title_exact_search | The Europeanization of cinema interzones and imaginative communities |
| title_full | The Europeanization of cinema interzones and imaginative communities Randall Halle |
| title_fullStr | The Europeanization of cinema interzones and imaginative communities Randall Halle |
| title_full_unstemmed | The Europeanization of cinema interzones and imaginative communities Randall Halle |
| title_short | The Europeanization of cinema |
| title_sort | the europeanization of cinema interzones and imaginative communities |
| title_sub | interzones and imaginative communities |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh HISTORY / Europe / General bisacsh PERFORMING ARTS / Reference bisacsh Motion pictures fast Space and time in motion pictures fast Motion pictures / Europe / History Space and time in motion pictures Film Geschichte Motion pictures Europe History Space and time in motion pictures Grenze Motiv (DE-588)4285966-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism HISTORY / Europe / General PERFORMING ARTS / Reference Motion pictures Space and time in motion pictures Motion pictures / Europe / History Film Geschichte Motion pictures Europe History Space and time in motion pictures Grenze Motiv Europa Mitteleuropa |
| work_keys_str_mv | AT hallerandall theeuropeanizationofcinemainterzonesandimaginativecommunities |