Resetting the stage: public theatre between the market and democracy
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Intellect
©2012
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Includes bibliographical references Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption - as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic dis Cover; Half Title; Title; Copyright; Contents; Preface; Acknowledgements; PART I: A Blurred Role; Chapter 1: Public and Commercial Theatre: Distinct and Enmeshed; The ensemble model; Public subsidies ensure cultural respectability; Crisis -- a permanent condition or a discursive image?; A thriving commercial theatre; The specific merits of public theatre; Chapter 2: Public Theatre: Challenges and Responses; Rising costs, limited compensation; Increasing own income; A minority leisure option; Altered urban demography; Insufficient coping solutions Chapter 3: Production Models: Reps, Groups and Production HousesRepertory theatre: Limitations and adjustments; Repertory companies outlive communism; Groups: An ethos of innovation; Transformation dynamics; Chapter 4: The Specific Offer of Public Theatre; Making sense of classical drama; Stimulating new playwriting; Post-dramatic theatre; Opera and music theatre: Confronting elitism; Varieties of dance; Theatre for children and young people; Other theatre forms; PART II: Asserting Own Distinction; Chapter 5: Programming Strategies; A disorienting abundance; Prompting name recognition Programming in larger templatesChapter 6: A Sense of Place; Failed reforms, some accomplishments; A matter of context; Space markers; Big or small?; Newly built or recycled?; Away from the theatre; Chapter 7: Finding the Audience, Making the Audience; Audiences: Limited, elusive and unstable; Commitment to education; Outreach strategies; Communication: Creating own media outlets; Chapter 8: Theatre in a Globalised World; The changing role of festivals; International cooperation in the performing arts; An emerging European cultural space; Trans-European vistas; An antidote to complacency Chapter 9: Leadership, Governance and Cultural PolicyLeadership: Fantasies of a cultural Superman; Governance matters: Boards safeguarding autonomy; Minima moralia for a public theatre system; Funding: Decision-makers and their criteria; Public theatre and public culture; In Place of an Epilogue: The Prospects for Public Theatre in Europe; Sources; About the Author; Afterword; Back Cover |
| Beschreibung: | xvi, 190 pages |
| ISBN: | 9781461928423 1461928427 9781783200481 1783200480 1841505471 9781841505473 |
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| 500 | |a Chapter 3: Production Models: Reps, Groups and Production HousesRepertory theatre: Limitations and adjustments; Repertory companies outlive communism; Groups: An ethos of innovation; Transformation dynamics; Chapter 4: The Specific Offer of Public Theatre; Making sense of classical drama; Stimulating new playwriting; Post-dramatic theatre; Opera and music theatre: Confronting elitism; Varieties of dance; Theatre for children and young people; Other theatre forms; PART II: Asserting Own Distinction; Chapter 5: Programming Strategies; A disorienting abundance; Prompting name recognition | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Klaić, Dragan |
| author_facet | Klaić, Dragan |
| author_role | aut |
| author_sort | Klaić, Dragan |
| author_variant | d k dk |
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| dewey-full | 792.094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.094 |
| dewey-search | 792.094 |
| dewey-sort | 3792.094 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Klaić, Dragan Verfasser aut Resetting the stage public theatre between the market and democracy Dragan Klaic Bristol Intellect ©2012 xvi, 190 pages txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption - as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic dis Cover; Half Title; Title; Copyright; Contents; Preface; Acknowledgements; PART I: A Blurred Role; Chapter 1: Public and Commercial Theatre: Distinct and Enmeshed; The ensemble model; Public subsidies ensure cultural respectability; Crisis -- a permanent condition or a discursive image?; A thriving commercial theatre; The specific merits of public theatre; Chapter 2: Public Theatre: Challenges and Responses; Rising costs, limited compensation; Increasing own income; A minority leisure option; Altered urban demography; Insufficient coping solutions Chapter 3: Production Models: Reps, Groups and Production HousesRepertory theatre: Limitations and adjustments; Repertory companies outlive communism; Groups: An ethos of innovation; Transformation dynamics; Chapter 4: The Specific Offer of Public Theatre; Making sense of classical drama; Stimulating new playwriting; Post-dramatic theatre; Opera and music theatre: Confronting elitism; Varieties of dance; Theatre for children and young people; Other theatre forms; PART II: Asserting Own Distinction; Chapter 5: Programming Strategies; A disorienting abundance; Prompting name recognition Programming in larger templatesChapter 6: A Sense of Place; Failed reforms, some accomplishments; A matter of context; Space markers; Big or small?; Newly built or recycled?; Away from the theatre; Chapter 7: Finding the Audience, Making the Audience; Audiences: Limited, elusive and unstable; Commitment to education; Outreach strategies; Communication: Creating own media outlets; Chapter 8: Theatre in a Globalised World; The changing role of festivals; International cooperation in the performing arts; An emerging European cultural space; Trans-European vistas; An antidote to complacency Chapter 9: Leadership, Governance and Cultural PolicyLeadership: Fantasies of a cultural Superman; Governance matters: Boards safeguarding autonomy; Minima moralia for a public theatre system; Funding: Decision-makers and their criteria; Public theatre and public culture; In Place of an Epilogue: The Prospects for Public Theatre in Europe; Sources; About the Author; Afterword; Back Cover Theater / Economic aspects / England Theater / Economic aspects / Europe PERFORMING ARTS / Theater / History & Criticism bisacsh Theater and society fast Theater / Economic aspects fast Theater Economic aspects Europe Theater Economic aspects England Theater and society Privates Theater (DE-588)4291140-0 gnd rswk-swf Wirtschaftliche Lage (DE-588)4248362-1 gnd rswk-swf Staatstheater (DE-588)4370311-2 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Staatstheater (DE-588)4370311-2 s Privates Theater (DE-588)4291140-0 s Wirtschaftliche Lage (DE-588)4248362-1 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Klaić, Dragan Resetting the stage public theatre between the market and democracy Theater / Economic aspects / England Theater / Economic aspects / Europe PERFORMING ARTS / Theater / History & Criticism bisacsh Theater and society fast Theater / Economic aspects fast Theater Economic aspects Europe Theater Economic aspects England Theater and society Privates Theater (DE-588)4291140-0 gnd Wirtschaftliche Lage (DE-588)4248362-1 gnd Staatstheater (DE-588)4370311-2 gnd |
| subject_GND | (DE-588)4291140-0 (DE-588)4248362-1 (DE-588)4370311-2 (DE-588)4015701-5 |
| title | Resetting the stage public theatre between the market and democracy |
| title_auth | Resetting the stage public theatre between the market and democracy |
| title_exact_search | Resetting the stage public theatre between the market and democracy |
| title_full | Resetting the stage public theatre between the market and democracy Dragan Klaic |
| title_fullStr | Resetting the stage public theatre between the market and democracy Dragan Klaic |
| title_full_unstemmed | Resetting the stage public theatre between the market and democracy Dragan Klaic |
| title_short | Resetting the stage |
| title_sort | resetting the stage public theatre between the market and democracy |
| title_sub | public theatre between the market and democracy |
| topic | Theater / Economic aspects / England Theater / Economic aspects / Europe PERFORMING ARTS / Theater / History & Criticism bisacsh Theater and society fast Theater / Economic aspects fast Theater Economic aspects Europe Theater Economic aspects England Theater and society Privates Theater (DE-588)4291140-0 gnd Wirtschaftliche Lage (DE-588)4248362-1 gnd Staatstheater (DE-588)4370311-2 gnd |
| topic_facet | Theater / Economic aspects / England Theater / Economic aspects / Europe PERFORMING ARTS / Theater / History & Criticism Theater and society Theater / Economic aspects Theater Economic aspects Europe Theater Economic aspects England Privates Theater Wirtschaftliche Lage Staatstheater Europa |
| work_keys_str_mv | AT klaicdragan resettingthestagepublictheatrebetweenthemarketanddemocracy |