Mário Pedrosa - Primary documents:
This latest volume in MoMA?s 'Primary Documents' series provides an anthology of the writings of Mário Pedrosa, Brazil?s preeminent critic of art, culture, and politics and one of Latin America?s most frequently cited public intellectuals. It is the first publication to provide comprehensi...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Museum of Modern Art
[2015]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This latest volume in MoMA?s 'Primary Documents' series provides an anthology of the writings of Mário Pedrosa, Brazil?s preeminent critic of art, culture, and politics and one of Latin America?s most frequently cited public intellectuals. It is the first publication to provide comprehensive English translations of Pedrosa?s writings, which are indispensable to understanding Brazilian art of the twentieth century. Included texts range from art and architectural criticism and theory to political writings as well as correspondence with his artistic and political interlocutors, among them such luminaries as André Breton, Alexander Calder, Lygia Clark, Ferreira Gullar, Oscar Niemeyer, Hélio Oiticica, Pablo Picasso, Luiz Inácio Lula da Silva, Harald Szeeman, and Leon Trotsky. The book also features newly commissioned essays by important scholars in the field that contextualize central themes of Pedrosa?s writing and frame the importance of his thought for twentieth-century Brazilian art as well as the history of modernism writ large. These new translations will contribute to the international recognition of Mário Pedrosa?s importance to the growing fields of global art history and theory |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 464 Seiten Illustrationen 25 cm |
| ISBN: | 9780870709111 |
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| 520 | |a This latest volume in MoMA?s 'Primary Documents' series provides an anthology of the writings of Mário Pedrosa, Brazil?s preeminent critic of art, culture, and politics and one of Latin America?s most frequently cited public intellectuals. It is the first publication to provide comprehensive English translations of Pedrosa?s writings, which are indispensable to understanding Brazilian art of the twentieth century. Included texts range from art and architectural criticism and theory to political writings as well as correspondence with his artistic and political interlocutors, among them such luminaries as André Breton, Alexander Calder, Lygia Clark, Ferreira Gullar, Oscar Niemeyer, Hélio Oiticica, Pablo Picasso, Luiz Inácio Lula da Silva, Harald Szeeman, and Leon Trotsky. The book also features newly commissioned essays by important scholars in the field that contextualize central themes of Pedrosa?s writing and frame the importance of his thought for twentieth-century Brazilian art as well as the history of modernism writ large. These new translations will contribute to the international recognition of Mário Pedrosa?s importance to the growing fields of global art history and theory | ||
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Datensatz im Suchindex
| _version_ | 1804176589493108736 |
|---|---|
| adam_text | FOREWORD
9.
GLENN D. LOWRY
ACKNOWLEDGMENTS
11.
JAY A. LEVENSON AND
SAR
AH LOOKOFSKY
ESSAYS
THE PERMANENT REVOLUTION OF THE CRITIC
14.
GLORIA FERREIRA
A
STRATEGIC UNIVERSALIST
23.
KAIRA M. CABANAS
R
ADICAL AND INCLUSIVE: MARIO PEDROSA*S MODERNISM
35.
ADELE NELSON
NA
TURALLY MODERN: MARIO PEDROSA AND ARCHITECTURAL CRITICISM
43.
LAURO CAVALCANTI
A
REVOLUTION OF SENSITIVITY
52.
CATHERINE BOMPUIS
MAR
IO PEDROSA*S SOMERSAULT
58.
MARCIO DOCTORS
T
HE CRITICAL EXERCISE OF FREEDOM
(2013)
62.
DORE ASHTON
M
ARIO PEDROSA: A MAN WITHOUT A PRICE
(2001)
65.
ARACY AMARAL
MAR
IO PEDROSA TODAY
(2000)
68.
OTILIA BEATRIZ FIORI
ARANTES
PLATES
73.
P
RIMARY DOCUMENTS
T
RANSLATOR*S NOTE
98.
STEPHEN BERG
1. THEOR
ETICAL AND AESTHETIC SPECULATIONS
101.
I
NTRODUCTION
102.
GLORIA FERREIRA
T
HE VITAL NEED FOR ART
(1947)
103.
S
CIENCE AND ART: COMMUNICATING VESSELS
(1960) 113.
CR
ISIS OF ARTISTIC CONDITIONING
(1966) 118.
C
RISIS OF POETRY: ART AND COMMUNICATION
(1967) 122.
AESTHETIC SPECULATIONS I: THE CONFLICT BETWEEN
*
SAYING*AND *EXPRESSING*
(1967) 125.
A
ESTHETIC SPECULATIONS II: FORM AND INFORMATION
(1967) 128.
A
ESTHETIC SPECULATIONS III: ENDGAME
(1967) 131.
W
ORLD IN CRISIS, MAN IN CRISIS, ART IN CRISIS
(1967) 13
5.
2. CULTURAL POLITICS AND THE ART SYSTEM
139.
IN
TRODUCTION
140.
IZABELA PUCU
T
HE CONCRETIST PARADOX
(1960) 141.
E
XPERIMENTAL ART AND MUSEUMS
(1960) 142.
VENICE: ART FAIR AND ART POLITICS
(1966) 143.
T
HE *SILKWORM* IN MASS PRODUCTION
(1967) 14
7.
CONTENTS
A
RT OF THE CADUVEO, AFRICAN ART, CONTEMPORARY ARTISTS
(1968) 150.
T
HE BIENAL FROM HERE TO THERE
(1970) 153.
B
ETWEEN THE WEEK AND THE BIENNIALS
(1973) 157.
ON THE EVE OF THE BIENAL
(1973) 165.
SPEECH TO THE TUPINIQUIM OR NAMBA PEOPLES
(1975) 169.
T
HE NEW MAM WILL CONSIST OF FIVE MUSEUMS
(1978) 173.
3. HISTORY OF CRITICISM
175.
INTRODUCTION
176.
RODRIGO KRUL
M
ODERN ART WEEK
(1952) 177.
FOUN
DATIONS OF ABSTRACT ART
(1953)
187.
BRAZILIAN PAINTING AND INTERNATIONAL TASTE
(1957) 1
92.
C
ALLIGRAPHIC ABSTRACTION
(1959) 1
93.
T
HE PARADOX OF MODERN BRAZILIAN ART
(1959)
195.
C
RISIS OR REVOLUTION OF THE OBJECT: TRIBUTE TO ANDRE BRETON
(1967) 196.
G
EWGAWS AND POP ART
(1967)
199.
4. CRITICISM OF CRITICISM
203.
IN
TRODUCTION
204.
IZABELA PUCU
THE CRITIC*S POINT OF VIEW
(1957) 205.
MOR
E ABOUT THE CRITIC
(1957) 20
7.
B
EFORE THE WORK OF ART
(1957)
209.
T
HE ORDER OF THE DAY: THE TERMINOLOGY OF CRITICISM
(1957) 211.
OU
TDATED CONSIDERATIONS
(1959)
213.
T
RADITION AND CRITICISM IN JAPAN AND IN THE WEST
(1959) 214.
T
HE CRITIC AND THE DIRECTOR
(1960) 217.
ON THE STUFFED PIG; OR, CRITERIA FOR CRITICISM
(1968) 218.
T
HE ART CRITIC*S OBLIGATIONS TO SOCIETY
(1969) 222.
5. ART CRITICISM
227.
IN
TRODUCTION
228.
RODRIGO KRUL
VILLA-LOBOS AND HIS PEOPLE: THE BRAZILIAN PERSPECTIVE
(1929) 230.
THE SOCIAL TENDENCIES OF ART AND KAETHE KOLLWITZ
(1933) 233.
PORTINARI: FROM BRODOWSKI TO THE WASHINGTON MURALS
(1942) 240.
TENSION AND COHESION IN THE WORK OF CALDER
(1944) 253.
GI
ORGIO MORANDI
(1947) 262.
MODULATIONS BETWEEN SENSATION AND IDEA
(1950) 264.
I
VAN SERPA*S EXPERIMENT
(1951)
267.
GR
UPO FRENTE
(1955) 269.
CON
CRETE POET AND PAINTER
(1957)
272.
P
AULISTAS AND CARIOCAS
(1957) 2
74.
MARIA THE SCULPTOR
(1957) 2
76.
L
ASAR SEGALL
(1957) 277.
DI
CAVALCANTI
(1957) 279.
VO
LPI, 1924*1957
(1957)
281.
LYGIA CLARK, OR THE FASCINATION OF SPACE
(1957)
286.
A
FTER TACHISM
(1958) 288.
IBERE CAMARGO
(1958) 289.
M
ILTON DACOSTA: TWENTY YEARS OF PAINTING
(1959)
291.
ADVANTAGE OF THE PRIMITIVES
(1959)
296.
T
HE TWO POSITIONS; OR, POLLOCK AND VEDOVA
(1959) 297.
THE SIGNIFICANCE OF LYGIA CLARK
(1960)
299.
ALUISIO CARVAO
(1961)
305.
HELIO OITICICA*S PROJECTS
(1961)
308.
KLEE AND THE PRESENT
(1961) 310.
MIRA SCHENDEL
(1963) 311.
FRANZ WEISSMANN (SPECIAL ROOM)
(1965) 312.
ENVIRONMENTAL ART, POSTMODERN ART, HELIO OITICICA
(1966) 314.
FROM THE DISSOLUTION OF THE OBJECT TO THE BRAZILIAN AVANT-GARDE
(1967) 31
7.
F
ROM AMERICAN POP TO DIAS, THE SERTANEJO
(1967) 320.
ANNA BELLA GEIGER
(1968) 324.
ANTONIO MANUEL. ON ANTONIO MANUEL*S PRESENTATION AT THE OPENING OF
T
HE SALAO NACIONAL DE ARTE MODERNA, AS A WORK OF ART
(1970) 325.
C
AMARGO*S SCULPTURE
(1975) 328.
MIRO AMONG POETS
(1976) 329.
L
YGIA PAPE
(1979) 335.
6. ARCHITECTURAL CRITICISM
337.
IN
TRODUCTION
338.
LAURO CAVALCANTI
MODERN ARCHITECTURE IN BRAZIL
(1953) 339.
R
EFLECTIONS ON THE NEW CAPITAL
(1957)
346.
ARCHITECTURE AND ART CRITICISM I
(1957) 355.
ARCHITECTURE AS WORK OF ART
(1957) 357.
A
RCHITECTURE AND ART CRITICISM II
(1957) 359.
BURLE MARX, THE LANDSCAPE ARCHITECT
(1958) 360
.
O
SCAR NIEMEYER*S STATEMENT I
(1958) 362.
LESSONS FROM THE INTERNATIONAL CONGRESS OF CRITICS
(1959) 364.
7. A SINGULAR SOCIALIST
375.
INTRODUCTION
376.
GLORIA F
ERREIRA
INDIGE
NOUS ART: THE CHOICE OF THE CRITIC WHO
GR
EW WEARY OF THE AVANT-GARDE
(1977) 376.
PEDROSA: THE TIME IS RIGHT FOR CREATING A NEW SP
(1978)
379.
A
RT IS NOT ESSENTIAL. THE INTELLECTUAL*S PROFESSION IS
T
O BE A REVOLUTIONARY
(1981) 390.
8. CORRESPONDENCE
403.
IN
TRODUCTION
404.
IZAB
ELA PUCU
MARIO PEDROSA TO MARIO DE ANDRADE
(1927)
405.
L
EBRUN [MARIO PEDROSA] TO LEON TROTSKY
(1940)
406.
ALEXANDER CALDER TO MARIO, MARY, AND VERA PEDROSA
(1949)
411.
MARIO PEDROSA TO OSCAR NIEMEYER
(1958)
412.
FERREIRA GULLAR TO MARIO PEDROSA
(1959)
417.
ANDRE BRETON TO MARIO PEDROSA
(1959)
418.
L
YGIA CLARK TO MARIO PEDROSA
(1964)
419.
OPEN LETTER TO THE PRESIDENT OF THE REPUBLIC OF BRAZIL
G
ENERAL GARRASTAZU MEDICI
(1970) 421.
MARIO PEDROSA TO GUY BRETT
(1972)
422.
M
ARIO PEDROSA TO HELIO OITICICA
(1972)
422.
MARIO PEDROSA TO HARALD SZEEMAN
(1972)
425.
DORE ASHTON TO MARIO PEDROSA
(1972)
426.
MARIO PEDROSA TO DORE ASHTON
(1972)
428.
MAR
IO PEDROSA TO PABLO PICASSO
(1972)
430.
MARIO PEDROSA TO GIULIO CARLO ARGAN
(1972)
430.
HE
LIO OITICICA TO MARIO PEDROSA
(1973)
434.
OP
EN LETTER TO A LABOR LEADER
(1978)
436.
R
EFERENCES
439.
C
HRONOLOGY
440.
QUI
TO PEDROSA
CON
TRIBUTORS
450.
I
NDEX
453.
TRUSTEES OF THE MUSEUM OF MODERN ART
464.
|
| any_adam_object | 1 |
| author | Pedrosa, Mário 1900-1981 |
| author2 | Ferreira, Glória Herkenhoff, Paulo 1949- |
| author2_role | edt edt |
| author2_variant | g f gf p h ph |
| author_GND | (DE-588)1057468746 (DE-588)188473157 |
| author_facet | Pedrosa, Mário 1900-1981 Ferreira, Glória Herkenhoff, Paulo 1949- |
| author_role | aut |
| author_sort | Pedrosa, Mário 1900-1981 |
| author_variant | m p mp |
| building | Verbundindex |
| bvnumber | BV043768665 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX533 |
| callnumber-raw | NX533.A1 |
| callnumber-search | NX533.A1 |
| callnumber-sort | NX 3533 A1 |
| callnumber-subject | NX - Arts in General |
| classification_rvk | LO 97450 |
| ctrlnum | (OCoLC)958839897 (DE-599)BSZ476834414 |
| dewey-full | 700.9810904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.9810904 |
| dewey-search | 700.9810904 |
| dewey-sort | 3700.9810904 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| genre | (DE-588)4135952-5 Quelle gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Quelle Aufsatzsammlung |
| geographic | Brasilien (DE-588)4008003-1 gnd |
| geographic_facet | Brasilien |
| id | DE-604.BV043768665 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:34:35Z |
| institution | BVB |
| isbn | 9780870709111 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029179841 |
| oclc_num | 958839897 |
| open_access_boolean | |
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| owner_facet | DE-255 DE-188 DE-19 DE-BY-UBM |
| physical | 464 Seiten Illustrationen 25 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Museum of Modern Art |
| record_format | marc |
| spelling | Pedrosa, Mário 1900-1981 Verfasser (DE-588)1057468746 aut Werke Mário Pedrosa - Primary documents edited by Glória Ferreira and Paulo Herkenhoff ; translation by Stephen Berg Primary documents New York, NY Museum of Modern Art [2015] 464 Seiten Illustrationen 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index This latest volume in MoMA?s 'Primary Documents' series provides an anthology of the writings of Mário Pedrosa, Brazil?s preeminent critic of art, culture, and politics and one of Latin America?s most frequently cited public intellectuals. It is the first publication to provide comprehensive English translations of Pedrosa?s writings, which are indispensable to understanding Brazilian art of the twentieth century. Included texts range from art and architectural criticism and theory to political writings as well as correspondence with his artistic and political interlocutors, among them such luminaries as André Breton, Alexander Calder, Lygia Clark, Ferreira Gullar, Oscar Niemeyer, Hélio Oiticica, Pablo Picasso, Luiz Inácio Lula da Silva, Harald Szeeman, and Leon Trotsky. The book also features newly commissioned essays by important scholars in the field that contextualize central themes of Pedrosa?s writing and frame the importance of his thought for twentieth-century Brazilian art as well as the history of modernism writ large. These new translations will contribute to the international recognition of Mário Pedrosa?s importance to the growing fields of global art history and theory Pedrosa, Mário 1900-1981 (DE-588)1057468746 gnd rswk-swf Geschichte 1900-2000 Kunstkritik (DE-588)4033659-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Arts, Brazilian / 20th century Arts, Modern / 20th century Arts, Brazilian Arts, Modern (DE-588)4135952-5 Quelle gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Pedrosa, Mário 1900-1981 (DE-588)1057468746 p Kunstkritik (DE-588)4033659-1 s Brasilien (DE-588)4008003-1 g Kunst (DE-588)4114333-4 s DE-604 Ferreira, Glória edt Herkenhoff, Paulo 1949- (DE-588)188473157 edt Digitalisierung ZIKG München application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029179841&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pedrosa, Mário 1900-1981 Mário Pedrosa - Primary documents Pedrosa, Mário 1900-1981 (DE-588)1057468746 gnd Kunstkritik (DE-588)4033659-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)1057468746 (DE-588)4033659-1 (DE-588)4114333-4 (DE-588)4008003-1 (DE-588)4135952-5 (DE-588)4143413-4 |
| title | Mário Pedrosa - Primary documents |
| title_alt | Werke Primary documents |
| title_auth | Mário Pedrosa - Primary documents |
| title_exact_search | Mário Pedrosa - Primary documents |
| title_full | Mário Pedrosa - Primary documents edited by Glória Ferreira and Paulo Herkenhoff ; translation by Stephen Berg |
| title_fullStr | Mário Pedrosa - Primary documents edited by Glória Ferreira and Paulo Herkenhoff ; translation by Stephen Berg |
| title_full_unstemmed | Mário Pedrosa - Primary documents edited by Glória Ferreira and Paulo Herkenhoff ; translation by Stephen Berg |
| title_short | Mário Pedrosa - Primary documents |
| title_sort | mario pedrosa primary documents |
| topic | Pedrosa, Mário 1900-1981 (DE-588)1057468746 gnd Kunstkritik (DE-588)4033659-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Pedrosa, Mário 1900-1981 Kunstkritik Kunst Brasilien Quelle Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029179841&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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