Writing performative Shakespeares: new forms for performance criticism
This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure – including puzzles, comics and pinboards – inviting the reader into playful engagement with the performativ...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2016
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| Subjects: | |
| Online Access: | BSB01 UBG01 URL des Erstveröffentlichers |
| Summary: | This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure – including puzzles, comics and pinboards – inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century |
| Item Description: | Title from publisher's bibliographic system (viewed on 08 Mar 2016) |
| Physical Description: | 1 online resource (vii, 268 pages) |
| ISBN: | 9781139680950 |
| DOI: | 10.1017/CBO9781139680950 |
Staff View
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| 520 | |a This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure – including puzzles, comics and pinboards – inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century | ||
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Record in the Search Index
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| author | Conkie, Rob |
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| contents | Machine generated contents note: Introduction; 1. Materialising Shakespeare; 2. Sudoku Shakespeare; 3. Red button Shakespeare; 4. Graphic Shakespeare with Bernard Caleo; 5. Engaging Shakespeare; 6. Ghosting Shakespeare; Conclusion; Bibliography; Index |
| ctrlnum | (ZDB-20-CBO)CR9781139680950 (OCoLC)956317560 (DE-599)BVBBV043695323 |
| dewey-full | 792.9/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| dewey-search | 792.9/5 |
| dewey-sort | 3792.9 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781139680950 |
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| isbn | 9781139680950 |
| language | English |
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| spelling | Conkie, Rob Verfasser aut Writing performative Shakespeares new forms for performance criticism Rob Conkie Cambridge Cambridge University Press 2016 1 online resource (vii, 268 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Mar 2016) Machine generated contents note: Introduction; 1. Materialising Shakespeare; 2. Sudoku Shakespeare; 3. Red button Shakespeare; 4. Graphic Shakespeare with Bernard Caleo; 5. Engaging Shakespeare; 6. Ghosting Shakespeare; Conclusion; Bibliography; Index This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure – including puzzles, comics and pinboards – inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Inszenierung (DE-588)4027223-0 s Aufführung (DE-588)4143388-9 s DE-604 Erscheint auch als Druckausgabe 978-1-107-07299-2 Erscheint auch als Druckausgabe 978-1-107-42130-1 https://doi.org/10.1017/CBO9781139680950 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Conkie, Rob Writing performative Shakespeares new forms for performance criticism Machine generated contents note: Introduction; 1. Materialising Shakespeare; 2. Sudoku Shakespeare; 3. Red button Shakespeare; 4. Graphic Shakespeare with Bernard Caleo; 5. Engaging Shakespeare; 6. Ghosting Shakespeare; Conclusion; Bibliography; Index Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd Aufführung (DE-588)4143388-9 gnd Inszenierung (DE-588)4027223-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4143388-9 (DE-588)4027223-0 (DE-588)4012899-4 |
| title | Writing performative Shakespeares new forms for performance criticism |
| title_auth | Writing performative Shakespeares new forms for performance criticism |
| title_exact_search | Writing performative Shakespeares new forms for performance criticism |
| title_full | Writing performative Shakespeares new forms for performance criticism Rob Conkie |
| title_fullStr | Writing performative Shakespeares new forms for performance criticism Rob Conkie |
| title_full_unstemmed | Writing performative Shakespeares new forms for performance criticism Rob Conkie |
| title_short | Writing performative Shakespeares |
| title_sort | writing performative shakespeares new forms for performance criticism |
| title_sub | new forms for performance criticism |
| topic | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd Aufführung (DE-588)4143388-9 gnd Inszenierung (DE-588)4027223-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 Aufführung Inszenierung Drama |
| url | https://doi.org/10.1017/CBO9781139680950 |
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