Mongolian film music: tradition, revolution and propaganda
In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime. - Lucy M. Rees has a PhD in ethnomusicology from the University of Leeds. She has presented lectures and conference papers on Mongolian music in the UK, Mongolia and Hong Kong. She currently works as a researcher in the field of equality and diversity. (Klappentext) |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | vi, 192 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781472446237 |
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| 520 | |a In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime. - Lucy M. Rees has a PhD in ethnomusicology from the University of Leeds. She has presented lectures and conference papers on Mongolian music in the UK, Mongolia and Hong Kong. She currently works as a researcher in the field of equality and diversity. (Klappentext) | ||
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Datensatz im Suchindex
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| adam_text |
MONGOLIAN FILM MUSIC
/ REES, LUCY M.
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
TRADITION, POLITICS AND FILM MUSIC
TRADITION AND TRANSITION IN MONGOLIAN MUSIC
NEW BEGINNINGS : PATRIOTISM, PROPAGANDA AND PROFESSIONAL MUSIC
SOCIALIST CINEMA FROM CONCEPTION TO DISSEMINATION
A STANDARD OF SOCIALIST CINEMA : THE CLEAR RIVER TAMIR (TUNGALAG TAMIR,
1970-1973)
PERESTROIKA, A WISE QUEEN AND A DELINQUENT ROCK STAR
NEW DIRECTIONS : THE DEMOCRATIC REVOLUTION AND THE AFTERMATH OF THE
SOCIALIST ERA
TRADITION, REVOLUTION, PROPAGANDA AND CONSOLIDATION : A BRIEF CONCLUSION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
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| dewey-ones | 781 - General principles and musical forms |
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| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte gnd |
| era_facet | Geschichte 1900-2000 Geschichte |
| format | Book |
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| spelling | Rees, Lucy M. Verfasser aut Mongolian film music tradition, revolution and propaganda Lucy M. Rees Farnham, Surrey ; Burlington, VT Ashgate [2015] © 2015 vi, 192 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index In 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as 'professional music' that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime. - Lucy M. Rees has a PhD in ethnomusicology from the University of Leeds. She has presented lectures and conference papers on Mongolian music in the UK, Mongolia and Hong Kong. She currently works as a researcher in the field of equality and diversity. (Klappentext) Geschichte 1900-2000 Geschichte gnd rswk-swf Geschichte Politik Motion picture music Political aspects Mongolia History 20th century Motion picture music Mongolia 20th century History and criticism Socialism and motion pictures Mongolia Filmmusik (DE-588)4017129-2 gnd rswk-swf Mongolei (DE-588)4040056-6 gnd rswk-swf Mongolei (DE-588)4040056-6 g Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-4724-4624-4 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-4625-1 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029090668&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rees, Lucy M. Mongolian film music tradition, revolution and propaganda Geschichte Politik Motion picture music Political aspects Mongolia History 20th century Motion picture music Mongolia 20th century History and criticism Socialism and motion pictures Mongolia Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4040056-6 |
| title | Mongolian film music tradition, revolution and propaganda |
| title_auth | Mongolian film music tradition, revolution and propaganda |
| title_exact_search | Mongolian film music tradition, revolution and propaganda |
| title_full | Mongolian film music tradition, revolution and propaganda Lucy M. Rees |
| title_fullStr | Mongolian film music tradition, revolution and propaganda Lucy M. Rees |
| title_full_unstemmed | Mongolian film music tradition, revolution and propaganda Lucy M. Rees |
| title_short | Mongolian film music |
| title_sort | mongolian film music tradition revolution and propaganda |
| title_sub | tradition, revolution and propaganda |
| topic | Geschichte Politik Motion picture music Political aspects Mongolia History 20th century Motion picture music Mongolia 20th century History and criticism Socialism and motion pictures Mongolia Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Geschichte Politik Motion picture music Political aspects Mongolia History 20th century Motion picture music Mongolia 20th century History and criticism Socialism and motion pictures Mongolia Filmmusik Mongolei |
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