Rhythm and Race in Modernist Poetry and Science: Pound, Yeats, Williams, and Modern Sciences of Rhythm
In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and s...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New York, NY
Columbia University Press
[2007]
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| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology.In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016) |
| Beschreibung: | 1 online resource 17 illustrations |
| ISBN: | 9780231512336 |
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| 520 | |a In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology.In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry | ||
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Datensatz im Suchindex
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| indexdate | 2024-07-10T07:30:38Z |
| institution | BVB |
| isbn | 9780231512336 |
| language | English |
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| publisher | Columbia University Press |
| record_format | marc |
| spelling | Golston, Michael Verfasser aut Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm Michael Golston New York, NY Columbia University Press [2007] © 2007 1 online resource 17 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016) In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology.In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry In English Geschichte 1900-2000 Politik American poetry 20th century History and criticism Modernism (Literature) Racism in literature Rhythm Political aspects Naturwissenschaften Motiv (DE-588)4120791-9 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Moderne (DE-588)4039827-4 s Rhythmus (DE-588)4132330-0 s 1\p DE-604 Naturwissenschaften Motiv (DE-588)4120791-9 s 2\p DE-604 http://www.degruyter.com/doi/book/10.7312/gols14276 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Golston, Michael Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm Politik American poetry 20th century History and criticism Modernism (Literature) Racism in literature Rhythm Political aspects Naturwissenschaften Motiv (DE-588)4120791-9 gnd Rhythmus (DE-588)4132330-0 gnd Lyrik (DE-588)4036774-5 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4120791-9 (DE-588)4132330-0 (DE-588)4036774-5 (DE-588)4039827-4 (DE-588)4078704-7 |
| title | Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm |
| title_auth | Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm |
| title_exact_search | Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm |
| title_full | Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm Michael Golston |
| title_fullStr | Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm Michael Golston |
| title_full_unstemmed | Rhythm and Race in Modernist Poetry and Science Pound, Yeats, Williams, and Modern Sciences of Rhythm Michael Golston |
| title_short | Rhythm and Race in Modernist Poetry and Science |
| title_sort | rhythm and race in modernist poetry and science pound yeats williams and modern sciences of rhythm |
| title_sub | Pound, Yeats, Williams, and Modern Sciences of Rhythm |
| topic | Politik American poetry 20th century History and criticism Modernism (Literature) Racism in literature Rhythm Political aspects Naturwissenschaften Motiv (DE-588)4120791-9 gnd Rhythmus (DE-588)4132330-0 gnd Lyrik (DE-588)4036774-5 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Politik American poetry 20th century History and criticism Modernism (Literature) Racism in literature Rhythm Political aspects Naturwissenschaften Motiv Rhythmus Lyrik Moderne USA |
| url | http://www.degruyter.com/doi/book/10.7312/gols14276 |
| work_keys_str_mv | AT golstonmichael rhythmandraceinmodernistpoetryandsciencepoundyeatswilliamsandmodernsciencesofrhythm |