The dimensions of difference: space, time and bodies in women's cinema and continental philosophy
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
London
Rowman & Littlefield
[2016]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | xv, 137 Seiten |
| ISBN: | 9781783486540 9781783486557 |
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MARC
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| adam_text | THE DIMENSIONS OF DIFFERENCE
/ GODART, CAROLINEYYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
THE FEMINIST DISTANCE: SPACE IN JANE CAMPION S THE PIANO
CLAIRE DENIS AND THE FLOW OF TIME: BEAU TRAVAIL
TIME AND DIFFERENCE: LOVE IN CLAIRE DENIS TROUBLE EVERY DAY
LUCRECIA MARTEL AND THE CURIOUS BODY IN THE HOLY GIRL
CONCLUSION
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
Contents
Acknowledgments vii
Introduction ix
1 The Feminist Distance: Space in Jane Campion’s The Piano 1
2 Claire Denis and the Flow of Time: Beau Travail 31
3 Time and Difference: Love in Claire Denis’s Trouble Every Day 61
4 Lucrecia Martel and the Curious Body in The Holy Girl 91
Conclusion 119
Bibliography 121
Index 133
About the Author 137
The Dimensions of Difference: Space, Time and Bodies in Womens Cinema and
Continental Philosophy departs from traditional takes on feminist film criticism, and
in particular from the psychoanalytical focus on the gaze, to examine the question of
sexual difference through three axes: space, time and bodies. These are some of the
most fundamental elements of cinema, which deploys the bodies of actors through
space and time, for instance, through camerawork and editing.
While this approach may not at first sight seem to be related to questions of gender
and sexuality, Caroline Godart demonstrates its relevance to feminist film studies by
weaving together careful analyses of space, time and bodies in women s cinema with
close readings of the same concepts in the works of three philosophers: Luce Irigaray,
Henri Bergson and Gilles Deleuze. This book investigates how certain films generate
a cinematic experience of sexual difference, and frames this analysis within a careful
philosophical inquiry into the notion of alterity itself. These tools provide fruitful
resources for feminist inquiry, giving insights into sexual difference as it operates within
film aesthetics, and beyond cinema in the world at-large. The result is a compelling
reflection on feminism, film form and continental philosophy.
CAROLINE GODART is a Scientific Collaborator at the Université Libre
de Bruxelles. ;
|
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| spelling | Godart, Caroline aut The dimensions of difference space, time and bodies in women's cinema and continental philosophy Caroline Godart London Rowman & Littlefield [2016] xv, 137 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Campion, Jane 1954- Criticism and interpretation Denis, Claire 1948- Criticism and interpretation Martel, Lucrecia 1966- Criticism and interpretation Feminism and motion pictures Feminist film criticism Women in motion pictures Filmtheorie (DE-588)4071216-3 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s Feminismus (DE-588)4222126-2 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029007038&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029007038&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029007038&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Godart, Caroline The dimensions of difference space, time and bodies in women's cinema and continental philosophy Campion, Jane 1954- Criticism and interpretation Denis, Claire 1948- Criticism and interpretation Martel, Lucrecia 1966- Criticism and interpretation Feminism and motion pictures Feminist film criticism Women in motion pictures Filmtheorie (DE-588)4071216-3 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4222126-2 |
| title | The dimensions of difference space, time and bodies in women's cinema and continental philosophy |
| title_auth | The dimensions of difference space, time and bodies in women's cinema and continental philosophy |
| title_exact_search | The dimensions of difference space, time and bodies in women's cinema and continental philosophy |
| title_full | The dimensions of difference space, time and bodies in women's cinema and continental philosophy Caroline Godart |
| title_fullStr | The dimensions of difference space, time and bodies in women's cinema and continental philosophy Caroline Godart |
| title_full_unstemmed | The dimensions of difference space, time and bodies in women's cinema and continental philosophy Caroline Godart |
| title_short | The dimensions of difference |
| title_sort | the dimensions of difference space time and bodies in women s cinema and continental philosophy |
| title_sub | space, time and bodies in women's cinema and continental philosophy |
| topic | Campion, Jane 1954- Criticism and interpretation Denis, Claire 1948- Criticism and interpretation Martel, Lucrecia 1966- Criticism and interpretation Feminism and motion pictures Feminist film criticism Women in motion pictures Filmtheorie (DE-588)4071216-3 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Campion, Jane 1954- Criticism and interpretation Denis, Claire 1948- Criticism and interpretation Martel, Lucrecia 1966- Criticism and interpretation Feminism and motion pictures Feminist film criticism Women in motion pictures Filmtheorie Feminismus |
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