Chung Chang-Sup:
Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period afte...
Gespeichert in:
Format: | Buch |
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Sprache: | English |
Veröffentlicht: |
Paris
Éditions Dilecta
[2015]
|
Schlagworte: | |
Zusammenfassung: | Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period after graduating in 1951 from the College of Fine Arts at Seoul National University, he subsequently went on to break away from both these Western precedents, as well as Japanese and Chinese influences. It was not until the 1970s, however, that Chung, along with his compatriots Ha Chong-Hyun, Park Seo-Bo, Lee Ufan, and others rallied around the Dansaekhwa movement. Chung’s trademark might be said to be the beige hanji paper that he adopted after 1975. The Tak series that opens this exhibition — named for the mulberry paper used by Chung — shows how the supple, pliant surface offers numerous, delicate textural possibilities that retain a trace of the artist’s hand. |
Beschreibung: | Text englisch |
Beschreibung: | 192 ungezählte Seiten 31 cm |
ISBN: | 9791090490987 |
Internformat
MARC
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041 | 0 | |a eng | |
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100 | 1 | |a Còng, C'ang-sòp |d 1927-2011 |0 (DE-588)1102256552 |4 art | |
245 | 1 | 0 | |a Chung Chang-Sup |c texts: Chung Chang-Sup, Oh Kwang-Soo |
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500 | |a Text englisch | ||
520 | |a Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period after graduating in 1951 from the College of Fine Arts at Seoul National University, he subsequently went on to break away from both these Western precedents, as well as Japanese and Chinese influences. It was not until the 1970s, however, that Chung, along with his compatriots Ha Chong-Hyun, Park Seo-Bo, Lee Ufan, and others rallied around the Dansaekhwa movement. Chung’s trademark might be said to be the beige hanji paper that he adopted after 1975. The Tak series that opens this exhibition — named for the mulberry paper used by Chung — shows how the supple, pliant surface offers numerous, delicate textural possibilities that retain a trace of the artist’s hand. | ||
600 | 1 | 4 | |a Chŏng, Chʻang-sŏp / 1927- / Exhibitions |
600 | 1 | 4 | |a Chŏng, Ch'ang-sŏp / 1927- / Expositions |
600 | 1 | 7 | |a Còng, C'ang-sòp |d 1927-2011 |0 (DE-588)1102256552 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1900-2000 | |
648 | 7 | |a Geschichte 1985-2005 |2 gnd |9 rswk-swf | |
650 | 4 | |a Art, Korean / 20th century / Exhibitions | |
650 | 4 | |a Art, Korean / 21st century / Exhibitions | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |2 gnd-content | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Galerie Perrotin |y 2015 |z Paris |2 gnd-content | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
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700 | 1 | |a Oh, Kwang-Soo |4 wat | |
710 | 2 | |a Galerie Perrotin |0 (DE-588)10148884-1 |4 isb | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028993119 |
Datensatz im Suchindex
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any_adam_object | |
author_GND | (DE-588)1102256552 |
building | Verbundindex |
bvnumber | BV043578341 |
ctrlnum | (OCoLC)951065775 (DE-599)BVBBV043578341 |
era | Geschichte 1900-2000 Geschichte 1985-2005 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1985-2005 |
format | Book |
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genre_facet | Ausstellungskatalog Ausstellungskatalog Galerie Perrotin 2015 Paris Bildband |
id | DE-604.BV043578341 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:29:19Z |
institution | BVB |
institution_GND | (DE-588)10148884-1 |
isbn | 9791090490987 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028993119 |
oclc_num | 951065775 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 192 ungezählte Seiten 31 cm |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Éditions Dilecta |
record_format | marc |
spelling | Còng, C'ang-sòp 1927-2011 (DE-588)1102256552 art Chung Chang-Sup texts: Chung Chang-Sup, Oh Kwang-Soo Meditation Paris Éditions Dilecta [2015] 192 ungezählte Seiten 31 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Text englisch Consisting of works produced between 1985 and 2005, this exhibition offers viewers a comprehensive insight into Chung’s development over the course of his later career. Although Chung experimented liberally with abstraction, oil painting, and other facets of Western modernism for a brief period after graduating in 1951 from the College of Fine Arts at Seoul National University, he subsequently went on to break away from both these Western precedents, as well as Japanese and Chinese influences. It was not until the 1970s, however, that Chung, along with his compatriots Ha Chong-Hyun, Park Seo-Bo, Lee Ufan, and others rallied around the Dansaekhwa movement. Chung’s trademark might be said to be the beige hanji paper that he adopted after 1975. The Tak series that opens this exhibition — named for the mulberry paper used by Chung — shows how the supple, pliant surface offers numerous, delicate textural possibilities that retain a trace of the artist’s hand. Chŏng, Chʻang-sŏp / 1927- / Exhibitions Chŏng, Ch'ang-sŏp / 1927- / Expositions Còng, C'ang-sòp 1927-2011 (DE-588)1102256552 gnd rswk-swf Geschichte 1900-2000 Geschichte 1985-2005 gnd rswk-swf Art, Korean / 20th century / Exhibitions Art, Korean / 21st century / Exhibitions (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Galerie Perrotin 2015 Paris gnd-content (DE-588)4145395-5 Bildband gnd-content Còng, C'ang-sòp 1927-2011 (DE-588)1102256552 p Geschichte 1985-2005 z DE-604 Oh, Kwang-Soo wat Galerie Perrotin (DE-588)10148884-1 isb |
spellingShingle | Chung Chang-Sup Chŏng, Chʻang-sŏp / 1927- / Exhibitions Chŏng, Ch'ang-sŏp / 1927- / Expositions Còng, C'ang-sòp 1927-2011 (DE-588)1102256552 gnd Art, Korean / 20th century / Exhibitions Art, Korean / 21st century / Exhibitions |
subject_GND | (DE-588)1102256552 (DE-588)4135467-9 (DE-588)4145395-5 |
title | Chung Chang-Sup |
title_alt | Meditation |
title_auth | Chung Chang-Sup |
title_exact_search | Chung Chang-Sup |
title_full | Chung Chang-Sup texts: Chung Chang-Sup, Oh Kwang-Soo |
title_fullStr | Chung Chang-Sup texts: Chung Chang-Sup, Oh Kwang-Soo |
title_full_unstemmed | Chung Chang-Sup texts: Chung Chang-Sup, Oh Kwang-Soo |
title_short | Chung Chang-Sup |
title_sort | chung chang sup |
topic | Chŏng, Chʻang-sŏp / 1927- / Exhibitions Chŏng, Ch'ang-sŏp / 1927- / Expositions Còng, C'ang-sòp 1927-2011 (DE-588)1102256552 gnd Art, Korean / 20th century / Exhibitions Art, Korean / 21st century / Exhibitions |
topic_facet | Chŏng, Chʻang-sŏp / 1927- / Exhibitions Chŏng, Ch'ang-sŏp / 1927- / Expositions Còng, C'ang-sòp 1927-2011 Art, Korean / 20th century / Exhibitions Art, Korean / 21st century / Exhibitions Ausstellungskatalog Ausstellungskatalog Galerie Perrotin 2015 Paris Bildband |
work_keys_str_mv | AT congcangsop chungchangsup AT ohkwangsoo chungchangsup AT galerieperrotin chungchangsup AT congcangsop meditation AT ohkwangsoo meditation AT galerieperrotin meditation |