Bach & God:
"Bach & God" explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how B...
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY
Oxford University Press
[2016]
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Bach & God" explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin " on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and "Bach & God" suggests that through close contextual study there is always more to discover and learn. - Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), Lutheranism, anti-Judaism, and Bach's St. John Passion (Oxford, 1998), An Introduction to Bach Studies (co-author Daniel Melamed; Oxford, 1998), Bach's Oratorios (Oxford, 2008), Tainted Glory in Handel's Messiah (Yale, 2014), and essays in Lutheran Quarterly, Harvard Theological Review, The Huffington Post, and The New York Times. (Klappentext) |
| Physical Description: | xxi, 257 Seiten Illustrationen |
| ISBN: | 9780190606954 |
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| 520 | |a "Bach & God" explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin " on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and "Bach & God" suggests that through close contextual study there is always more to discover and learn. - Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), Lutheranism, anti-Judaism, and Bach's St. John Passion (Oxford, 1998), An Introduction to Bach Studies (co-author Daniel Melamed; Oxford, 1998), Bach's Oratorios (Oxford, 2008), Tainted Glory in Handel's Messiah (Yale, 2014), and essays in Lutheran Quarterly, Harvard Theological Review, The Huffington Post, and The New York Times. (Klappentext) | ||
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Record in the Search Index
| _version_ | 1804176251172159488 |
|---|---|
| adam_text | BACH & GOD
/ MARISSEN, MICHAEL [AUTHOR]
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
BASIC LUTHERANISM IN CANTATAS. ON THE MUSICALLY THEOLOGICAL IN BACH S
CANTATAS ; HISTORICALLY INFORMED READINGS OF THE LIBRETTOS FROM BACH S
CANTATAS
TAKING UP ANTI-JUDAISM IN CANTATAS. BACH S CANTATA ON THE DESTRUCTION OF
JERUSALEM ; BACH S CANTATAS AND THE JEWS IN THE GOSPEL OF JOHN
NOT TAKING UP ANTI-JUDAISM IN PASSION SETTINGS. BACH S ST. JOHN PASSION
AND THE JEWS ; BLOOD, PEOPLE, AND CROWDS IN BACH S ST. MATTHEW PASSION
RELIGIOUS EXPRESSION IN SECULAR CHAMBER MUSIC. THE THEOLOGICAL CHARACTER
OF BACH S MUSICAL OFFERING
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Marissen, Michael 1960- |
| author_GND | (DE-588)121427625 |
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| author_sort | Marissen, Michael 1960- |
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| bvnumber | BV043573949 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.B13 |
| callnumber-search | ML410.B13 |
| callnumber-sort | ML 3410 B13 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 38207 |
| ctrlnum | (OCoLC)952590294 (DE-599)BVBBV043573949 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 |
| era_facet | Geschichte 1700-1800 |
| format | Book |
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| language | English |
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| spelling | Marissen, Michael 1960- Verfasser (DE-588)121427625 aut Bach & God Michael Marissen Bach and God New York, NY Oxford University Press [2016] © 2016 xxi, 257 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Bach & God" explores the religious character of Bach's vocal and instrumental music in seven interrelated essays. Noted musicologist Michael Marissen offers wide-ranging interpretive insights from careful biblical and theological scrutiny of the librettos. Yet he also shows how Bach's pitches, rhythms, and tone colors can make contributions to a work's plausible meanings that go beyond setting texts in an aesthetically satisfying manner. In some of Bach's vocal repertory, the music puts a "spin " on the words in a way that turns out to be explainable as orthodox Lutheran in its orientation. In a few of Bach's vocal works, his otherwise puzzlingly fierce musical settings serve to underscore now unrecognized or unacknowledged verbal polemics, most unsettlingly so in the case of his church cantatas that express contempt for Jews and Judaism. Finally, even Bach's secular instrumental music, particularly the late collections of "abstract" learned counterpoint, can powerfully project certain elements of traditional Lutheran theology. Bach's music is inexhaustible, and "Bach & God" suggests that through close contextual study there is always more to discover and learn. - Michael Marissen is Daniel Underhill Professor Emeritus of Music at Swarthmore College, where he taught from 1989 to 2014. He has also been a visiting professor on the graduate faculties at Princeton University and the University of Pennsylvania. His publications include The Social and Religious Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), Lutheranism, anti-Judaism, and Bach's St. John Passion (Oxford, 1998), An Introduction to Bach Studies (co-author Daniel Melamed; Oxford, 1998), Bach's Oratorios (Oxford, 2008), Tainted Glory in Handel's Messiah (Yale, 2014), and essays in Lutheran Quarterly, Harvard Theological Review, The Huffington Post, and The New York Times. (Klappentext) Bach, Johann Sebastian 1685-1750 Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 Religion Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf Geschichte 1700-1800 Church music Lutheran Church 18th century Kirchenmusik (DE-588)4030736-0 gnd rswk-swf Theologie (DE-588)4059758-1 gnd rswk-swf Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p Kirchenmusik (DE-588)4030736-0 s Theologie (DE-588)4059758-1 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-060698-5 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028988740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marissen, Michael 1960- Bach & God Bach, Johann Sebastian 1685-1750 Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 Religion Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Church music Lutheran Church 18th century Kirchenmusik (DE-588)4030736-0 gnd Theologie (DE-588)4059758-1 gnd |
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| title | Bach & God |
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