Visualising slavery: art across the African diaspora
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of th...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
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Liverpool
Liverpool University Press
2016
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| Schriftenreihe: | Liverpool studies in international slavery
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study |
| Beschreibung: | xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm |
| ISBN: | 9781781382677 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
LIST OF ILLUSTRATIONS IX
ACKNOWLEDGEMENTS XV
INTRODUCTION: 'INSIDE THE INVISIBLE': AFRICAN DIASPORIC ARTISTS
VISUALISE TRANSATLANTIC SLAVERY
CELESTE-MARIE BERNIER AND HANNAH DURKIN I
PART I SLAVERY AND MEMORY IN CONTEMPORARY AFRICAN DIASPORIC ART
CHAPTER I: LOST AND FOUND AT THE SWAP MEET: BETYE SAAR AND THE
EVERYDAY OBJECT
LUBAINA ILIMID \J
CHAPTER 2: PRESERVES
DELNA PRIESTLY 29
CHAPTER 3: WHAT GOES WITHOUT SAYING
HANK WILLIS THOMAS 34
CHAPTER 4: SPECTRES IN THE POSTCOLONIES: REIMAGINING VIOLENCE AND
RESISTANCE
ROSHINI KEMPADOO 48
CHAPTER 5: STRATEGIC REMEMBERING AND TACTICAL FORGETFULNESS IN
DEPICTING THE PLANTATION: A PERSONAL ACCOUNT
KEITH PIPER 62
PART II HISTORICAL ICONOGRAPHY AND VISUALISING TRANSATLANTIC SLAVERY
CHAPTER 6: THE CHATTEL RECORD: VISUALISING THE ARCHIVE IN DIASPORAN
ART
FIONNGHUALA SWEENEY 81
VII
VISUALISING SLAVERY
CHAPTER 7: HENRY BOX BROWN, AFRICAN ATLANTIC ARTISTS AND RADICAL
INTERVENTIONS
ALAN RICE 104
CHAPTER 8: UNCLE TOM AND THE PROBLEM OF'SOFT' RESISTANCE TO
SLAVERY
DAVID BINDMAN RIG
CHAPTER 9: THE AFTER-IMAGE: FREDERICK DOUGLASS IN VISUAL CULTURE
Z,OE TRODD 129
PART III AFRICAN DIASPORIC MONUMENTS AND MEMORIALISATION
CHAPTER 10: SITING THE CIRCUM-ATLANTIC: NELSON IN A BOTTLE IN
TRAFALGAR SQUARE
GEOFF QUILLEY 155
CHAPTER 11: ART AND CARIBBEAN SLAVERY: MODERN VISIONS OF THE 1763
GUYANA REBELLION
LEON WAINWRIGHT 168
CHAPTER 12: "THE GREATEST NEGRO MONUMENTS ON EARTH': RICHMOND
BARTHE'S MEMORIALS TO TOUSSAINT LOUVERTURE AND JEAN-JACQUES
DESSALINES
HANNCIH DURKIN 184
PART IV CONTEMPORARY LEGACIES IN AFRICAN DIASPORIC ART
CHAPTER 13: WE MIGHT NOT BE SURPRISED: VISUALISING SLAVERY AND THE
SLAVE SHIP IN THE WORKS OF CHARLES CAMPBELL AND MARY EVANS
EDDIE CHAMBERS 203
CHAPTER 14: 'X IS FOR X RAY, X SLAVE, X COLONY': A 'LEXICON OF
LIBERATION' VERSUS 'MY SLAVE HISTORY' IN THE PAINTINGS, INSTAL-
LATIONS AND SKETCHBOOKS OF DONALD RODNEY
CELESTE-MARIE BERNIER 218
CHAPTER I ;: RECONFIGURING AFRICAN TRADE BEADS: IHE MOST BEAUTIFUL,
BOUNTIFUL AND MARGINALISED SCULPTURAL LEGACY TO HAVE SURVIVED
THE MIDDLE PASSAGE
MARCUS WOOD . 248
AFTERWORD: AGAINST THE GRAIN: CONTINGENCY AND FOUND OBJECTS
NATHAN GRANT 274
NOTES ON CONTRIBUTORS . 280
INDEX 285
VIII |
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| spelling | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin Liverpool Liverpool University Press 2016 xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Liverpool studies in international slavery 9 Includes bibliographical references and index The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study Geschichte 1700-2010 gnd rswk-swf Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Afrika (DE-588)4000695-5 g Sklaverei Motiv (DE-588)4204853-9 s Künste (DE-588)4033422-3 s Geschichte 1700-2010 z DE-604 Bernier, Celeste-Marie 1975- (DE-588)136912052 edt Durkin, Hannah ca. 20./21. Jh. (DE-588)1102373052 edt Äquivalent Druck-Ausgabe, Paperback 978-1-80034-921-6 Liverpool studies in international slavery 9 (DE-604)BV035545289 9 V:DE-576;B:DE-16 application/pdf http://swbplus.bsz-bw.de/bsz468876162inh.htm Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028969393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Visualising slavery art across the African diaspora Liverpool studies in international slavery Includes bibliographical references and index Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv (DE-588)4204853-9 gnd Künste (DE-588)4033422-3 gnd |
| subject_GND | (DE-588)4204853-9 (DE-588)4033422-3 (DE-588)4000695-5 |
| title | Visualising slavery art across the African diaspora |
| title_auth | Visualising slavery art across the African diaspora |
| title_exact_search | Visualising slavery art across the African diaspora |
| title_full | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_fullStr | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_full_unstemmed | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_short | Visualising slavery |
| title_sort | visualising slavery art across the african diaspora |
| title_sub | art across the African diaspora |
| topic | Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv (DE-588)4204853-9 gnd Künste (DE-588)4033422-3 gnd |
| topic_facet | Slavery in art Slave trade in art African diaspora in art Sklaverei Motiv Künste Afrika |
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