Music and aesthetic reality: formalism and the limits of description
"In this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Routledge
2015
|
Schriftenreihe: | Routledge studies in contemporary philosophy
68 |
Schlagworte: | |
Zusammenfassung: | "In this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of language issues about the metaphorical nature of aesthetic descriptions of music. Among the innovations of this book, Zangwill addresses the limits of literal description, generally, and in the aesthetic case. He also explores the social and political issues about musical listening, which tend to be addressed more in continental traditions."--Flyleaf |
Beschreibung: | XVI, 212 Seiten 24 cm |
ISBN: | 9780415661027 |
Internformat
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490 | 1 | |a Routledge studies in contemporary philosophy |v 68 | |
505 | 8 | |a Includes bibliographical references (pages 193-201) and index | |
505 | 8 | |a Music and emotion. Against emotion : Hanslick was right about music ; Music, metaphor and emotion ; Music, emotion and method -- Describing music. Music, metaphor and aesthetic concepts ; Music, essential metaphor, and private language ; Music and politics ; Metaphor as appropriation -- Musical experience. Listening to music together ; Scruton's musical experiences ; Aesthetic experience and aesthetic realism | |
520 | |a "In this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of language issues about the metaphorical nature of aesthetic descriptions of music. Among the innovations of this book, Zangwill addresses the limits of literal description, generally, and in the aesthetic case. He also explores the social and political issues about musical listening, which tend to be addressed more in continental traditions."--Flyleaf | ||
650 | 4 | |a Music / Philosophy and aesthetics | |
650 | 4 | |a Aesthetic Realism | |
650 | 7 | |a Aesthetic Realism |2 fast | |
650 | 7 | |a Music / Philosophy and aesthetics |2 fast | |
650 | 4 | |a Musik | |
830 | 0 | |a Routledge studies in contemporary philosophy |v 68 |w (DE-604)BV022305332 |9 68 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028960120 |
Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Zangwill, Nick |
author_GND | (DE-588)134164741 |
author_facet | Zangwill, Nick |
author_role | aut |
author_sort | Zangwill, Nick |
author_variant | n z nz |
building | Verbundindex |
bvnumber | BV043544728 |
classification_rvk | LR 56800 |
contents | Includes bibliographical references (pages 193-201) and index Music and emotion. Against emotion : Hanslick was right about music ; Music, metaphor and emotion ; Music, emotion and method -- Describing music. Music, metaphor and aesthetic concepts ; Music, essential metaphor, and private language ; Music and politics ; Metaphor as appropriation -- Musical experience. Listening to music together ; Scruton's musical experiences ; Aesthetic experience and aesthetic realism |
ctrlnum | (OCoLC)951109027 (DE-599)BVBBV043544728 |
discipline | Musikwissenschaft |
format | Book |
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id | DE-604.BV043544728 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:28:28Z |
institution | BVB |
isbn | 9780415661027 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028960120 |
oclc_num | 951109027 |
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owner | DE-11 |
owner_facet | DE-11 |
physical | XVI, 212 Seiten 24 cm |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Routledge |
record_format | marc |
series | Routledge studies in contemporary philosophy |
series2 | Routledge studies in contemporary philosophy |
spelling | Zangwill, Nick Verfasser (DE-588)134164741 aut Music and aesthetic reality formalism and the limits of description Nick Zangwill New York Routledge 2015 XVI, 212 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge studies in contemporary philosophy 68 Includes bibliographical references (pages 193-201) and index Music and emotion. Against emotion : Hanslick was right about music ; Music, metaphor and emotion ; Music, emotion and method -- Describing music. Music, metaphor and aesthetic concepts ; Music, essential metaphor, and private language ; Music and politics ; Metaphor as appropriation -- Musical experience. Listening to music together ; Scruton's musical experiences ; Aesthetic experience and aesthetic realism "In this volume, Zangwill develops a view of the nature of music and our experience of music that foregrounds the aesthetic properties of music. He focuses on metaphysical issues about aesthetic properties of music, psychological issues about the nature of musical experience, and philosophy of language issues about the metaphorical nature of aesthetic descriptions of music. Among the innovations of this book, Zangwill addresses the limits of literal description, generally, and in the aesthetic case. He also explores the social and political issues about musical listening, which tend to be addressed more in continental traditions."--Flyleaf Music / Philosophy and aesthetics Aesthetic Realism Aesthetic Realism fast Music / Philosophy and aesthetics fast Musik Routledge studies in contemporary philosophy 68 (DE-604)BV022305332 68 |
spellingShingle | Zangwill, Nick Music and aesthetic reality formalism and the limits of description Routledge studies in contemporary philosophy Includes bibliographical references (pages 193-201) and index Music and emotion. Against emotion : Hanslick was right about music ; Music, metaphor and emotion ; Music, emotion and method -- Describing music. Music, metaphor and aesthetic concepts ; Music, essential metaphor, and private language ; Music and politics ; Metaphor as appropriation -- Musical experience. Listening to music together ; Scruton's musical experiences ; Aesthetic experience and aesthetic realism Music / Philosophy and aesthetics Aesthetic Realism Aesthetic Realism fast Music / Philosophy and aesthetics fast Musik |
title | Music and aesthetic reality formalism and the limits of description |
title_auth | Music and aesthetic reality formalism and the limits of description |
title_exact_search | Music and aesthetic reality formalism and the limits of description |
title_full | Music and aesthetic reality formalism and the limits of description Nick Zangwill |
title_fullStr | Music and aesthetic reality formalism and the limits of description Nick Zangwill |
title_full_unstemmed | Music and aesthetic reality formalism and the limits of description Nick Zangwill |
title_short | Music and aesthetic reality |
title_sort | music and aesthetic reality formalism and the limits of description |
title_sub | formalism and the limits of description |
topic | Music / Philosophy and aesthetics Aesthetic Realism Aesthetic Realism fast Music / Philosophy and aesthetics fast Musik |
topic_facet | Music / Philosophy and aesthetics Aesthetic Realism Musik |
volume_link | (DE-604)BV022305332 |
work_keys_str_mv | AT zangwillnick musicandaestheticrealityformalismandthelimitsofdescription |