The Oxford anthology of Tudor drama:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2016
|
| Ausgabe: | First published in paperback |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VI, 724 Seiten |
| ISBN: | 9780198728139 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Preface v
Introduction 1
1. The York Pageant of The Fall of the Angels (pre-1415-1569) 14
2. Croxton, The Play of the Sacrament (1470-1530?) 20
3. Fulgens and Lucrece (1490-1500?) 57
HENRY MEDWALL
4. Everyman (1490-1510?) 99
5. The Play of the Weather (c.1533) 118
JOHN HEYWOOD
6. Gammer Gurtons Needle (1550-1560) 144
WILLIAM STEPHENSON(?)
7. Respublica (1553-1554) 193
NICHOLAS UDALL
8. Thyestes (1560) 240
JASPER HEYWOOD
9* Cambises (1560-1570) 291
THOMAS PRESTON
10. Damon and Pythias (1564-1565) 337
RICHARD EDWARDS
11. The Three Ladies of London (1581-1584) 399
ROBERT WILSON
12. Tamburlaine the Great (1587?) 464
CHRISTOPHER MARLOWE
13. Endymion (1588) 508
JOHN LYLY
14. The Spanish Tragedy (c.1587-1592?) 574
THOMAS KYD
15. Titus Andronicus (1594?) 631
WILLIAM SHAKESPEARE
16. The Comedy of Errors (1589-1594?) 682
WILLIAM SHAKESPEARE
Bibliography 723
The Oxford Anthology of
TUDOR DRAMA
This anthology is the sister volume to The Oxford Handbook of Tudor Drama. It contains sixteen
of the most important, innovative, and dramatically exciting plays from the long Tudor century
(1485-1603) newly edited in accessible modem spelling from original manuscripts or printed texts.
Unlike previous anthologies, which have tended to divide the period by selecting examples
of only medieval’ or ‘Renaissance’ drama, and so eliding the continuities between the two, this
volume gives readers an overview of the whole period. For in reality medieval’plays such as
the magnificent York mystery cycle and the interludes of John Heywood were being performed
through much of the sixteenth century, alongside ‘Renaissance’works such as the comedy
Gammer GurtonsNeedle and Jasper Heywood’s English re-imagining of Seneca’s tragedy
of blood, Thyestes.
Tudor audiences clearly did not share the assumptions of modern editors, who have seen
the plays produced before the 1590s as ‘primitive’, didactic stuff, soon swept away by the genius
of Marlowe and Shakespeare. They enjoyed all of the works printed here, some anthologised
in a readily available collection for the first time, seeing in each of them elements of dramatic
action, character, and emotional engagement that moved and entertained them. This anthology
will allow modern readers to see why, offering a chronological arrangement of the best Tudor
plays that allows them to see for themselves the ways in which the traditions and tropes
that would characterise the Shakespearean stage were tried and tested through a century
of innovation and experiment. With the riches of a century of Tudor drama before them in
a single volume, readers and performers will be able to judge both what was gained in the long
century from the 1480s to the 1600s and also what was lost as drama moved from the streets
and halls of the early Tudor period to the professional playhouses of the Elizabethan age.
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| title | The Oxford anthology of Tudor drama |
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