Stewards of the Nation's Art: Contested Cultural Authority 1890-1939
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442698703 |
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| 505 | 8 | |a Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age | |
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Datensatz im Suchindex
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| contents | Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age |
| ctrlnum | (ZDB-23-DGG)9781442698703 (OCoLC)679416441 (DE-599)BVBBV043493524 |
| dewey-full | 708.2/13209041 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 708 - Galleries, museums & private collections |
| dewey-raw | 708.2/13209041 |
| dewey-search | 708.2/13209041 |
| dewey-sort | 3708.2 813209041 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1890-1939 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1890-1939 |
| format | Electronic eBook |
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| spelling | Geddes Poole, Andrea Verfasser aut Stewards of the Nation's Art Contested Cultural Authority 1890-1939 Andrea Geddes Poole Toronto University of Toronto Press [2016] © 2009 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1890-1939 gnd rswk-swf Geschichte Aristocracy (Social class) Great Britain History 19th century Aristocracy (Social class) Great Britain History 20th century Art and state Great Britain History 19th century Art and state Great Britain History 20th century Museumsverwaltung (DE-588)4170788-6 gnd rswk-swf Museumsleiter (DE-588)4485444-4 gnd rswk-swf Kunstmuseum (DE-588)4166041-9 gnd rswk-swf Großbritannien London (DE-588)4074335-4 gnd rswk-swf London (DE-588)4074335-4 g Kunstmuseum (DE-588)4166041-9 s Museumsleiter (DE-588)4485444-4 s Museumsverwaltung (DE-588)4170788-6 s Geschichte 1890-1939 z 1\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442698703 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Geddes Poole, Andrea Stewards of the Nation's Art Contested Cultural Authority 1890-1939 Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age Geschichte Aristocracy (Social class) Great Britain History 19th century Aristocracy (Social class) Great Britain History 20th century Art and state Great Britain History 19th century Art and state Great Britain History 20th century Museumsverwaltung (DE-588)4170788-6 gnd Museumsleiter (DE-588)4485444-4 gnd Kunstmuseum (DE-588)4166041-9 gnd |
| subject_GND | (DE-588)4170788-6 (DE-588)4485444-4 (DE-588)4166041-9 (DE-588)4074335-4 |
| title | Stewards of the Nation's Art Contested Cultural Authority 1890-1939 |
| title_auth | Stewards of the Nation's Art Contested Cultural Authority 1890-1939 |
| title_exact_search | Stewards of the Nation's Art Contested Cultural Authority 1890-1939 |
| title_full | Stewards of the Nation's Art Contested Cultural Authority 1890-1939 Andrea Geddes Poole |
| title_fullStr | Stewards of the Nation's Art Contested Cultural Authority 1890-1939 Andrea Geddes Poole |
| title_full_unstemmed | Stewards of the Nation's Art Contested Cultural Authority 1890-1939 Andrea Geddes Poole |
| title_short | Stewards of the Nation's Art |
| title_sort | stewards of the nation s art contested cultural authority 1890 1939 |
| title_sub | Contested Cultural Authority 1890-1939 |
| topic | Geschichte Aristocracy (Social class) Great Britain History 19th century Aristocracy (Social class) Great Britain History 20th century Art and state Great Britain History 19th century Art and state Great Britain History 20th century Museumsverwaltung (DE-588)4170788-6 gnd Museumsleiter (DE-588)4485444-4 gnd Kunstmuseum (DE-588)4166041-9 gnd |
| topic_facet | Geschichte Aristocracy (Social class) Great Britain History 19th century Aristocracy (Social class) Great Britain History 20th century Art and state Great Britain History 19th century Art and state Great Britain History 20th century Museumsverwaltung Museumsleiter Kunstmuseum Großbritannien London |
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