Gendering the Nation: Canadian Women's Cinema
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442675223 |
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| 245 | 1 | 0 | |a Gendering the Nation |b Canadian Women's Cinema |c Kay Armatage, Kass Banning, Brenda Longfellow |
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| 500 | |a Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) | ||
| 505 | 8 | |a Since Nell Shipman wrote and starred in Back to God's Country (1919), Canadian women have been making films. The accolades given to film-makers such as Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Alanis Obomsawin (My Name Is Kahenttiiosta, Walker), and Micheline Lanctot (Deux Actrices) at festivals throughout the world in recent years attest to the growing international recognition for films made by Canadian women. With Gendering the Nation the editors have produced a definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film-making in Canada. In dialogue with new paradigms for understanding the relationship of cinema with nation and gender, Gendering the Nation seeks to situate women's cinema through the complex optic of national culture. This collection of critical essays employs a variety of frameworks to analyse cinematic practices that range from narrative to documentary to the avant garde | |
| 650 | 4 | |a Feminist films |z Canada |x History and criticism | |
| 650 | 4 | |a Women motion picture producers and directors |z Canada | |
| 651 | 4 | |a Kanada | |
| 700 | 1 | |a Armatage, Kay |e Sonstige |4 oth | |
| 700 | 1 | |a Banning, Kass |e Sonstige |4 oth | |
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Datensatz im Suchindex
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| contents | Since Nell Shipman wrote and starred in Back to God's Country (1919), Canadian women have been making films. The accolades given to film-makers such as Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Alanis Obomsawin (My Name Is Kahenttiiosta, Walker), and Micheline Lanctot (Deux Actrices) at festivals throughout the world in recent years attest to the growing international recognition for films made by Canadian women. With Gendering the Nation the editors have produced a definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film-making in Canada. In dialogue with new paradigms for understanding the relationship of cinema with nation and gender, Gendering the Nation seeks to situate women's cinema through the complex optic of national culture. This collection of critical essays employs a variety of frameworks to analyse cinematic practices that range from narrative to documentary to the avant garde |
| ctrlnum | (ZDB-23-DGG)9781442675223 (OCoLC)666915074 (DE-599)BVBBV043492615 |
| dewey-full | 791.43/082/0971 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/082/0971 |
| dewey-search | 791.43/082/0971 |
| dewey-sort | 3791.43 282 3971 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:27:10Z |
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| isbn | 9781442675223 |
| language | English |
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| spelling | Gendering the Nation Canadian Women's Cinema Kay Armatage, Kass Banning, Brenda Longfellow Toronto University of Toronto Press [2016] © 1999 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Since Nell Shipman wrote and starred in Back to God's Country (1919), Canadian women have been making films. The accolades given to film-makers such as Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Alanis Obomsawin (My Name Is Kahenttiiosta, Walker), and Micheline Lanctot (Deux Actrices) at festivals throughout the world in recent years attest to the growing international recognition for films made by Canadian women. With Gendering the Nation the editors have produced a definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film-making in Canada. In dialogue with new paradigms for understanding the relationship of cinema with nation and gender, Gendering the Nation seeks to situate women's cinema through the complex optic of national culture. This collection of critical essays employs a variety of frameworks to analyse cinematic practices that range from narrative to documentary to the avant garde Feminist films Canada History and criticism Women motion picture producers and directors Canada Kanada Armatage, Kay Sonstige oth Banning, Kass Sonstige oth Longfellow, Brenda Sonstige oth http://www.degruyter.com/doi/book/10.3138/9781442675223 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gendering the Nation Canadian Women's Cinema Since Nell Shipman wrote and starred in Back to God's Country (1919), Canadian women have been making films. The accolades given to film-makers such as Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Alanis Obomsawin (My Name Is Kahenttiiosta, Walker), and Micheline Lanctot (Deux Actrices) at festivals throughout the world in recent years attest to the growing international recognition for films made by Canadian women. With Gendering the Nation the editors have produced a definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film-making in Canada. In dialogue with new paradigms for understanding the relationship of cinema with nation and gender, Gendering the Nation seeks to situate women's cinema through the complex optic of national culture. This collection of critical essays employs a variety of frameworks to analyse cinematic practices that range from narrative to documentary to the avant garde Feminist films Canada History and criticism Women motion picture producers and directors Canada |
| title | Gendering the Nation Canadian Women's Cinema |
| title_auth | Gendering the Nation Canadian Women's Cinema |
| title_exact_search | Gendering the Nation Canadian Women's Cinema |
| title_full | Gendering the Nation Canadian Women's Cinema Kay Armatage, Kass Banning, Brenda Longfellow |
| title_fullStr | Gendering the Nation Canadian Women's Cinema Kay Armatage, Kass Banning, Brenda Longfellow |
| title_full_unstemmed | Gendering the Nation Canadian Women's Cinema Kay Armatage, Kass Banning, Brenda Longfellow |
| title_short | Gendering the Nation |
| title_sort | gendering the nation canadian women s cinema |
| title_sub | Canadian Women's Cinema |
| topic | Feminist films Canada History and criticism Women motion picture producers and directors Canada |
| topic_facet | Feminist films Canada History and criticism Women motion picture producers and directors Canada Kanada |
| url | http://www.degruyter.com/doi/book/10.3138/9781442675223 |
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