The pathetick musician: moving an audience in the Age of Eloquence
What is rhetorical music? In "The Pathetick Musician", Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conv...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford University Press
[2016]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | What is rhetorical music? In "The Pathetick Musician", Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, "The Pathetick Musician" is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, "The Pathetick Musician" is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music. Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011. |
Beschreibung: | Includes bibliographical references and index. - "Bibliography of the writings of Bruce Haynes": pages |
Beschreibung: | xxix, 323 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9780199373734 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV043490169 | ||
003 | DE-604 | ||
005 | 20190219 | ||
007 | t | ||
008 | 160404s2016 xxkagl| |||| 00||| eng d | ||
010 | |a 015029319 | ||
020 | |a 9780199373734 |c hardback |9 978-0-19-937373-4 | ||
035 | |a (OCoLC)950572770 | ||
035 | |a (DE-599)BVBBV043490169 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxk |c GB | ||
049 | |a DE-12 |a DE-355 |a DE-11 |a DE-703 |a DE-B170 |a DE-20 | ||
050 | 0 | |a ML3845 | |
082 | 0 | |a 780.9/032 |2 23 | |
084 | |a LP 38218 |0 (DE-625)106357: |2 rvk | ||
084 | |a LR 56004 |0 (DE-625)109784:13532 |2 rvk | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Haynes, Bruce |d 1942-2011 |e Verfasser |0 (DE-588)131550969 |4 aut | |
245 | 1 | 0 | |a The pathetick musician |b moving an audience in the Age of Eloquence |c Bruce Haynes and Geoffrey Burgess |
246 | 1 | 3 | |a Pathetic musician |
264 | 1 | |a New York, NY |b Oxford University Press |c [2016] | |
264 | 4 | |c © 2016 | |
300 | |a xxix, 323 Seiten |b Illustrationen, Notenbeispiele | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index. - "Bibliography of the writings of Bruce Haynes": pages | ||
520 | |a What is rhetorical music? In "The Pathetick Musician", Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, "The Pathetick Musician" is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, "The Pathetick Musician" is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music. | ||
520 | |a Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011. | ||
600 | 1 | 7 | |a Bach, Johann Sebastian |d 1685-1750 |0 (DE-588)11850553X |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1700-1800 | |
648 | 4 | |a Geschichte 1600-1700 | |
648 | 7 | |a Geschichte 1700-1800 |2 gnd |9 rswk-swf | |
650 | 4 | |a Musik | |
650 | 4 | |a Music |y 17th century |x Philosophy and aesthetics | |
650 | 4 | |a Music |y 18th century |x Philosophy and aesthetics | |
650 | 0 | 7 | |a Gefühlsausdruck |0 (DE-588)4156267-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Publikum |0 (DE-588)4047764-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Historische Musikpraxis |0 (DE-588)4197967-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kantate |0 (DE-588)4029509-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Figur |g Musik |0 (DE-588)4154320-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Bach, Johann Sebastian |d 1685-1750 |0 (DE-588)11850553X |D p |
689 | 0 | 1 | |a Kantate |0 (DE-588)4029509-6 |D s |
689 | 0 | 2 | |a Aufführung |0 (DE-588)4143388-9 |D s |
689 | 0 | 3 | |a Gefühlsausdruck |0 (DE-588)4156267-7 |D s |
689 | 0 | 4 | |a Figur |g Musik |0 (DE-588)4154320-8 |D s |
689 | 0 | 5 | |a Publikum |0 (DE-588)4047764-2 |D s |
689 | 0 | 6 | |a Historische Musikpraxis |0 (DE-588)4197967-9 |D s |
689 | 0 | 7 | |a Geschichte 1700-1800 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Burgess, Geoffrey |e Verfasser |0 (DE-588)131550942 |4 aut | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-19-937377-2 |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028906718&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |n DHB | |
940 | 1 | |q DHB_BSB_DDC1 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-028906718 | ||
942 | 1 | 1 | |c 781.4 |e 22/bsb |f 09033 |g 43 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 43 |
942 | 1 | 1 | |c 780.1 |e 22/bsb |f 09033 |g 43 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 43 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09033 |g 43 |
Datensatz im Suchindex
_version_ | 1804176117866692608 |
---|---|
adam_text | CONTENTS
Foreword: Aus der Tiefen ( Geoffrey Burgess) xi
Preface: Pipe Dreams (Bruce Haynes) xxi
Acknowledgments xxvii
About the Companion Website xxix
PART ONE BACH AND THE RHETORICAL HERITAGE
INTRODUCTION: THE ELOQUENT MUSICIAN (BH) 3
The Truth in Eloquence 3
Rhetorical Music 6
The Pathetick Musician 7
Utpictura poesis 9
The Officers of Rhetoric n
Style Coaches 14
Further Reading 16
1. IN THE REALM OF THE PASSIONS (BH) is
Humanism and the Rhetorical Ethos is
Seconda prattica 19
The Romantic Revolution 2s
Of Aesthetics and Beauty 28
Autonomous Music: “Art for Art s Sake” 31
Personally Expressing Passions or Passionately Expressing Persons? 33
Vll
Contents
viii
Afterword by Geoffrey Burgess 35
Further Reading 36
2. THE PRINCIPLES OF ELOQUENCE: THE ARTIST S
TOOLBOX (GB) .38
The Offices of Rhetoric 38
Structuring Rhetoric 41
The Sense of Music 42
Figures of Speech, Figures of Song 44
Hypotyposis or Painting 49
Pathopoia or Arousing Passions 50
Topics: Intertextual Allusion 57
Ethopoeia: Musical Characterization 58
Key and Character 59
On the Possibility of a Figurenlehre 6s
Further Reading 66
3. BACH’S EXPRESSIVE UNIVERSE (GB) 68
Imitation: Portraying and Evoking the World 68
“Clear running water”: Schweitzer s Legacy 69
Figuring Bach s World 70
Bach the Poet, Bach the Painter 72
Onomatopoeia 80
Landscape Painting and “Paintings of Life” 84
Further Reading 90
4. BACH S INNER WORLD (GB) 91
General and Particular Expression 91
Reading Bachs Passions 93
Fear and Tremolo 98
Antithesis: At Odds with Oneself 100
Polyphonies of Passions: Passions in Polyphony 105
Laughing at Death: The Proximity of Opposites 114
Further Reading
117
Contents
PART TWO PERFORMING ELOQUENCE
5. ENHANCING ELOQUENCE IN PERFORMANCE
(. ELOCUTIO) (GB) 121
The Intentional Fallacy” Fallacy: Whose Intention? 121
Elocution The Essence of Performance Practice 127
Humouring” the Score 128
Tempo and Affect 134
Light and Shadow 137
Further Reading 138
6. FIGURES: SPINNING STRAW INTO GOLD (GB)
Public Speaking, Public Musicking 139
Declamation as Figurative Speech 141
Figures as Ornamental Glosses 146
Essential Graces 149
Graces as Glosses isi
The Salt of Music, the Spice of Dissonance 153
Graces as Passionate Expression 154
Structuring Ornaments: Passaggi and Paraphrase 160
Ornaments in History 162
Further Reading 167
7. THE EXPRESSIVE GESTURE (GB) 168
Audible Architecture 168
Articulating the Musical Gesture 171
The Breath of Life 175
Agogics 181
The Agogic Accent (prolonged beat) 181
The Agogic Pickup 182
The Agogic Placement 182
The Hesitation 183
Finding the Poetry in the Notes 183
Pause to Reflect 186
x Contents
Gesture and Character i89
Gesturing toward the Phrase 195
Further Reading 199
8. KAIROS: EXPRESSIVE TIMING (GB) 200
Chronos and Kairos: Two Kinds of Time 200
The Metronome and the Modern Tendency toward Chronos 202
The Beat, or Pulse in Baroque Music 204
The true motion of the Bass” 207
Tempo Fluctuation 211
Borrowed Time 221
Kairos: Isolating Musical Events 225
Timing in Dance Music 228
Further Reading 232
9. TO KINDLE THE HEART: ENGAGEMENT IN
PERFORMANCE (GB) 234
The Sovereign Audience 235
Authentic Ears 241
Music in the Body 243
The Meaning of Vortrag 249
The unutterable ravishing Soul s delight 250
Dan ce: Une poésie muette 252
Sincerity in Performance 254
Mental Multitasking 260
Further Reading 261
10. ANALYZING EXPRESSION IN PERIOD RECORDINGS OF
BACH’S CANTATAS (BH) 263
Appendix Bruce Haynes: List of Publications 275
Notes 283
General Bibliography 297
Index 3ix
|
any_adam_object | 1 |
author | Haynes, Bruce 1942-2011 Burgess, Geoffrey |
author_GND | (DE-588)131550969 (DE-588)131550942 |
author_facet | Haynes, Bruce 1942-2011 Burgess, Geoffrey |
author_role | aut aut |
author_sort | Haynes, Bruce 1942-2011 |
author_variant | b h bh g b gb |
building | Verbundindex |
bvnumber | BV043490169 |
callnumber-first | M - Music |
callnumber-label | ML3845 |
callnumber-raw | ML3845 |
callnumber-search | ML3845 |
callnumber-sort | ML 43845 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 38218 LR 56004 |
ctrlnum | (OCoLC)950572770 (DE-599)BVBBV043490169 |
dewey-full | 780.9/032 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.9/032 |
dewey-search | 780.9/032 |
dewey-sort | 3780.9 232 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1700-1800 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1600-1700 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05923nam a2200793 c 4500</leader><controlfield tag="001">BV043490169</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190219 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160404s2016 xxkagl| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">015029319</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199373734</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-937373-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)950572770</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043490169</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3845</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9/032</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 38218</subfield><subfield code="0">(DE-625)106357:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56004</subfield><subfield code="0">(DE-625)109784:13532</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Haynes, Bruce</subfield><subfield code="d">1942-2011</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131550969</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The pathetick musician</subfield><subfield code="b">moving an audience in the Age of Eloquence</subfield><subfield code="c">Bruce Haynes and Geoffrey Burgess</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Pathetic musician</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxix, 323 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index. - "Bibliography of the writings of Bruce Haynes": pages</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">What is rhetorical music? In "The Pathetick Musician", Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, "The Pathetick Musician" is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, "The Pathetick Musician" is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Bach, Johann Sebastian</subfield><subfield code="d">1685-1750</subfield><subfield code="0">(DE-588)11850553X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1700-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="y">17th century</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="y">18th century</subfield><subfield code="x">Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gefühlsausdruck</subfield><subfield code="0">(DE-588)4156267-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Historische Musikpraxis</subfield><subfield code="0">(DE-588)4197967-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kantate</subfield><subfield code="0">(DE-588)4029509-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Figur</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4154320-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bach, Johann Sebastian</subfield><subfield code="d">1685-1750</subfield><subfield code="0">(DE-588)11850553X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kantate</subfield><subfield code="0">(DE-588)4029509-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Gefühlsausdruck</subfield><subfield code="0">(DE-588)4156267-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Figur</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4154320-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Historische Musikpraxis</subfield><subfield code="0">(DE-588)4197967-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Geschichte 1700-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Burgess, Geoffrey</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131550942</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-19-937377-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028906718&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_BSB_DDC1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028906718</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.4</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV043490169 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:27:05Z |
institution | BVB |
isbn | 9780199373734 |
language | English |
lccn | 015029319 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028906718 |
oclc_num | 950572770 |
open_access_boolean | |
owner | DE-12 DE-355 DE-BY-UBR DE-11 DE-703 DE-B170 DE-20 |
owner_facet | DE-12 DE-355 DE-BY-UBR DE-11 DE-703 DE-B170 DE-20 |
physical | xxix, 323 Seiten Illustrationen, Notenbeispiele |
psigel | DHB_BSB_DDC1 |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Oxford University Press |
record_format | marc |
spelling | Haynes, Bruce 1942-2011 Verfasser (DE-588)131550969 aut The pathetick musician moving an audience in the Age of Eloquence Bruce Haynes and Geoffrey Burgess Pathetic musician New York, NY Oxford University Press [2016] © 2016 xxix, 323 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index. - "Bibliography of the writings of Bruce Haynes": pages What is rhetorical music? In "The Pathetick Musician", Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, "The Pathetick Musician" is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, "The Pathetick Musician" is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music. Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011. Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1700-1800 gnd rswk-swf Musik Music 17th century Philosophy and aesthetics Music 18th century Philosophy and aesthetics Gefühlsausdruck (DE-588)4156267-7 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Kantate (DE-588)4029509-6 gnd rswk-swf Figur Musik (DE-588)4154320-8 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p Kantate (DE-588)4029509-6 s Aufführung (DE-588)4143388-9 s Gefühlsausdruck (DE-588)4156267-7 s Figur Musik (DE-588)4154320-8 s Publikum (DE-588)4047764-2 s Historische Musikpraxis (DE-588)4197967-9 s Geschichte 1700-1800 z DE-604 Burgess, Geoffrey Verfasser (DE-588)131550942 aut Erscheint auch als Online-Ausgabe 978-0-19-937377-2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028906718&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Haynes, Bruce 1942-2011 Burgess, Geoffrey The pathetick musician moving an audience in the Age of Eloquence Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Musik Music 17th century Philosophy and aesthetics Music 18th century Philosophy and aesthetics Gefühlsausdruck (DE-588)4156267-7 gnd Publikum (DE-588)4047764-2 gnd Historische Musikpraxis (DE-588)4197967-9 gnd Kantate (DE-588)4029509-6 gnd Figur Musik (DE-588)4154320-8 gnd Aufführung (DE-588)4143388-9 gnd |
subject_GND | (DE-588)11850553X (DE-588)4156267-7 (DE-588)4047764-2 (DE-588)4197967-9 (DE-588)4029509-6 (DE-588)4154320-8 (DE-588)4143388-9 (DE-588)4143413-4 |
title | The pathetick musician moving an audience in the Age of Eloquence |
title_alt | Pathetic musician |
title_auth | The pathetick musician moving an audience in the Age of Eloquence |
title_exact_search | The pathetick musician moving an audience in the Age of Eloquence |
title_full | The pathetick musician moving an audience in the Age of Eloquence Bruce Haynes and Geoffrey Burgess |
title_fullStr | The pathetick musician moving an audience in the Age of Eloquence Bruce Haynes and Geoffrey Burgess |
title_full_unstemmed | The pathetick musician moving an audience in the Age of Eloquence Bruce Haynes and Geoffrey Burgess |
title_short | The pathetick musician |
title_sort | the pathetick musician moving an audience in the age of eloquence |
title_sub | moving an audience in the Age of Eloquence |
topic | Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Musik Music 17th century Philosophy and aesthetics Music 18th century Philosophy and aesthetics Gefühlsausdruck (DE-588)4156267-7 gnd Publikum (DE-588)4047764-2 gnd Historische Musikpraxis (DE-588)4197967-9 gnd Kantate (DE-588)4029509-6 gnd Figur Musik (DE-588)4154320-8 gnd Aufführung (DE-588)4143388-9 gnd |
topic_facet | Bach, Johann Sebastian 1685-1750 Musik Music 17th century Philosophy and aesthetics Music 18th century Philosophy and aesthetics Gefühlsausdruck Publikum Historische Musikpraxis Kantate Figur Musik Aufführung Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028906718&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT haynesbruce thepathetickmusicianmovinganaudienceintheageofeloquence AT burgessgeoffrey thepathetickmusicianmovinganaudienceintheageofeloquence AT haynesbruce patheticmusician AT burgessgeoffrey patheticmusician |