Kinyras: the divine lyre
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Washington, D.C.
Center for Hellenic Studies
2015
|
| Schriftenreihe: | Hellenic studies
70 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxxviii, 794 Seiten Illustrationen |
| ISBN: | 9780674088306 |
Internformat
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| 264 | 1 | |a Washington, D.C. |b Center for Hellenic Studies |c 2015 | |
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| 490 | 0 | |a Hellenic studies |v 70 | |
| 500 | |a Includes bibliographical references and index | ||
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Kinyras (Greek mythology) | |
| 650 | 4 | |a Lyre |x History | |
| 650 | 4 | |a Music, Greek and Roman |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804176094860935168 |
|---|---|
| adam_text | Table of Contents
List of Figures.................................................xiii
Preface. ........................................................xix
Conventions and Abbreviations....................................xxv
INTRODUCTION
1. Kinyras and Kinnaru............................................1
Kinyras of Cyprus.....................................1
The Return of Kinnaru.................................4
The Crux..............................................5
Plan of This Study and Preliminary Conclusions........7
Pre-Greek, Greek, and Phoenician Cyprus..............10
PART ONE: THE CULT OF KINNARU
2. Instrument Gods and Musician Kings in Early Mesopotamia . . 19
Divinized Instruments...................................19
Gudea and the Balang-Gods of Ningirsu...................26
Shulgi and the Royal Ideal of Music.....................33
Lovely Lyrics for Inanna................................37
Music and Seven-Magic...................................40
Conclusion..............................................41
3. The Knr...........................................................43
Jubal: Looking Back from Israel.........................43
Identifying the Knr.....................................46
The Lexical Evidence....................................53
The Problems of Stringing and Tuning ...................57
Limits of the Investigation.............................50
vii
Table of Contents
4. Starting at Ebla.................................................63
The City and Its Music.................................63
Kinnamm and Balang.....................................65
Lamentation and Royal Ancestor Cult....................67
Divine Lyre at Ebla?...................................71
5. Mari and the Amorite Age.......................................73
The City and Its Music.................................73
The Kinnaru at Mari....................................76
The Amorite Connection ................................80
Divine Instruments and the Amorite World...............83
Conclusion........................................... 87
6. Peripherals, Hybrids, Cognates...................................89
The ‘Inanna-Instrument’ and Hittite Royal Ritual.......89
The Syro-Hurrian Sphere................................96
‘Asiatic’ Lyres in Bronze Age Egypt...................104
7. Kinnaru of Ugarit...............................................113
The King and His Musicians............................113
More about Kinnaru....................................119
Praising Baal.........................................125
Bow and Lyre in the Tale ofAqhat......................131
Râp’iu, Kinnaru, and the Eternal Power of Music......134
Silence of Kinnaru....................................141
Isaiah and the Lyres of the Rephaim..................146
Conclusion............................................147
8. David and the Divine Lyre......................................149
David, Solomon, and the Ideals of Great Kingship.....150
Musical Management in the First Temple................155
The Kinndr and the Divine Lyre........................158
King, Kinndr, and the “Spirit of God”.................165
Performing the Divine Lyre............................167
Sweet Psalmist of Israel: David’s Lyric Legacy........174
viii
Table of Contents
PART TWO: KINYRAS ON CYPRUS
9. Kinyras the Kinyrist.........................................187
The Etymology of Kinyras..............................187
The Conflict with Apollo..............................189
Outplaying Orpheus and Thamyris.......................192
The ‘Greek Kinyra....................................194
“Our Kenyristes Apollo”: Playing the Kinyra on Cyprus .... 203 Lost in Translation:
Kinyra at the Syro-Levantine Interface.............213
Conclusion............................................216
10. Praising Kinyras............................................219
Pindar and the Example of Kinyras.....................219
The Love of Apollo....................................226
Singing ‘about Kinyras...............................231
Caught in the Act: Two Model Shrines..................236
11. Lyric Landscapes of Early Cyprus............................241
The Current Picture...................................241
A Lost ‘Daughter of Kinyras’ in the Cyprus Museum.....245
Music, Memory, and the Aegean Diaspora................250
Cypriot Lyres between East and West...................253
Ethnicity and Musical Identity
in the Cypro-Phoenician Bowls......................258
The Case for Second-Millennium Adaptation of Kinyra . . . 272 Conclusion............................................276
12. Kinyras the Lamenter........................................279
Kinyras and His Cult Family...........................280
Between Song and Silence..............................291
The Cypriot Linos-Song................................304
Phoinix Kinyrizon.....................................316
Epilogue: The Antinoos Lament from Kourion............318
13. The Talents of Kinyras......................................321
Great Kingship........................................321
Metallurge and Potter.................................324
Kinyras the Mariner...................................326
Oilman and Parfumeur..................................330
The Virtuous Monarch..................................333
Conclusion............................................335
IX
Table of Contents
14. Restringing Kinyras...........................................337
Aegean Foundation Legends and Epic Homecomings . . . . 337
Kinyras, Dmetor, and the Changing States of Cyprus...342
Liar King:
The Terracotta Fleet and the Curse of Agamemnon . . . 343
The Unthroning of Kinyras.............................346
Kinyras and Pre-Greek Social Topography...............349
Salamis: Euagoras, Teukros, and the Daughter of Kinyras . . 351 Paphos: Agapenor, Laodike, and the Arcadian Connection . . 359 Conclusion............................................368
15. Crossing the Water............................................371
Alashiya and the Mainland Cults.......................371
Importing the Divine Lyre.............................380
Music and the Harmonious Realm........................383
From Divine Lyre to Culture-Hero......................392
16. The Kinyradai of Paphos.......................................401
Tacitus and the Memories of the Paphian Priesthood .... 401
Nikokles and the Kinyrad Legacy.......................407
The Kinyradai in Hellenistic and Roman Times..........417
Sons of the Kinyra....................................421
PART THREE: KINYRAS AND THE LANDS AROUND CYPRUS
17. Kinyras at Pylos..............................................427
Kinyras and the Priests...............................427
Naming Kinyras in Greek............................. 432
Kinyras the Shipwright................................436
A Kinyras Complex.....................................438
18. The Melding of Kinyras and Kothar...........................443
Kothar and Kinnaru....................................443
Philo of Byblos: Khousor and His Retiring Twin........445
Etienne de Lusignan: Cinaras and His Retiring Twin....452
The Craftsman-Musician Twins Mytheme..................453
Confounded Lyres?.....................................456
x
Table of Contents
19. Kinyras, Kothar, and the Passage from Bybtos................459
Kinyras, Kinnaru, and the Canaanite Shift............459
Lucian: Kinyras at Aphaka............................461
Kinyras and Theias...................................466
Ps.-Melito: Kauthar at Aphaka........................468
Goddess, King, and Copper............................473
The Cypro-Byblian Interface..........................479
Ritual Lamentation and the ‘Damu’ of Byblos..........482
Conclusion...........................................486
20. Kinyras at Sidon? The Strange Affair of Abdalonymos .... 489
21. Syro-Cilician Approaches......................................495
Aoios and Paphos: Two Cilician Crossings.............498
Solar Gods, Sandokos, and the Syrian Descent.........504
The Egyptian Detour..................................512
THEIOS AOIDOS: The Lyre-Player Seals.................517
APPENDICES
A: A Note on Balang in the Gudea Cylinders.....................531
B: Ptolemy Khennos as a Source
for the Contest of Kinyras and Apollo........................535
C: Horace, Cinara, and the Syrian Musiciennes of Rome............537
D: Kinyrfzein: The View from Stoudios............................539
E: The Tost Site of Kinyreia....................................545
F: Theodontius: Another Cilician Kinyras?........................549
G: Étienne de Lusignan and the God Cinaras .....................557
BALANG-GODS......................................................571
A Study by Wolfgang Heimpel
Bibliography.....................................................633
Index Locorum....................................................715
General Index....................................................73^
XI
|
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| dewey-ones | 787 - Stringed instruments (Chordophones) |
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| dewey-search | 787.7/81909 |
| dewey-sort | 3787.7 581909 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| id | DE-604.BV043475034 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:26:43Z |
| institution | BVB |
| isbn | 9780674088306 |
| language | English |
| lccn | 015032440 |
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| physical | xxxviii, 794 Seiten Illustrationen |
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| spelling | Franklin, John 1964- Verfasser (DE-588)1100728961 aut Kinyras the divine lyre John C. Franklin Washington, D.C. Center for Hellenic Studies 2015 xxxviii, 794 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Hellenic studies 70 Includes bibliographical references and index Kinyras Fiktive Gestalt (DE-588)1099735106 gnd rswk-swf Geschichte Kinyras (Greek mythology) Lyre History Music, Greek and Roman History and criticism Lyra (DE-588)4168390-0 gnd rswk-swf Musikinstrumente (DE-2581)TH000006176 gbd Mythologie der Griechen (DE-2581)TH000006466 gbd Kinyras Fiktive Gestalt (DE-588)1099735106 p Lyra (DE-588)4168390-0 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028891933&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Franklin, John 1964- Kinyras the divine lyre Kinyras Fiktive Gestalt (DE-588)1099735106 gnd Geschichte Kinyras (Greek mythology) Lyre History Music, Greek and Roman History and criticism Lyra (DE-588)4168390-0 gnd |
| subject_GND | (DE-588)1099735106 (DE-588)4168390-0 |
| title | Kinyras the divine lyre |
| title_auth | Kinyras the divine lyre |
| title_exact_search | Kinyras the divine lyre |
| title_full | Kinyras the divine lyre John C. Franklin |
| title_fullStr | Kinyras the divine lyre John C. Franklin |
| title_full_unstemmed | Kinyras the divine lyre John C. Franklin |
| title_short | Kinyras |
| title_sort | kinyras the divine lyre |
| title_sub | the divine lyre |
| topic | Kinyras Fiktive Gestalt (DE-588)1099735106 gnd Geschichte Kinyras (Greek mythology) Lyre History Music, Greek and Roman History and criticism Lyra (DE-588)4168390-0 gnd |
| topic_facet | Kinyras Fiktive Gestalt Geschichte Kinyras (Greek mythology) Lyre History Music, Greek and Roman History and criticism Lyra |
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