Theories of the nonobject: Argentina, Brazil, Venezuela, 1944-1969
"Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the signi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, Calif.
University of California Press
[2016]
|
| Schriftenreihe: | Ahmanson Murphy fine arts imprint
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959, with specific attention to a group of major art figures including Lygia Clark, Hélio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object"...Provided by publisher |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 309 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| ISBN: | 9780520286627 0520286626 |
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Datensatz im Suchindex
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| adam_text |
THEORIES OF THE NONOBJECT
/ AMOR, MONICA [AUTHOR]
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
AT PAINTING'S EDGE : ARTE CONCRETO INVENCION, 1944-46
THE CONCRETE IDEA ON ITS WAY TO THE NONOBJECT, 1949-59
FROM WORK TO FRAME, IN BETWEEN, AND BEYOND : THE TOPOLOGY OF THE
NONOBJECT, 1959-66
FORMS OF AFFECT : HELIO OITICICA'S PARANGOLES, 1964-65
ANOTHER GEOMETRY : GEGO'S RETICULAREA, 1969-77
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| author | Amor, Monica 1967- |
| author_GND | (DE-588)188355251 |
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| bvnumber | BV043457345 |
| callnumber-first | N - Fine Arts |
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| callnumber-subject | N - Visual Arts |
| classification_rvk | LO 96740 |
| ctrlnum | (OCoLC)952559705 (DE-599)BVBBV043457345 |
| dewey-full | 709.04/056 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04/056 |
| dewey-search | 709.04/056 |
| dewey-sort | 3709.04 256 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1944-1969 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1944-1969 |
| format | Thesis Book |
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| spelling | Amor, Monica 1967- Verfasser (DE-588)188355251 aut Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 Mónica Amor Oakland, Calif. University of California Press [2016] x, 309 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Ahmanson Murphy fine arts imprint Includes bibliographical references and index Dissertation City University New York "Theories of the Nonobject investigates the crisis of the sculptural and painterly object in the concrete, neoconcrete, and constructivist practices of artists in Argentina, Brazil, and Venezuela, with case studies of specific movements, artists, and critics. Amor traces their role in the significant reconceptualization of the artwork that Brazilian critic and poet Ferreira Gullar heralded in 'Theory of the Nonobject' in 1959, with specific attention to a group of major art figures including Lygia Clark, Hélio Oiticica, and Gego, whose work proposed engaged forms of spectatorship that dismissed medium-based understandings of art. Exploring the philosophical, economic, and political underpinnings of geometric abstraction in post-World War II South America, Amor highlights the overlapping inquiries of artists and critics who, working on the periphery of European and US modernism, contributed to a sophisticated conversation about the nature of the art object"...Provided by publisher Gullar, Ferreira 1930-2016 (DE-588)129816019 gnd rswk-swf Geschichte 1900-2000 Geschichte 1944-1969 gnd rswk-swf Geschichte Concrete art South America History 20th century Art, Argentine 20th century Art, Brazilian 20th century Art, Venezuelan 20th century Object (Aesthetics) Kunsttherapeut (DE-588)4308698-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Venezuela (DE-588)4062512-6 gnd rswk-swf Argentinien (DE-588)4002890-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Gullar, Ferreira 1930-2016 (DE-588)129816019 p Kunsttherapeut (DE-588)4308698-6 s DE-604 Argentinien (DE-588)4002890-2 g Brasilien (DE-588)4008003-1 g Venezuela (DE-588)4062512-6 g Kunst (DE-588)4114333-4 s Plastik (DE-588)4046277-8 s Geschichte 1944-1969 z LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028874646&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Amor, Monica 1967- Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 Gullar, Ferreira 1930-2016 (DE-588)129816019 gnd Geschichte Concrete art South America History 20th century Art, Argentine 20th century Art, Brazilian 20th century Art, Venezuelan 20th century Object (Aesthetics) Kunsttherapeut (DE-588)4308698-6 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)129816019 (DE-588)4308698-6 (DE-588)4114333-4 (DE-588)4046277-8 (DE-588)4008003-1 (DE-588)4062512-6 (DE-588)4002890-2 (DE-588)4113937-9 |
| title | Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 |
| title_auth | Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 |
| title_exact_search | Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 |
| title_full | Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 Mónica Amor |
| title_fullStr | Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 Mónica Amor |
| title_full_unstemmed | Theories of the nonobject Argentina, Brazil, Venezuela, 1944-1969 Mónica Amor |
| title_short | Theories of the nonobject |
| title_sort | theories of the nonobject argentina brazil venezuela 1944 1969 |
| title_sub | Argentina, Brazil, Venezuela, 1944-1969 |
| topic | Gullar, Ferreira 1930-2016 (DE-588)129816019 gnd Geschichte Concrete art South America History 20th century Art, Argentine 20th century Art, Brazilian 20th century Art, Venezuelan 20th century Object (Aesthetics) Kunsttherapeut (DE-588)4308698-6 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Gullar, Ferreira 1930-2016 Geschichte Concrete art South America History 20th century Art, Argentine 20th century Art, Brazilian 20th century Art, Venezuelan 20th century Object (Aesthetics) Kunsttherapeut Kunst Plastik Brasilien Venezuela Argentinien Hochschulschrift |
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