The prints of Paul Sandby (1731-1809): a catalogue raisonné
Born in Nottingham, Paul Sandby (1731-1809) is best known as a founder member of the Royal Academy and a prominent figure in the development of British watercolour painting. However, he was also one of the most prolific and inventive printmakers in eighteenth-century Britain. From his early years as...
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| Sprache: | English |
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London ; Turnhout
Harvey Miller Publishers, An imprint of Brepols Publishers
[2015]
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| Zusammenfassung: | Born in Nottingham, Paul Sandby (1731-1809) is best known as a founder member of the Royal Academy and a prominent figure in the development of British watercolour painting. However, he was also one of the most prolific and inventive printmakers in eighteenth-century Britain. From his early years as a draughtsman for the military survey of Scotland, and later from his extensive tours throughout England and Wales, he depicted the people, towns, castles and landscapes of the nation. He provided the public with images of their country which contributed to the emerging appreciation of native landscape, to antiquarian interests, and to the development of picturesque tours within the British Isles. Although he never travelled abroad, he reproduced the work of fellow artists who had, tapping into the Grand Tour market with prints of Ionian antiquities, Neapolitan landscapes and the Roman carnival. But his work encompassed more than landscape; he could move from the pastoral humour of illustrations to Allan Ramsays poem The Gentle Shepherd, through the urban realism of his Cries of London to the merciless satire of his attacks on William Hogarth. From the 1740s to the 1780s he made over 380 prints: engravings, etchings, soft ground etchings and finally aquatints, a medium in which he was a pioneer. Aquatint enabled printmakers to reproduce the effects of watercolour paintings; Sandby gave the process its name and developed varied techniques which allowed the exact reproduction of the artists brush strokes, producing some of the most beautiful prints ever made in this medium |
| Beschreibung: | 339 Seiten Illustrationen |
| ISBN: | 9781909400160 |
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| 520 | |a Born in Nottingham, Paul Sandby (1731-1809) is best known as a founder member of the Royal Academy and a prominent figure in the development of British watercolour painting. However, he was also one of the most prolific and inventive printmakers in eighteenth-century Britain. From his early years as a draughtsman for the military survey of Scotland, and later from his extensive tours throughout England and Wales, he depicted the people, towns, castles and landscapes of the nation. He provided the public with images of their country which contributed to the emerging appreciation of native landscape, to antiquarian interests, and to the development of picturesque tours within the British Isles. Although he never travelled abroad, he reproduced the work of fellow artists who had, tapping into the Grand Tour market with prints of Ionian antiquities, Neapolitan landscapes and the Roman carnival. But his work encompassed more than landscape; he could move from the pastoral humour of illustrations to Allan Ramsays poem The Gentle Shepherd, through the urban realism of his Cries of London to the merciless satire of his attacks on William Hogarth. From the 1740s to the 1780s he made over 380 prints: engravings, etchings, soft ground etchings and finally aquatints, a medium in which he was a pioneer. Aquatint enabled printmakers to reproduce the effects of watercolour paintings; Sandby gave the process its name and developed varied techniques which allowed the exact reproduction of the artists brush strokes, producing some of the most beautiful prints ever made in this medium | ||
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Datensatz im Suchindex
| _version_ | 1811019424077971456 |
|---|---|
| adam_text |
CONTENTS
PREFACE
3
INTRODUCTION
^
CHAPTER
ONE
THE
1740S:
SCOTLAND
^3
CHAPTER
TWO
THE
1750S
AND
1760S:
LONDON
AND
WINDSOR
21
CHAPTER
THREE
THE
1770S
AND
1780S:
WALES,
WARWICK
AND
WINDSOR
AND
THE
DEVELOPMENT
OF
AQUATINT
39
CHAPTER
FOUR
SANDBY'S
PLACE
IN
THE
PRINT
WORLD:
COLLABORATION
AND
COPYING
57
EPILOGUE
PUPILS
AND
FOLLOWERS
71
APPENDIX
^9
BIBLIOGRAPHY
^3
THE
CATALOGUE
93
INDEX
335 |
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| discipline | Kunstgeschichte |
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| isbn | 9781909400160 |
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| spelling | Gunn, Ann V. (DE-588)141724048 com aut The prints of Paul Sandby (1731-1809) a catalogue raisonné Ann V. Gunn London ; Turnhout Harvey Miller Publishers, An imprint of Brepols Publishers [2015] © 2015 339 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Born in Nottingham, Paul Sandby (1731-1809) is best known as a founder member of the Royal Academy and a prominent figure in the development of British watercolour painting. However, he was also one of the most prolific and inventive printmakers in eighteenth-century Britain. From his early years as a draughtsman for the military survey of Scotland, and later from his extensive tours throughout England and Wales, he depicted the people, towns, castles and landscapes of the nation. He provided the public with images of their country which contributed to the emerging appreciation of native landscape, to antiquarian interests, and to the development of picturesque tours within the British Isles. Although he never travelled abroad, he reproduced the work of fellow artists who had, tapping into the Grand Tour market with prints of Ionian antiquities, Neapolitan landscapes and the Roman carnival. But his work encompassed more than landscape; he could move from the pastoral humour of illustrations to Allan Ramsays poem The Gentle Shepherd, through the urban realism of his Cries of London to the merciless satire of his attacks on William Hogarth. From the 1740s to the 1780s he made over 380 prints: engravings, etchings, soft ground etchings and finally aquatints, a medium in which he was a pioneer. Aquatint enabled printmakers to reproduce the effects of watercolour paintings; Sandby gave the process its name and developed varied techniques which allowed the exact reproduction of the artists brush strokes, producing some of the most beautiful prints ever made in this medium Sandby, Paul / 1731-1809 / Catalogues raisonnés Sandby, Paul 1725-1809 (DE-588)118935321 gnd rswk-swf Druckgrafik (DE-588)4113357-2 gnd rswk-swf (DE-588)4189680-4 Werkverzeichnis gnd-content Sandby, Paul 1725-1809 (DE-588)118935321 p Druckgrafik (DE-588)4113357-2 s DE-604 Sandby, Paul 1725-1809 (DE-588)118935321 ill V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028759890&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gunn, Ann V. The prints of Paul Sandby (1731-1809) a catalogue raisonné Sandby, Paul / 1731-1809 / Catalogues raisonnés Sandby, Paul 1725-1809 (DE-588)118935321 gnd Druckgrafik (DE-588)4113357-2 gnd |
| subject_GND | (DE-588)118935321 (DE-588)4113357-2 (DE-588)4189680-4 |
| title | The prints of Paul Sandby (1731-1809) a catalogue raisonné |
| title_auth | The prints of Paul Sandby (1731-1809) a catalogue raisonné |
| title_exact_search | The prints of Paul Sandby (1731-1809) a catalogue raisonné |
| title_full | The prints of Paul Sandby (1731-1809) a catalogue raisonné Ann V. Gunn |
| title_fullStr | The prints of Paul Sandby (1731-1809) a catalogue raisonné Ann V. Gunn |
| title_full_unstemmed | The prints of Paul Sandby (1731-1809) a catalogue raisonné Ann V. Gunn |
| title_short | The prints of Paul Sandby (1731-1809) |
| title_sort | the prints of paul sandby 1731 1809 a catalogue raisonne |
| title_sub | a catalogue raisonné |
| topic | Sandby, Paul / 1731-1809 / Catalogues raisonnés Sandby, Paul 1725-1809 (DE-588)118935321 gnd Druckgrafik (DE-588)4113357-2 gnd |
| topic_facet | Sandby, Paul / 1731-1809 / Catalogues raisonnés Sandby, Paul 1725-1809 Druckgrafik Werkverzeichnis |
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