Formal functions in perspective: essays on musical form from Haydn to Adorno
Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, wr...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY, USA
University of Rochester Press
2015
|
| Schriftenreihe: | Eastman studies in music
v. 127 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saens's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklarte Nacht. Running through all of these essays and connecting them thematically is the central notion of "formal function." |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | vi, 456 Seiten Notenbeispiele |
| ISBN: | 9781580465182 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments
Introduction
Steven Vande Moortele, Julie Pedneault-Deslauriers,
and Nathan John Martin
Part One: Theoretical Studies in Haydn and Mozart
1 “Functial Formanality”: Twisted Formal Functions in
Joseph Haydn’s Symphonies
L. Poundie Burstein
2 Mozart’s Sonata-Form Arias
Nathan John Martin
Part Two: Nineteenth-Century Taxonomies
3 Formal Type and Formal Function in the Postclassical
Piano Concerto
Julian Horton
4 Saint-Saëns’s Cyclic Forms
Andrew Deruchie
Part Three: Schubert
5 Schubert’s “Deflected-Cadence” Transitions and the
Classical Style
Brian Black
6 “Heavenly Length” in Schubert’s Instrumental Music
François de Mêdicis
vii
1
11
37
77
123
165
198
VI CONTENTS
Part Four: Text, Texture, and Form
7 Sentences in the Lieder of Robert Schumann:
The Relation to the Text 225
Harald Krebs
8 Parlante Talk: Texture and Formal Function in the
Operas of Verdi 252
Steven Unebner
Part Five: Analysis and Hermeneutics
9 Discipline and Punish among the Winds in the First Movement
of Beethoven’s First Symphony 295
Henry Klumpenhouwer
10 Laborious Homecomings: The “Ongoing Reprise” from
Clementi to Bralnns 517
Giorgio Sanguinetti
Part Six: Schoenberg and Beyond
11 Dominant runnels, Form, and Program in Schoenberg’s
Verklärte Nacht 545
Julie PedneauIt-Deslauriers
12 Form and Serial Function in Lcibowitz’s
Trois poèmes de Piene Reverdy 575
Christaldi Neidhöf er and Peter Schubert
15 The Philosopher as Theorist: Adorno’s materiale Formenlehre 411
Steifen Vande Moor tele
Afterword 454
Ja net Sch ma Ifeldt
Notes on Contributors 441
Index 445
mong the more striking developments in contemporary North American
music theory is the renewed importance of musical form (Formenlehre).
Formal Functions in Perspective presents thirteen studies that engage with musi-
cal form in a variety of ways. The essays, written by established and emerging
scholars from the United States, the United Kingdom, Canada, and the
European continent, run the chronological gamut from Haydn and Clementi
to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as
symphonies, concerti, and chamber works; they treat Haydn’s humor and Saint-
Saens’s politics, while discussions of particular pieces range from Mozart’s arias
to Schoenberg’s Verklärte Nacht. Running through the essays and connecting
them thematically is the central notion of formal function.
|
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| spelling | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin Rochester, NY, USA University of Rochester Press 2015 vi, 456 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music v. 127 Includes bibliographical references and index Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saens's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklarte Nacht. Running through all of these essays and connecting them thematically is the central notion of "formal function." Geschichte gnd rswk-swf Musical form Musikalische Formenlehre (DE-588)4170802-7 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Musikalische Form (DE-588)4040821-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Klassische Musik (DE-588)4164043-3 s Musikalische Form (DE-588)4040821-8 s Musikalische Formenlehre (DE-588)4170802-7 s Geschichte z DE-604 Vande Moortele, Steven (DE-588)1041338287 edt Pedneault-Deslauriers, Julie (DE-588)1076987273 edt Martin, Nathan John (DE-588)1037339215 edt Eastman studies in music v. 127 (DE-604)BV010127859 127 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028681116&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028681116&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Formal functions in perspective essays on musical form from Haydn to Adorno |
| title_auth | Formal functions in perspective essays on musical form from Haydn to Adorno |
| title_exact_search | Formal functions in perspective essays on musical form from Haydn to Adorno |
| title_full | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin |
| title_fullStr | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin |
| title_full_unstemmed | Formal functions in perspective essays on musical form from Haydn to Adorno edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin |
| title_short | Formal functions in perspective |
| title_sort | formal functions in perspective essays on musical form from haydn to adorno |
| title_sub | essays on musical form from Haydn to Adorno |
| topic | Musical form Musikalische Formenlehre (DE-588)4170802-7 gnd Klassische Musik (DE-588)4164043-3 gnd Musikalische Form (DE-588)4040821-8 gnd |
| topic_facet | Musical form Musikalische Formenlehre Klassische Musik Musikalische Form Aufsatzsammlung |
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