Virgil in the Renaissance:
"The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2015
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry"--Provided by publisher "Do not let me hear Of the wisdom of old men, but rather of their folly.It is a rich tale and strange, even for one poet, and when that poet is Virgil, a central author in the European tradition, the interest - and the intricacy - are both magnified"--Provided by publisher |
| Beschreibung: | xiii, 299 Seiten Illustrationen |
| ISBN: | 9781316505342 |
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Datensatz im Suchindex
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| adam_text | The disciplines of classical scholarship were established in
their modern form between 1300 and 1600, and Virgil was
a test case for mam՜ of them. This book is concerned with
/
what became of Virgil in this period, how he was understood,
and how his poems were recycled. What did readers assume
about Viruil in the long decades between Dante and Sidnev,
CO
Petrarch and Spenser, Boccaccio and Ariosto? Which
commentators had the most influence? What store, if anv,
was Virgil s tdoguessupposed to tell? What was the status
of his ( n Oipcs Which parts of his epic attracted the most
imitators? Building on specialized scholarship of the last
hundred vears, this book provides a panoramic synthesis ot
what scholars and poets from across Hurope believed they
could know about Virgil s life and poetry.
Contents
Illustrations page x
Acknowledgements xi
Texts and abbreviations xii
Introduction i
Method 3
Lacunae 6
Models 8
Plan io
PART I PUBLICATION 13
1 Virgil with an i 15
Poliziano’s proof 15
How they reacted to Poliziano’s bombshell 18
The market for Virgil editions and commentaries 20
The state of publishing in England; or Did the Reformation make
any difference? 27
Servius and Donatus: the authority of antiquity 31
Landino vs. Radius: originality vs. utility 35
Valeriano: the scholarly argument for i 37
Innovation vs. influence 40
Latin: dead language or living? 42
PART II REPUTATION 45
2 Patronage and the Eclogues 47
The idea of Virgil and its ancient sources 47
How Virgil got rich 50
Virgil as counselor to the prince 54
Eclogues as encomia 56
vii
Vili
Contents
Was Virgil a flatterer?
Maecenas as the model patron
Darkness invisible
Imitating Theocritus: the bookishness ofVirgilian pastoral
Love among the shepherds
Christian prophecy and Epicureanism
Variety and the low style
Variety and the Georgies
The ancient tradition of VirgiLs erudition
Science or poetry?
Labor and the plow
Looking for the Georgies in Renaissance poetry
“Ille ego qui quondam”
Generic substitution
A spectrum of styles
The myth of VirgiLs Wheel
Style and genre
Style and variety
Listing variety
Virgil as second Nature
Morals and minimalism
Virgil the reviser
Style and character
VirgiLs chastity
Rumors about VirgiLs sex life
Nisus and Euryalus
VirgiLs gay eclogue
Defense by forgery
Perfect poetry
Virgil and Ennius
Virgil as imitator of Homer
Refining Homer
Brevity as chastity
Defenders of Homer against Virgil
Why brevity is better
Style: VirgiLs last stand
7oj
73|
771
81
82
83
85
8?
89
90
91
93
95
96
IOI
IOI
103
106
108
109
113
ID
119
120
124
128
129
132
134
138
PART III INTERPRETATION
5 Virgil s Odyssey
Prioritizing episodes
Troy in the Odyssey
143
145
145
146
Contents ix
The weight of the underworld 149
The Gates of Sleep 153
Descent by murder 157
Character by example 163
Pluto’s daughter: hell as riches 166
Mourir, c’est facile: hell as habit 170
Life in hell 172
Purgatory 173
“Sinfull mire”: the moral status of matter 178
Resurrection 181
Imitation: competition or assimilation? 185
Dynastic prophecy 187
6 Virgil’s Iliad 191
Turnus as tragic hero 191
Modern relativism 194
Defining pietas 196
Weighing anger 199
Organizing interpretation 1: classroom techniques 203
Organizing interpretation 11: the ideal man theory 208
Organizing interpretation rn: repetition and rereading 2i2
Six-book readers vs. twelve-book readers 215
The renaissance of Virgil’s Iliad 220
Camilla 227
The modernity of romance 230
Dido and Lavinia: the importance of Eneas 233
Vegio’s sequel: the missing link with the Middle Ages 237
Vegio’s influence 247
Epilogue 248
Appendix A Virgil commentaries in Latin editions, 1469—1999 252
Appendix B Virgil commentaries ranked by number of printings 267
Index 282
|
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| spelling | Wilson-Okamura, David Scott 1970- Verfasser (DE-588)142158097 aut Virgil in the Renaissance David Scott Wilson-Okamura First paperback edition Cambridge, United Kingdom Cambridge University Press 2015 xiii, 299 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry"--Provided by publisher "Do not let me hear Of the wisdom of old men, but rather of their folly.It is a rich tale and strange, even for one poet, and when that poet is Virgil, a central author in the European tradition, the interest - and the intricacy - are both magnified"--Provided by publisher Virgil Appreciation Europe Virgil Influence Vergilius Maro, Publius v70-v19 (DE-588)118626574 gnd rswk-swf Geschichte 1500-1600 Geschichte 1300-1600 gnd rswk-swf Geschichte European literature Renaissance, 1450-1600 Classical influences Literature, Medieval Classical influences Authors and readers Europe History To 1500 Authors and readers Europe History 16th century Rezeption (DE-588)4049716-1 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Vergilius Maro, Publius v70-v19 (DE-588)118626574 p Rezeption (DE-588)4049716-1 s Europa (DE-588)4015701-5 g Geschichte 1300-1600 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028669106&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028669106&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wilson-Okamura, David Scott 1970- Virgil in the Renaissance Virgil Appreciation Europe Virgil Influence Vergilius Maro, Publius v70-v19 (DE-588)118626574 gnd Geschichte European literature Renaissance, 1450-1600 Classical influences Literature, Medieval Classical influences Authors and readers Europe History To 1500 Authors and readers Europe History 16th century Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118626574 (DE-588)4049716-1 (DE-588)4015701-5 |
| title | Virgil in the Renaissance |
| title_auth | Virgil in the Renaissance |
| title_exact_search | Virgil in the Renaissance |
| title_full | Virgil in the Renaissance David Scott Wilson-Okamura |
| title_fullStr | Virgil in the Renaissance David Scott Wilson-Okamura |
| title_full_unstemmed | Virgil in the Renaissance David Scott Wilson-Okamura |
| title_short | Virgil in the Renaissance |
| title_sort | virgil in the renaissance |
| topic | Virgil Appreciation Europe Virgil Influence Vergilius Maro, Publius v70-v19 (DE-588)118626574 gnd Geschichte European literature Renaissance, 1450-1600 Classical influences Literature, Medieval Classical influences Authors and readers Europe History To 1500 Authors and readers Europe History 16th century Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Virgil Appreciation Europe Virgil Influence Vergilius Maro, Publius v70-v19 Geschichte European literature Renaissance, 1450-1600 Classical influences Literature, Medieval Classical influences Authors and readers Europe History To 1500 Authors and readers Europe History 16th century Rezeption Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028669106&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028669106&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT wilsonokamuradavidscott virgilintherenaissance |