Composing for the state: music in twentieth-century dictatorships
Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In t...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Abingdon ; New York
Ashgate
[2016]
|
| Schriftenreihe: | Musical cultures of the twentieth century
volume 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. |
| Beschreibung: | X, 224 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781472437495 |
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| 520 | |a Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. | ||
| 520 | |a About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. | ||
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Contents
List of Figures vii
List of Music Examples viii
Notes on Contributors ix
Introduction: ‘State Music’ and Dictatorship 1
Esteban Buck, Igor Contreras Zubillaga and Manuel Deniz Silva
PART I MUSIC FOR THE PEOPLE
1 Music and the Vichy Regime through Jeune France’s
Three Joan-of-Arc Productions (1941) 16
Yannick Simon
2 The ‘Dan^a da Terra Issue’ (1943): Heitor Villa-Lobos and
the Vargas Dictatorship 32
Analia Chernavsky
3 Unravelling The East Is Red (1964): Socialist Music and
Politics in the People’s Republic of China 51
Hon-Lun Yang
PART II COMPOSING FOR THE DICTATOR
4 Gottfried Muller’s Deutsches Heldenrequiem (1934):
Nazi Ideology Cloaked in Historic Style 70
Katherine L. FitzGibbon
5 Alfredo Casella’s II deserto tentato (1937): An Opera
Dedicated to Benito Mussolini 83
Justine Com to is
6 A Birthday Present for Stalin: Shostakovich’s Song of
the Forests (1949) 96
Marina Frolova- Walker
VI
Composing for the State
7 'State Music’ in Poland under the Stalinist Regime:
Alfred Gradstein’s Cantata A Word about Stalin (1951)
Andrzej Tuchowski
PART III STATE COMMEMORATIONS
8 Salazar’s Dictatorship and the Paradoxes of State Music:
Luis de Freitas Branco’s Ill-Fated Solemn Overture 1640 (1939) Manuel Deniz Silva
9 El Concierto de la Paz (1964): Three Commissions to Celebrate 25 Years of Francoism
Igor Contreras Zubillaga
10 Conquistadores, Indians and Argentine Generals:
Iubilum op. 51, a Commission to Alberto Ginastera (1980) Esteban Buch
Index
121
144
168
187
217 |
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| author2 | Buch, Esteban 1963- Contreras Zubillaga, Igor 1979- Silva, Manuel Deniz |
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| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| series | Musical cultures of the twentieth century |
| series2 | Musical cultures of the twentieth century |
| spelling | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva Abingdon ; New York Ashgate [2016] © 2016 X, 224 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musical cultures of the twentieth century volume 2 Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes. About the Authors: Esteban Buch is directeur d’études (full professor) at the Ecole des Hautes Etudes en Sciences Sociales (EHESS) in Paris, France. A specialist of the relationships between music and politics in the twentieth century, he is the author of O juremos con gloria morir (2013), L’Affaire Bomarzo (2011), Le cas Schoenberg (2006), La Neuvième de Beethoven (1999; English tr. 2003) and Histoire d’un secret (1994). He has also co-edited Du politique en analyse musicale (2014), Tangos cultos (2012), Réévaluer l’art moderne et les avant-gardes (2010), and La Grande guerre des musiciens (2009). - Igor Contreras Zubillaga is a PhD candidate at the Ecole des Hautes Etudes en Sciences Sociales of Paris, France, with a thesis on the Spanish musical avant-garde during Franco's dictatorship. He is co-editor of the volumes Le son des rouages: Representations des rapports homme-machine dans la musique du 20e siècle (2011) and A l'avant-garde! Art et politique dans les années 1960 et 1970 (2013). - Manuel Deniz Silva is Research Fellow at the FCSH (Universidade Nova de Lisboa, Portugal), where he coordinates the "Music and Media" thematic strand of the INET-md (Music and Dance Research Centre). He is co-editor of the Portuguese Journal of Musicology and editor of Kinethophone - Journal of Music, Sound and Moving Image. Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Diktatur (DE-588)4149920-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Diktatur (DE-588)4149920-7 s Musik (DE-588)4040802-4 s Komponist (DE-588)4032009-1 s Propaganda (DE-588)4076374-2 s Geschichte 1900-2000 z DE-604 Buch, Esteban 1963- (DE-588)132219026 edt Contreras Zubillaga, Igor 1979- (DE-588)1069535990 edt Silva, Manuel Deniz (DE-588)1069537268 edt Erscheint auch als Online-Ausgabe, PDF 978-1-4724-3750-1 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-3751-8 Musical cultures of the twentieth century volume 2 (DE-604)BV043647103 2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028637428&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Composing for the state music in twentieth-century dictatorships Musical cultures of the twentieth century Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd Propaganda (DE-588)4076374-2 gnd Komponist (DE-588)4032009-1 gnd Diktatur (DE-588)4149920-7 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4076374-2 (DE-588)4032009-1 (DE-588)4149920-7 (DE-588)4143413-4 |
| title | Composing for the state music in twentieth-century dictatorships |
| title_auth | Composing for the state music in twentieth-century dictatorships |
| title_exact_search | Composing for the state music in twentieth-century dictatorships |
| title_full | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| title_fullStr | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| title_full_unstemmed | Composing for the state music in twentieth-century dictatorships edited by Esteban Buch, Igor Contreras Zubillaga, Manuel Deniz Silva |
| title_short | Composing for the state |
| title_sort | composing for the state music in twentieth century dictatorships |
| title_sub | music in twentieth-century dictatorships |
| topic | Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Musik (DE-588)4040802-4 gnd Propaganda (DE-588)4076374-2 gnd Komponist (DE-588)4032009-1 gnd Diktatur (DE-588)4149920-7 gnd |
| topic_facet | Geschichte Musik Politik Music Political aspects History 20th century Music and state Dictators Propaganda Komponist Diktatur Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028637428&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043647103 |
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