Performing the US Latina and Latino borderlands:
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Bloomington
Indiana University Press
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 UBW01 KUBA1 |
| Beschreibung: | Includes bibliographical references and index Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- - Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- - Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- - Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology |
| Beschreibung: | 1 Online-Ressource (XV, 504 S.) |
| ISBN: | 9780253008770 0253008778 9780253002952 0253002958 9780253005748 0253005744 1283608731 9781283608732 |
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| 264 | 1 | |a Bloomington |b Indiana University Press |c 2012 | |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- | ||
| 500 | |a - Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- | ||
| 500 | |a - Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- | ||
| 500 | |a - Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela | ||
| 500 | |a In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology | ||
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| dewey-full | 790.20868 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 790 - Recreational and performing arts |
| dewey-raw | 790.20868 |
| dewey-search | 790.20868 |
| dewey-sort | 3790.20868 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| format | Electronic eBook |
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Hernández -- </subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- </subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a"> - Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. 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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043170842 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:40Z |
| institution | BVB |
| isbn | 9780253008770 0253008778 9780253002952 0253002958 9780253005748 0253005744 1283608731 9781283608732 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028595033 |
| oclc_num | 812919448 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 DE-20 DE-Y3 |
| owner_facet | DE-1046 DE-1047 DE-20 DE-Y3 |
| physical | 1 Online-Ressource (XV, 504 S.) |
| psigel | ZDB-4-EBA ZDB-30-PAD ZDB-30-PQE KUBA1-ZDB-30-PAD-2023 ZDB-4-EBA FAW_PDA_EBA ZDB-30-PAD KHI |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Indiana University Press |
| record_format | marc |
| spelling | Performing the US Latina and Latino borderlands edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García Bloomington Indiana University Press 2012 1 Online-Ressource (XV, 504 S.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- - Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- - Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- - Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology SPORTS & RECREATION / General bisacsh Hispanic Americans / Ethnic identity fast Hispanic Americans in the performing arts fast Hispanic Americans in the performing arts Hispanic Americans Ethnic identity Hispanos (DE-588)4240086-7 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Hispanos (DE-588)4240086-7 s Performance Künste (DE-588)4173750-7 s Ethnische Identität (DE-588)4153096-2 s DE-604 Aldama, Arturo J. 1964- Sonstige (DE-588)1056690895 oth Sandoval, Chela 1956- Sonstige (DE-588)173481361 oth García, Peter J. Sonstige (DE-588)1056799080 oth |
| spellingShingle | Performing the US Latina and Latino borderlands SPORTS & RECREATION / General bisacsh Hispanic Americans / Ethnic identity fast Hispanic Americans in the performing arts fast Hispanic Americans in the performing arts Hispanic Americans Ethnic identity Hispanos (DE-588)4240086-7 gnd Performance Künste (DE-588)4173750-7 gnd Ethnische Identität (DE-588)4153096-2 gnd |
| subject_GND | (DE-588)4240086-7 (DE-588)4173750-7 (DE-588)4153096-2 (DE-588)4143413-4 |
| title | Performing the US Latina and Latino borderlands |
| title_auth | Performing the US Latina and Latino borderlands |
| title_exact_search | Performing the US Latina and Latino borderlands |
| title_full | Performing the US Latina and Latino borderlands edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| title_fullStr | Performing the US Latina and Latino borderlands edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| title_full_unstemmed | Performing the US Latina and Latino borderlands edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García |
| title_short | Performing the US Latina and Latino borderlands |
| title_sort | performing the us latina and latino borderlands |
| topic | SPORTS & RECREATION / General bisacsh Hispanic Americans / Ethnic identity fast Hispanic Americans in the performing arts fast Hispanic Americans in the performing arts Hispanic Americans Ethnic identity Hispanos (DE-588)4240086-7 gnd Performance Künste (DE-588)4173750-7 gnd Ethnische Identität (DE-588)4153096-2 gnd |
| topic_facet | SPORTS & RECREATION / General Hispanic Americans / Ethnic identity Hispanic Americans in the performing arts Hispanic Americans Ethnic identity Hispanos Performance Künste Ethnische Identität Aufsatzsammlung |
| work_keys_str_mv | AT aldamaarturoj performingtheuslatinaandlatinoborderlands AT sandovalchela performingtheuslatinaandlatinoborderlands AT garciapeterj performingtheuslatinaandlatinoborderlands |