Ezra Pound, Wyndham Lewis, and radical modernism - Sherry, Vincent B. (Oxford University Press, 1993)
Includes index
Includes bibliographical references (pages 197-221) and index
ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y.
This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism