Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009): The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009)
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | French |
| Veröffentlicht: |
Lewiston
Edwin Mellen Press
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention |
| Beschreibung: | 1 Online-Ressource (282 pages) |
| ISBN: | 0773411380 0773426302 9780773411388 9780773426306 |
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| 245 | 1 | 0 | |a Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) |b The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |c Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas |
| 246 | 1 | 3 | |a Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| 264 | 1 | |a Lewiston |b Edwin Mellen Press |c 2012 | |
| 300 | |a 1 Online-Ressource (282 pages) | ||
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject | ||
| 500 | |a Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention | ||
| 600 | 1 | 7 | |a Resnais, Alain / 1922-2014 |2 fast |
| 600 | 1 | 4 | |a Resnais, Alain |d 1922-2014 |x Criticism and interpretation |
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| 650 | 4 | |a Fine Arts | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
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Datensatz im Suchindex
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| author | Walker-Morrison, Deborah |
| author_facet | Walker-Morrison, Deborah |
| author_role | aut |
| author_sort | Walker-Morrison, Deborah |
| author_variant | d w m dwm |
| building | Verbundindex |
| bvnumber | BV043167084 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)796384762 (DE-599)BVBBV043167084 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:33Z |
| institution | BVB |
| isbn | 0773411380 0773426302 9780773411388 9780773426306 |
| language | French |
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| physical | 1 Online-Ressource (282 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2012 |
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| publisher | Edwin Mellen Press |
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| spelling | Walker-Morrison, Deborah Verfasser aut Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Lewiston Edwin Mellen Press 2012 1 Online-Ressource (282 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention Resnais, Alain / 1922-2014 fast Resnais, Alain 1922-2014 Criticism and interpretation Resnais, Alain 1922-2014 (DE-588)118788434 gnd rswk-swf Fine Arts PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd rswk-swf Resnais, Alain 1922-2014 (DE-588)118788434 p Film (DE-588)4017102-4 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=462499 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Walker-Morrison, Deborah Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Resnais, Alain / 1922-2014 fast Resnais, Alain 1922-2014 Criticism and interpretation Resnais, Alain 1922-2014 (DE-588)118788434 gnd Fine Arts PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118788434 (DE-588)4017102-4 |
| title | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| title_alt | Film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| title_auth | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| title_exact_search | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| title_full | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas |
| title_fullStr | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas |
| title_full_unstemmed | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) Deborah Walker-Morrison ; avant-propos en anglais de de Francois Thomas |
| title_short | Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) |
| title_sort | le style cinematographique d alain resnais de hiroshima mon amour 1959 aux herbes folles 2009 the film style of alain resnais hiroshima mon amour 1959 to wild grass 2009 |
| title_sub | The film style of Alain Resnais, Hiroshima mon amour (1959) to Wild grass (2009) |
| topic | Resnais, Alain / 1922-2014 fast Resnais, Alain 1922-2014 Criticism and interpretation Resnais, Alain 1922-2014 (DE-588)118788434 gnd Fine Arts PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Resnais, Alain / 1922-2014 Resnais, Alain 1922-2014 Criticism and interpretation Resnais, Alain 1922-2014 Fine Arts PERFORMING ARTS / Film & Video / Direction & Production Film |
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