Black Sabbath and the rise of heavy metal music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Farnham, Surrey
Ashgate
©2010
|
| Series: | Ashgate popular and folk music series
|
| Subjects: | |
| Online Access: | Volltext |
| Item Description: | Birmingham : the cradle of all things heavy -- The dichotomy of syntax in the music of Black Sabbath and Led Zeppelin -- The dichotomy of aesthetics in Black Sabbath and Led Zeppelin -- Continuity, development and the new wave of British heavy metal -- Assimilation and stability "The definition of 'heavy metal' is often a contentious issue and in this lively and accessible text Andrew Cope presents a refreshing re-evaluation of the rules that define heavy metal as a musical genre. Cope begins with an interrogation of why, during the late 1960s and early 1970s, Birmingham provided the ideal location for the evolution and early development of heavy metal and hard rock. The author considers how the influence of the London and Liverpool music scenes merged with the unique cultural climate, industry and often desolated sites of post-war Birmingham to contribute significantly to the development of two unique forms of music: heavy metal and hard rock. The author explores these two forms through an extensive examination of key tracks from the first six albums of both Black Sabbath and Led Zeppelin, in which musical, visual and lyrical aspects of each band are carefully compared and contrasted in order to highlight the distinctive innovations of those early recordings. In conclusion, a number of case studies are presented that illustrate how the unique synthesis of elements established by Black Sabbath have been perpetuated and developed through the work of such bands as Iron Maiden, Metallica, Pantera, Machine Head, Nightwish, Arch Enemy and Cradle of Filth. As a consequence, the importance of heavy metal as a genre of music was firmly established, and its longevity assured."--Publisher Includes bibliographical references (pages 147-151) and index Includes discography (pages 153-164) and filmography (p. 165-166) |
| Physical Description: | 1 Online-Ressource (xii, 172 pages) |
| ISBN: | 9780754699903 0754699900 9780754668817 0754668819 |
Staff View
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| 500 | |a "The definition of 'heavy metal' is often a contentious issue and in this lively and accessible text Andrew Cope presents a refreshing re-evaluation of the rules that define heavy metal as a musical genre. Cope begins with an interrogation of why, during the late 1960s and early 1970s, Birmingham provided the ideal location for the evolution and early development of heavy metal and hard rock. The author considers how the influence of the London and Liverpool music scenes merged with the unique cultural climate, industry and often desolated sites of post-war Birmingham to contribute significantly to the development of two unique forms of music: heavy metal and hard rock. The author explores these two forms through an extensive examination of key tracks from the first six albums of both Black Sabbath and Led Zeppelin, in which musical, visual and lyrical aspects of each band are carefully compared and contrasted in order to highlight the distinctive innovations of those early recordings. In conclusion, a number of case studies are presented that illustrate how the unique synthesis of elements established by Black Sabbath have been perpetuated and developed through the work of such bands as Iron Maiden, Metallica, Pantera, Machine Head, Nightwish, Arch Enemy and Cradle of Filth. As a consequence, the importance of heavy metal as a genre of music was firmly established, and its longevity assured."--Publisher | ||
| 500 | |a Includes bibliographical references (pages 147-151) and index | ||
| 500 | |a Includes discography (pages 153-164) and filmography (p. 165-166) | ||
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Record in the Search Index
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| any_adam_object | |
| author | Cope, Andrew L. |
| author_facet | Cope, Andrew L. |
| author_role | aut |
| author_sort | Cope, Andrew L. |
| author_variant | a l c al alc |
| building | Verbundindex |
| bvnumber | BV043161232 |
| collection | ZDB-4-EBA |
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| dewey-full | 781.66 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.66 |
| dewey-search | 781.66 |
| dewey-sort | 3781.66 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043161232 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:22Z |
| institution | BVB |
| isbn | 9780754699903 0754699900 9780754668817 0754668819 |
| language | English |
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| physical | 1 Online-Ressource (xii, 172 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Cope, Andrew L. Verfasser aut Black Sabbath and the rise of heavy metal music Andrew L. Cope Farnham, Surrey Ashgate ©2010 1 Online-Ressource (xii, 172 pages) txt rdacontent c rdamedia cr rdacarrier Ashgate popular and folk music series Birmingham : the cradle of all things heavy -- The dichotomy of syntax in the music of Black Sabbath and Led Zeppelin -- The dichotomy of aesthetics in Black Sabbath and Led Zeppelin -- Continuity, development and the new wave of British heavy metal -- Assimilation and stability "The definition of 'heavy metal' is often a contentious issue and in this lively and accessible text Andrew Cope presents a refreshing re-evaluation of the rules that define heavy metal as a musical genre. Cope begins with an interrogation of why, during the late 1960s and early 1970s, Birmingham provided the ideal location for the evolution and early development of heavy metal and hard rock. The author considers how the influence of the London and Liverpool music scenes merged with the unique cultural climate, industry and often desolated sites of post-war Birmingham to contribute significantly to the development of two unique forms of music: heavy metal and hard rock. The author explores these two forms through an extensive examination of key tracks from the first six albums of both Black Sabbath and Led Zeppelin, in which musical, visual and lyrical aspects of each band are carefully compared and contrasted in order to highlight the distinctive innovations of those early recordings. In conclusion, a number of case studies are presented that illustrate how the unique synthesis of elements established by Black Sabbath have been perpetuated and developed through the work of such bands as Iron Maiden, Metallica, Pantera, Machine Head, Nightwish, Arch Enemy and Cradle of Filth. As a consequence, the importance of heavy metal as a genre of music was firmly established, and its longevity assured."--Publisher Includes bibliographical references (pages 147-151) and index Includes discography (pages 153-164) and filmography (p. 165-166) Black Sabbath (Musical group) fast Black Sabbath swd Black Sabbath (Musical group) Black Sabbath Musikgruppe (DE-588)1221289-1 gnd rswk-swf Fine Arts MUSIC / Genres & Styles / Punk bisacsh MUSIC / Genres & Styles / Heavy Metal bisacsh MUSIC / Genres & Styles / Rock bisacsh Heavy metal (Music) fast Heavy Metal swd Heavy metal (Music) History and criticism Heavy Metal (DE-588)4284512-9 gnd rswk-swf Black Sabbath Musikgruppe (DE-588)1221289-1 b Heavy Metal (DE-588)4284512-9 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=372394 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cope, Andrew L. Black Sabbath and the rise of heavy metal music Black Sabbath (Musical group) fast Black Sabbath swd Black Sabbath (Musical group) Black Sabbath Musikgruppe (DE-588)1221289-1 gnd Fine Arts MUSIC / Genres & Styles / Punk bisacsh MUSIC / Genres & Styles / Heavy Metal bisacsh MUSIC / Genres & Styles / Rock bisacsh Heavy metal (Music) fast Heavy Metal swd Heavy metal (Music) History and criticism Heavy Metal (DE-588)4284512-9 gnd |
| subject_GND | (DE-588)1221289-1 (DE-588)4284512-9 |
| title | Black Sabbath and the rise of heavy metal music |
| title_auth | Black Sabbath and the rise of heavy metal music |
| title_exact_search | Black Sabbath and the rise of heavy metal music |
| title_full | Black Sabbath and the rise of heavy metal music Andrew L. Cope |
| title_fullStr | Black Sabbath and the rise of heavy metal music Andrew L. Cope |
| title_full_unstemmed | Black Sabbath and the rise of heavy metal music Andrew L. Cope |
| title_short | Black Sabbath and the rise of heavy metal music |
| title_sort | black sabbath and the rise of heavy metal music |
| topic | Black Sabbath (Musical group) fast Black Sabbath swd Black Sabbath (Musical group) Black Sabbath Musikgruppe (DE-588)1221289-1 gnd Fine Arts MUSIC / Genres & Styles / Punk bisacsh MUSIC / Genres & Styles / Heavy Metal bisacsh MUSIC / Genres & Styles / Rock bisacsh Heavy metal (Music) fast Heavy Metal swd Heavy metal (Music) History and criticism Heavy Metal (DE-588)4284512-9 gnd |
| topic_facet | Black Sabbath (Musical group) Black Sabbath Black Sabbath Musikgruppe Fine Arts MUSIC / Genres & Styles / Punk MUSIC / Genres & Styles / Heavy Metal MUSIC / Genres & Styles / Rock Heavy metal (Music) Heavy Metal Heavy metal (Music) History and criticism |
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