Contemporary Irish drama & cultural identity:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Intellect
2002
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references and index Cover -- Preliminaries -- Contents -- Dedication -- Acknowledgements -- 1. Introduction: Staging Ireland -- 2. Language and the Colonised Body -- 3. Politics, Memory and the Fractured Form -- 4. Madonna, Magdalen and Matriarch -- 5. Myth and Masculinity -- 6. Dreams and Diaspora: Exported Images and Multiple Identities -- 7. Conclusion: From Hearth to Heterotopia -- Bibliography -- Primary Sources -- i) Anthologies -- ii) Playtexts -- iii) Other -- Secondary Sources -- ii) Journals -- Time Line -- Index Within the last ten years there has been a renaissance in Irish drama from both sides of the border, including award-winning work which has transfered to London and New York, and has toured Britain as well as Europe and Australia. This book explores the dynamics of the relationship between these representations of Ireland and the fluid nature of cultural identity, especially during a period of economic and political change. Although the book establishes the historical context for contemporary Irish drama, and does include discussion of some of the earlier works of Brian Friel, Frank MacGuinness and Tom Murphy, the emphasis lies on their more recent work from 1980, and especially upon work created by new writers performed during the 1990's, during the emergence of the 'Celtic tiger economy' in the Republic, and the Peace Process in the North. Key themes provide the structure of the book, which examines especially those theatrical strategies which have been associated with the performance of identity, particularly in a post-colonial situation. References are also made to interviews with writers, performers, directors and groups, as well as performances seen across Ireland and Britain. Contemporary critical perspectives from post-colonial theory to psychoanalysis and performance praxis are deployed, but in an accessible way. In contrast to the tensions associated with the colonising relationship between Ireland and Britain, the relationship between Ireland and Europe are considered in terms of cultural and economic influences and performance practices, and that between Ireland and America in terms of the 'dream of the West', the diaspora and tourism |
| Beschreibung: | 1 Online-Ressource (vi, 182 p.) |
| ISBN: | 1280476605 1841500542 1841508241 9781280476600 9781841500546 9781841508245 |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Cover -- Preliminaries -- Contents -- Dedication -- Acknowledgements -- 1. Introduction: Staging Ireland -- 2. Language and the Colonised Body -- 3. Politics, Memory and the Fractured Form -- 4. Madonna, Magdalen and Matriarch -- 5. Myth and Masculinity -- 6. Dreams and Diaspora: Exported Images and Multiple Identities -- 7. Conclusion: From Hearth to Heterotopia -- Bibliography -- Primary Sources -- i) Anthologies -- ii) Playtexts -- iii) Other -- Secondary Sources -- ii) Journals -- Time Line -- Index | ||
| 500 | |a Within the last ten years there has been a renaissance in Irish drama from both sides of the border, including award-winning work which has transfered to London and New York, and has toured Britain as well as Europe and Australia. This book explores the dynamics of the relationship between these representations of Ireland and the fluid nature of cultural identity, especially during a period of economic and political change. Although the book establishes the historical context for contemporary Irish drama, and does include discussion of some of the earlier works of Brian Friel, Frank MacGuinness and Tom Murphy, the emphasis lies on their more recent work from 1980, and especially upon work created by new writers performed during the 1990's, during the emergence of the 'Celtic tiger economy' in the Republic, and the Peace Process in the North. Key themes provide the structure of the book, which examines especially those theatrical strategies which have been associated with the performance of identity, particularly in a post-colonial situation. References are also made to interviews with writers, performers, directors and groups, as well as performances seen across Ireland and Britain. Contemporary critical perspectives from post-colonial theory to psychoanalysis and performance praxis are deployed, but in an accessible way. In contrast to the tensions associated with the colonising relationship between Ireland and Britain, the relationship between Ireland and Europe are considered in terms of cultural and economic influences and performance practices, and that between Ireland and America in terms of the 'dream of the West', the diaspora and tourism | ||
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Datensatz im Suchindex
| _version_ | 1804175600315793408 |
|---|---|
| any_adam_object | |
| author | Llewellyn-Jones, Margaret |
| author_facet | Llewellyn-Jones, Margaret |
| author_role | aut |
| author_sort | Llewellyn-Jones, Margaret |
| author_variant | m l j mlj |
| building | Verbundindex |
| bvnumber | BV043146011 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)70754373 (DE-599)BVBBV043146011 |
| dewey-full | 822.92 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.92 |
| dewey-search | 822.92 |
| dewey-sort | 3822.92 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1980-2000 gnd |
| era_facet | Geschichte 1980-2000 |
| format | Electronic eBook |
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| spelling | Llewellyn-Jones, Margaret Verfasser aut Contemporary Irish drama & cultural identity Margaret Llewellyn Jones Bristol Intellect 2002 1 Online-Ressource (vi, 182 p.) txt rdacontent c rdamedia cr rdacarrier Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references and index Cover -- Preliminaries -- Contents -- Dedication -- Acknowledgements -- 1. Introduction: Staging Ireland -- 2. Language and the Colonised Body -- 3. Politics, Memory and the Fractured Form -- 4. Madonna, Magdalen and Matriarch -- 5. Myth and Masculinity -- 6. Dreams and Diaspora: Exported Images and Multiple Identities -- 7. Conclusion: From Hearth to Heterotopia -- Bibliography -- Primary Sources -- i) Anthologies -- ii) Playtexts -- iii) Other -- Secondary Sources -- ii) Journals -- Time Line -- Index Within the last ten years there has been a renaissance in Irish drama from both sides of the border, including award-winning work which has transfered to London and New York, and has toured Britain as well as Europe and Australia. This book explores the dynamics of the relationship between these representations of Ireland and the fluid nature of cultural identity, especially during a period of economic and political change. Although the book establishes the historical context for contemporary Irish drama, and does include discussion of some of the earlier works of Brian Friel, Frank MacGuinness and Tom Murphy, the emphasis lies on their more recent work from 1980, and especially upon work created by new writers performed during the 1990's, during the emergence of the 'Celtic tiger economy' in the Republic, and the Peace Process in the North. Key themes provide the structure of the book, which examines especially those theatrical strategies which have been associated with the performance of identity, particularly in a post-colonial situation. References are also made to interviews with writers, performers, directors and groups, as well as performances seen across Ireland and Britain. Contemporary critical perspectives from post-colonial theory to psychoanalysis and performance praxis are deployed, but in an accessible way. In contrast to the tensions associated with the colonising relationship between Ireland and Britain, the relationship between Ireland and Europe are considered in terms of cultural and economic influences and performance practices, and that between Ireland and America in terms of the 'dream of the West', the diaspora and tourism Geschichte 1980-2000 gnd rswk-swf DRAMA / English, Irish, Scottish, Welsh bisacsh English drama / Irish authors fast Literature fast Literatur English drama Irish authors Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Drama (DE-588)4012899-4 s Englisch (DE-588)4014777-0 s Geschichte 1980-2000 z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=77419 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Llewellyn-Jones, Margaret Contemporary Irish drama & cultural identity DRAMA / English, Irish, Scottish, Welsh bisacsh English drama / Irish authors fast Literature fast Literatur English drama Irish authors Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Contemporary Irish drama & cultural identity |
| title_auth | Contemporary Irish drama & cultural identity |
| title_exact_search | Contemporary Irish drama & cultural identity |
| title_full | Contemporary Irish drama & cultural identity Margaret Llewellyn Jones |
| title_fullStr | Contemporary Irish drama & cultural identity Margaret Llewellyn Jones |
| title_full_unstemmed | Contemporary Irish drama & cultural identity Margaret Llewellyn Jones |
| title_short | Contemporary Irish drama & cultural identity |
| title_sort | contemporary irish drama cultural identity |
| topic | DRAMA / English, Irish, Scottish, Welsh bisacsh English drama / Irish authors fast Literature fast Literatur English drama Irish authors Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd |
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