Wrong's what I do best: hard country music and contemporary culture
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
©2001
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes bibliographical references and index Introduction: Learning the hard way. -- "Country 'til I die": Contemporary hard country and the incurable unease of class distinction. -- The Possum, the Hag, and the Rhinestone Cowboy: The burlesque abjection of the white male. -- The hard act to follow: Hank Williams and the legacy of hard country stardom. -- Drawing hard lines: Buck Owens, Dwight Yoakam, and the Bakersfield sound. -- Dying hard: Hard country at the finish line? This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. L With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers |
Beschreibung: | 1 Online-Ressource (ix, 186 pages) |
ISBN: | 0195108353 0195355296 1280453001 9780195108354 9780195355291 9781280453007 |
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500 | |a Includes bibliographical references and index | ||
500 | |a Introduction: Learning the hard way. -- "Country 'til I die": Contemporary hard country and the incurable unease of class distinction. -- The Possum, the Hag, and the Rhinestone Cowboy: The burlesque abjection of the white male. -- The hard act to follow: Hank Williams and the legacy of hard country stardom. -- Drawing hard lines: Buck Owens, Dwight Yoakam, and the Bakersfield sound. -- Dying hard: Hard country at the finish line? | ||
500 | |a This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. L With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers | ||
650 | 7 | |a MUSIC / Genres & Styles / Country & Bluegrass |2 bisacsh | |
650 | 7 | |a Country music |2 fast | |
650 | 4 | |a Country music |x History and criticism | |
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Datensatz im Suchindex
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any_adam_object | |
author | Ching, Barbara |
author_facet | Ching, Barbara |
author_role | aut |
author_sort | Ching, Barbara |
author_variant | b c bc |
building | Verbundindex |
bvnumber | BV043136259 |
collection | ZDB-4-EBA |
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dewey-full | 781.642 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.642 |
dewey-search | 781.642 |
dewey-sort | 3781.642 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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illustrated | Not Illustrated |
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institution | BVB |
isbn | 0195108353 0195355296 1280453001 9780195108354 9780195355291 9781280453007 |
language | English |
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spelling | Ching, Barbara Verfasser aut Wrong's what I do best hard country music and contemporary culture Barbara Ching Hard country music and contemporary culture New York Oxford University Press ©2001 1 Online-Ressource (ix, 186 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: Learning the hard way. -- "Country 'til I die": Contemporary hard country and the incurable unease of class distinction. -- The Possum, the Hag, and the Rhinestone Cowboy: The burlesque abjection of the white male. -- The hard act to follow: Hank Williams and the legacy of hard country stardom. -- Drawing hard lines: Buck Owens, Dwight Yoakam, and the Bakersfield sound. -- Dying hard: Hard country at the finish line? This is the first study of "hard" country music as well as the first comprehensive application of contemporary cultural theory to country music. Barbara Ching begins by defining the features that make certain country songs and artists "hard." She compares hard country music to "high" American culture, arguing that hard country deliberately focuses on its low position in the American cultural hierarchy, comically singing of failures to live up to American standards of affluence, while mainstream country music focuses on nostalgia, romance, and patriotism of regular folk. L With chapters on Hank Williams Sr. and Jr., Merle Haggard, George Jones, David Allan Coe, Buck Owens, Dwight Yoakam, and the Outlaw Movement, this book is written in a jargon-free, engaging style that will interest both academic as well as general readers MUSIC / Genres & Styles / Country & Bluegrass bisacsh Country music fast Country music History and criticism Countrymusic (DE-588)4138030-7 gnd rswk-swf Countrymusic (DE-588)4138030-7 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=121430 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Ching, Barbara Wrong's what I do best hard country music and contemporary culture MUSIC / Genres & Styles / Country & Bluegrass bisacsh Country music fast Country music History and criticism Countrymusic (DE-588)4138030-7 gnd |
subject_GND | (DE-588)4138030-7 |
title | Wrong's what I do best hard country music and contemporary culture |
title_alt | Hard country music and contemporary culture |
title_auth | Wrong's what I do best hard country music and contemporary culture |
title_exact_search | Wrong's what I do best hard country music and contemporary culture |
title_full | Wrong's what I do best hard country music and contemporary culture Barbara Ching |
title_fullStr | Wrong's what I do best hard country music and contemporary culture Barbara Ching |
title_full_unstemmed | Wrong's what I do best hard country music and contemporary culture Barbara Ching |
title_short | Wrong's what I do best |
title_sort | wrong s what i do best hard country music and contemporary culture |
title_sub | hard country music and contemporary culture |
topic | MUSIC / Genres & Styles / Country & Bluegrass bisacsh Country music fast Country music History and criticism Countrymusic (DE-588)4138030-7 gnd |
topic_facet | MUSIC / Genres & Styles / Country & Bluegrass Country music Country music History and criticism Countrymusic |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=121430 |
work_keys_str_mv | AT chingbarbara wrongswhatidobesthardcountrymusicandcontemporaryculture AT chingbarbara hardcountrymusicandcontemporaryculture |