Post-theory: reconstructing film studies
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Madison
University of Wisconsin Press
1996
|
| Schriftenreihe: | Wisconsin studies in film
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 553-560) and index Contemporary film studies and the vicissitudes of grand theory / David Bordwell -- Prospects for film theory : a personal assessment / Noël Carroll -- Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince -- Convention, construction, and cinematic vision / David Bordwell -- Is a cognitive approach to the avant-garde cinema perverse? / James Peterson -- The logic and legacy of Brechtianism / Murray Smith -- Characterization and fictional truth in the cinema / Paisley Livingston -- Empathy and (film) fiction / Alex Neill -- Feminist frameworks for horror films / Cynthia A. Freeland -- Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz -- Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith -- Film music and narrative agency / Jerrold Levinson -- Nonfiction film and postmodernist skepticism / Noël Carroll -- Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga -- Film, reality, and illusion / Gregory Currie -- The case for an ecological metatheory / Joseph Anderson and Barbara Anderson -- Movies in the mind's eye / Julian Hochberg and Virginia Brooks -- Notes on audience response / Richard J. Gerrig and Deborah A. Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema |
| Beschreibung: | 1 Online-Ressource (xvii, 564 p.) |
| ISBN: | 0299149404 0299149439 0299149447 9780299149406 9780299149437 9780299149444 |
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| 500 | |a Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema | ||
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| series2 | Wisconsin studies in film |
| spelling | Post-theory reconstructing film studies edited by David Bordwell and Noël Carroll Madison University of Wisconsin Press 1996 1 Online-Ressource (xvii, 564 p.) txt rdacontent c rdamedia cr rdacarrier Wisconsin studies in film Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Includes bibliographical references (p. 553-560) and index Contemporary film studies and the vicissitudes of grand theory / David Bordwell -- Prospects for film theory : a personal assessment / Noël Carroll -- Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince -- Convention, construction, and cinematic vision / David Bordwell -- Is a cognitive approach to the avant-garde cinema perverse? / James Peterson -- The logic and legacy of Brechtianism / Murray Smith -- Characterization and fictional truth in the cinema / Paisley Livingston -- Empathy and (film) fiction / Alex Neill -- Feminist frameworks for horror films / Cynthia A. Freeland -- Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz -- Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith -- Film music and narrative agency / Jerrold Levinson -- Nonfiction film and postmodernist skepticism / Noël Carroll -- Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga -- Film, reality, and illusion / Gregory Currie -- The case for an ecological metatheory / Joseph Anderson and Barbara Anderson -- Movies in the mind's eye / Julian Hochberg and Virginia Brooks -- Notes on audience response / Richard J. Gerrig and Deborah A. Prentice -- Toward a new media economics / Douglas Gomery -- Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio -- "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy -- The jazz singer's reception in the media and at the box office / Donald Crafton -- Jameson and "global aesthetics" / Michael Walsh -- Reconstructing Japanese film / Donald Kirihara -- Danish cinema and the politics of recognition / Mette Hjort -- Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr Since the 1970s, the academic study of film has been dominated by Structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. With Post-Theory, David Bordwell and Noel Carroll have opened the floor to other voices challenging the prevailing practices of film scholarship. Addressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema TEORIA DO CINEMA larpcal ESTÉTICA DO CINEMA larpcal HISTÓRIA DO CINEMA larpcal CINEMA (ASPECTOS PSICOLÓGICOS) larpcal Filmkunst gtt Theorievorming gtt Cinéma / Philosophie Cinéma / Esthétique Cinéma / Histoire Cinéma / Aspect psychologique Cinéma / Histoire et critique ram ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Film Motion pictures Filmtheorie (DE-588)4071216-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s 2\p DE-604 Filmtheorie (DE-588)4071216-3 s 3\p DE-604 Bordwell, David Sonstige oth Carroll, Noël Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=571517 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Post-theory reconstructing film studies TEORIA DO CINEMA larpcal ESTÉTICA DO CINEMA larpcal HISTÓRIA DO CINEMA larpcal CINEMA (ASPECTOS PSICOLÓGICOS) larpcal Filmkunst gtt Theorievorming gtt Cinéma / Philosophie Cinéma / Esthétique Cinéma / Histoire Cinéma / Aspect psychologique Cinéma / Histoire et critique ram ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Film Motion pictures Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Post-theory reconstructing film studies |
| title_auth | Post-theory reconstructing film studies |
| title_exact_search | Post-theory reconstructing film studies |
| title_full | Post-theory reconstructing film studies edited by David Bordwell and Noël Carroll |
| title_fullStr | Post-theory reconstructing film studies edited by David Bordwell and Noël Carroll |
| title_full_unstemmed | Post-theory reconstructing film studies edited by David Bordwell and Noël Carroll |
| title_short | Post-theory |
| title_sort | post theory reconstructing film studies |
| title_sub | reconstructing film studies |
| topic | TEORIA DO CINEMA larpcal ESTÉTICA DO CINEMA larpcal HISTÓRIA DO CINEMA larpcal CINEMA (ASPECTOS PSICOLÓGICOS) larpcal Filmkunst gtt Theorievorming gtt Cinéma / Philosophie Cinéma / Esthétique Cinéma / Histoire Cinéma / Aspect psychologique Cinéma / Histoire et critique ram ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Motion pictures fast Film Motion pictures Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | TEORIA DO CINEMA ESTÉTICA DO CINEMA HISTÓRIA DO CINEMA CINEMA (ASPECTOS PSICOLÓGICOS) Filmkunst Theorievorming Cinéma / Philosophie Cinéma / Esthétique Cinéma / Histoire Cinéma / Aspect psychologique Cinéma / Histoire et critique ART / Film & Video PERFORMING ARTS / Film & Video / Reference Motion pictures Film Filmtheorie Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=571517 |
| work_keys_str_mv | AT bordwelldavid posttheoryreconstructingfilmstudies AT carrollnoel posttheoryreconstructingfilmstudies |