Bootlegging: romanticism and copyright in the music industry
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London
SAGE Publications
2005
|
| Series: | Theory, culture & society (Unnumbered)
|
| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Includes bibliographical references (p. [160]-167) and index Cover; Contents; Introduction; 1: Lessons from History; 2: Copyright and the Romantic Author; 3: Romanticism and Popular Music; 4: Romanticism, Copyright and Piracy; 5: Problems and Alternatives; 6: Introduction to Bootlegging; 7: An overview of Bootlegging; 8: The Impact of Bootlegging on the Record Industry and the Industry's Response; 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging; Bibliography; Index A valuable and distinctive contribution to the penumbra debate, refreshingly shedding light on some of the clichés of copyright, and alerting readers to the extra-legal factors that cannot be ignored in any socially-embedded study of copyright' - Stuart Hannabuss, Aberdeen Business School. 'Bootlegging is a smart, provocative and highly readable analysis of the high theory and low practices of music copyright and its transgressors. It is most refreshing to read a sociological analysis of a topic usually left to lawyers and industry apologists. An essential book for anyone who wants to understa |
| Physical Description: | 1 Online-Ressource (viii, 169 p.) |
| ISBN: | 1847871445 9781847871442 |
Staff View
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| id | DE-604.BV043133344 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:18:28Z |
| institution | BVB |
| isbn | 1847871445 9781847871442 |
| language | English |
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| physical | 1 Online-Ressource (viii, 169 p.) |
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| spelling | Marshall, Lee Verfasser aut Bootlegging romanticism and copyright in the music industry Lee Marshall Romanticism and copyright in the music industry London SAGE Publications 2005 1 Online-Ressource (viii, 169 p.) txt rdacontent c rdamedia cr rdacarrier Theory, culture & society (Unnumbered) Includes bibliographical references (p. [160]-167) and index Cover; Contents; Introduction; 1: Lessons from History; 2: Copyright and the Romantic Author; 3: Romanticism and Popular Music; 4: Romanticism, Copyright and Piracy; 5: Problems and Alternatives; 6: Introduction to Bootlegging; 7: An overview of Bootlegging; 8: The Impact of Bootlegging on the Record Industry and the Industry's Response; 9: The Dialectic of Romanticism and the Symbolic Significance of Bootlegging; Bibliography; Index A valuable and distinctive contribution to the penumbra debate, refreshingly shedding light on some of the clichés of copyright, and alerting readers to the extra-legal factors that cannot be ignored in any socially-embedded study of copyright' - Stuart Hannabuss, Aberdeen Business School. 'Bootlegging is a smart, provocative and highly readable analysis of the high theory and low practices of music copyright and its transgressors. It is most refreshing to read a sociological analysis of a topic usually left to lawyers and industry apologists. An essential book for anyone who wants to understa SOCIAL SCIENCE / Anthropology / Cultural bisacsh POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Muziekindustrie gtt Ongeoorloofde reproductie gtt Romantiek gtt Kunst gtt Gesellschaft Musik Sound recordings Pirated editions Sound recordings Pirated editions Social aspects Copyright Music Copyright Music Social aspects Romanticism Erscheint auch als Druck-Ausgabe, Hardcover 0-7619-4490-7 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7619-4490-4 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=251578 Aggregator Volltext |
| spellingShingle | Marshall, Lee Bootlegging romanticism and copyright in the music industry SOCIAL SCIENCE / Anthropology / Cultural bisacsh POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Muziekindustrie gtt Ongeoorloofde reproductie gtt Romantiek gtt Kunst gtt Gesellschaft Musik Sound recordings Pirated editions Sound recordings Pirated editions Social aspects Copyright Music Copyright Music Social aspects Romanticism |
| title | Bootlegging romanticism and copyright in the music industry |
| title_alt | Romanticism and copyright in the music industry |
| title_auth | Bootlegging romanticism and copyright in the music industry |
| title_exact_search | Bootlegging romanticism and copyright in the music industry |
| title_full | Bootlegging romanticism and copyright in the music industry Lee Marshall |
| title_fullStr | Bootlegging romanticism and copyright in the music industry Lee Marshall |
| title_full_unstemmed | Bootlegging romanticism and copyright in the music industry Lee Marshall |
| title_short | Bootlegging |
| title_sort | bootlegging romanticism and copyright in the music industry |
| title_sub | romanticism and copyright in the music industry |
| topic | SOCIAL SCIENCE / Anthropology / Cultural bisacsh POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Muziekindustrie gtt Ongeoorloofde reproductie gtt Romantiek gtt Kunst gtt Gesellschaft Musik Sound recordings Pirated editions Sound recordings Pirated editions Social aspects Copyright Music Copyright Music Social aspects Romanticism |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural POLITICAL SCIENCE / Public Policy / Cultural Policy SOCIAL SCIENCE / Popular Culture Muziekindustrie Ongeoorloofde reproductie Romantiek Kunst Gesellschaft Musik Sound recordings Pirated editions Sound recordings Pirated editions Social aspects Copyright Music Copyright Music Social aspects Romanticism |
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