Shakespeare in the movies: from the silent era to Shakespeare in love
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
2000
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Includes index An auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author-and an auteur-and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others.; Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue-PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide |
Beschreibung: | 1 Online-Ressource (ix, 257 pages) |
ISBN: | 0195139585 019972802X 1280481250 1423761200 9780199728022 9781280481253 9781423761204 |
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500 | |a Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author-and an auteur-and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others.; Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue-PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide | ||
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author | Brode, Douglas |
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spelling | Brode, Douglas Verfasser aut Shakespeare in the movies from the silent era to Shakespeare in love Douglas Brode Oxford Oxford University Press 2000 1 Online-Ressource (ix, 257 pages) txt rdacontent c rdamedia cr rdacarrier Includes index An auspicious opening : The taming of the shrew -- The winter of our discontent : King Richard III -- Star-crossed lovers : Romeo and Juliet -- A fairy tale for grown-ups : A midsummer night's dream -- The hollow crown : Richard II, Henry IV parts I and II, Henry V -- Sophisticated comedy : Much ado about nothing, As you like it, Twelfth night -- A tide in men's lives : Julius Caesar -- I know not seems : Hamlet -- The green-eyed monster : Othello, the Moor of Venice -- Fatal vision : Macbeth -- A woman of infinite variety : Antony and Cleopatra -- Sans everything : King Lear -- You can't go home again : The winter's tale and The tempest -- Playing Shakespeare -- As we go to press Shakespeare is now enjoying perhaps his most glorious - certainly his most popular - filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author-and an auteur-and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others.; Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue-PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide Shakespeare, William / 1564-1616 Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / Reference bisacsh English drama fast Film adaptations fast English drama Film adaptations Film adaptations History and criticism Verfilmung (DE-588)4062809-7 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Verfilmung (DE-588)4062809-7 s Geschichte z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=151410 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Brode, Douglas Shakespeare in the movies from the silent era to Shakespeare in love Shakespeare, William / 1564-1616 Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd PERFORMING ARTS / Film & Video / Reference bisacsh English drama fast Film adaptations fast English drama Film adaptations Film adaptations History and criticism Verfilmung (DE-588)4062809-7 gnd |
subject_GND | (DE-588)118613723 (DE-588)4062809-7 |
title | Shakespeare in the movies from the silent era to Shakespeare in love |
title_auth | Shakespeare in the movies from the silent era to Shakespeare in love |
title_exact_search | Shakespeare in the movies from the silent era to Shakespeare in love |
title_full | Shakespeare in the movies from the silent era to Shakespeare in love Douglas Brode |
title_fullStr | Shakespeare in the movies from the silent era to Shakespeare in love Douglas Brode |
title_full_unstemmed | Shakespeare in the movies from the silent era to Shakespeare in love Douglas Brode |
title_short | Shakespeare in the movies |
title_sort | shakespeare in the movies from the silent era to shakespeare in love |
title_sub | from the silent era to Shakespeare in love |
topic | Shakespeare, William / 1564-1616 Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd PERFORMING ARTS / Film & Video / Reference bisacsh English drama fast Film adaptations fast English drama Film adaptations Film adaptations History and criticism Verfilmung (DE-588)4062809-7 gnd |
topic_facet | Shakespeare, William / 1564-1616 Shakespeare, William 1564-1616 Film adaptations Shakespeare, William 1564-1616 PERFORMING ARTS / Film & Video / Reference English drama Film adaptations English drama Film adaptations Film adaptations History and criticism Verfilmung |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=151410 |
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