Britten's musical language:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
©2001
|
| Series: | Music in the twentieth century
17 |
| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Includes bibliographical references (pages 337-351) and index 1 - Introduction: Britten's musical language -- - 2 - Peter Grimes: the force of operatic utterance -- - 3 - Motive and narrative in Billy Budd -- - 4 - The Turn of the Screw: innocent performance -- - 5 - Rituals: the War Requiem and Curlew River -- - 6 - Subjectivity and perception in Death in Venice Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, Philip Rupprecht replaces traditional notions of textual 'expression' in opera with the interpretation of topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw |
| Physical Description: | 1 Online-Ressource (ix, 358 pages) |
| ISBN: | 0511066112 0511482027 0521631548 9780511066115 9780511482021 9780521631549 |
Staff View
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| id | DE-604.BV043110746 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:45Z |
| institution | BVB |
| isbn | 0511066112 0511482027 0521631548 9780511066115 9780511482021 9780521631549 |
| language | English |
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| spelling | Rupprecht, Philip Ernst Verfasser aut Britten's musical language Philip Rupprecht Cambridge Cambridge University Press ©2001 1 Online-Ressource (ix, 358 pages) txt rdacontent c rdamedia cr rdacarrier Music in the twentieth century 17 Includes bibliographical references (pages 337-351) and index 1 - Introduction: Britten's musical language -- - 2 - Peter Grimes: the force of operatic utterance -- - 3 - Motive and narrative in Billy Budd -- - 4 - The Turn of the Screw: innocent performance -- - 5 - Rituals: the War Requiem and Curlew River -- - 6 - Subjectivity and perception in Death in Venice Blending insights from linguistic and social theories of speech, ritual, and narrative with music-analytic and historical criticism, Britten's Musical Language offers fresh perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, Philip Rupprecht replaces traditional notions of textual 'expression' in opera with the interpretation of topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw Britten, Benjamin / 1913-1976 Britten, Benjamin / 1913-1976 fast Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 (DE-588)118515527 gnd rswk-swf MUSIC / Individual Composer & Musician bisacsh Britten, Benjamin 1913-1976 (DE-588)118515527 p 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120787 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rupprecht, Philip Ernst Britten's musical language Britten, Benjamin / 1913-1976 Britten, Benjamin / 1913-1976 fast Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 (DE-588)118515527 gnd MUSIC / Individual Composer & Musician bisacsh |
| subject_GND | (DE-588)118515527 |
| title | Britten's musical language |
| title_auth | Britten's musical language |
| title_exact_search | Britten's musical language |
| title_full | Britten's musical language Philip Rupprecht |
| title_fullStr | Britten's musical language Philip Rupprecht |
| title_full_unstemmed | Britten's musical language Philip Rupprecht |
| title_short | Britten's musical language |
| title_sort | britten s musical language |
| topic | Britten, Benjamin / 1913-1976 Britten, Benjamin / 1913-1976 fast Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 (DE-588)118515527 gnd MUSIC / Individual Composer & Musician bisacsh |
| topic_facet | Britten, Benjamin / 1913-1976 Britten, Benjamin 1913-1976 Criticism and interpretation Britten, Benjamin 1913-1976 MUSIC / Individual Composer & Musician |
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