From Burke and Wordsworth to the modern sublime in Chinese literature:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
West Lafayette, Ind.
Purdue University Press
c2010
|
| Series: | Comparative cultural studies
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| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Includes bibliographical references and index Introduction -- Envisioning a culture of the sublime aesthetic -- The imperative of the romantic aesthetic and Burke's inquiry into the sublime -- Wordsworth's poetic prelude to modern history -- The construction of the sublime as an aesthetic movement across time and place -- Guo Moruo and the reformation of modern Chinese poetry -- Rewriting Qu Yuan and towards a sublime denouement -- Conclusion This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke?s Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth?s Prelude, and Guo Moruo?s experimental poem ?Fenghuang Niepan? (?Nirvana of the Phoenix?) and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures? traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies |
| Physical Description: | 1 Online-Ressource (x, 148 p.) |
| ISBN: | 1557535760 161249174X 1612491855 9781557535764 9781612491745 9781612491851 |
Staff View
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| 500 | |a This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke?s Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth?s Prelude, and Guo Moruo?s experimental poem ?Fenghuang Niepan? (?Nirvana of the Phoenix?) and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures? traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies | ||
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Record in the Search Index
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| author | Zheng, Yi |
| author_facet | Zheng, Yi |
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| dewey-ones | 820 - English & Old English literatures |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:33Z |
| institution | BVB |
| isbn | 1557535760 161249174X 1612491855 9781557535764 9781612491745 9781612491851 |
| language | English |
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| physical | 1 Online-Ressource (x, 148 p.) |
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| publishDate | 2010 |
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| publisher | Purdue University Press |
| record_format | marc |
| series2 | Comparative cultural studies |
| spelling | Zheng, Yi Verfasser aut From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng West Lafayette, Ind. Purdue University Press c2010 1 Online-Ressource (x, 148 p.) txt rdacontent c rdamedia cr rdacarrier Comparative cultural studies Includes bibliographical references and index Introduction -- Envisioning a culture of the sublime aesthetic -- The imperative of the romantic aesthetic and Burke's inquiry into the sublime -- Wordsworth's poetic prelude to modern history -- The construction of the sublime as an aesthetic movement across time and place -- Guo Moruo and the reformation of modern Chinese poetry -- Rewriting Qu Yuan and towards a sublime denouement -- Conclusion This volume presents a historical-textual study about transformations of the aesthetics of the sublime?the literary and aesthetic quality of greatness under duress?from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke?s Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth?s Prelude, and Guo Moruo?s experimental poem ?Fenghuang Niepan? (?Nirvana of the Phoenix?) and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures? traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies Geschichte 1700-1800 Geschichte 1900-2000 Geschichte 1800-1900 LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / European / General bisacsh Sublime, The, in literature English poetry 18th century History and criticism English poetry 19th century History and criticism Chinese poetry 20th century History and criticism Comparative literature English and Chinese Comparative literature Chinese and English Romanticism England Chinese poetry English influences http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=493348 Aggregator Volltext |
| spellingShingle | Zheng, Yi From Burke and Wordsworth to the modern sublime in Chinese literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / European / General bisacsh Sublime, The, in literature English poetry 18th century History and criticism English poetry 19th century History and criticism Chinese poetry 20th century History and criticism Comparative literature English and Chinese Comparative literature Chinese and English Romanticism England Chinese poetry English influences |
| title | From Burke and Wordsworth to the modern sublime in Chinese literature |
| title_auth | From Burke and Wordsworth to the modern sublime in Chinese literature |
| title_exact_search | From Burke and Wordsworth to the modern sublime in Chinese literature |
| title_full | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng |
| title_fullStr | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng |
| title_full_unstemmed | From Burke and Wordsworth to the modern sublime in Chinese literature Yi Zheng |
| title_short | From Burke and Wordsworth to the modern sublime in Chinese literature |
| title_sort | from burke and wordsworth to the modern sublime in chinese literature |
| topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh LITERARY CRITICISM / European / General bisacsh Sublime, The, in literature English poetry 18th century History and criticism English poetry 19th century History and criticism Chinese poetry 20th century History and criticism Comparative literature English and Chinese Comparative literature Chinese and English Romanticism England Chinese poetry English influences |
| topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh LITERARY CRITICISM / European / General Sublime, The, in literature English poetry 18th century History and criticism English poetry 19th century History and criticism Chinese poetry 20th century History and criticism Comparative literature English and Chinese Comparative literature Chinese and English Romanticism England Chinese poetry English influences |
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