Cynthia Ozick's comic art: from levity to liturgy
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Bibliographic Details
Main Author: Cohen, Sarah Blacher 1936-2008 (Author)
Format: Electronic eBook
Language:English
Published: Bloomington Indiana University Press c1994
Series:Jewish literature and culture
Subjects:
Online Access:FAW01
FAW02
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Item Description:Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references (p. 175-189) and index
Bringing to bear insights from Jewish, literary, and cultural studies, Sarah Blacher Cohen sheds new light on the works of one of America's foremost writers. Arguing persuasively that Ozick's fiction is a form of comedy, Cohen interweaves religion and literature, skillfully illuminating the complex relationship between the comic and the sacred. Where others have emphasized Ozick's intellectualism and Jewish learning, Cohen foregrounds whimsicality, grotesque realism, irony, satire, and exuberance as the defining characteristics of Ozick's art in such works as Trust, The Cannibal Galaxy, The Messiah of Stockholm, "The Pagan Rabbi," and the Puttermesser stories
I. Introduction: Cynthia Ozick's Comic Art of Truth-Telling -- II. Trust: Comedy of Manners and Morals -- III. "Envy; or, Yiddish in America": Elegy, Satire, and Celebration -- IV. "The Pagan Rabbi," "Levitation," and "Usurpation": Wry Jokes on Realism -- V. The Puttermesser Stories: Feminist Follies -- VI. The Cannibal Galaxy: From Caustic Humor to Midrashic Laughter -- VII. The Messiah of Stockholm and the "Cackle of Satire" -- VIII. The Shawl: The Tragicomedy of Revolt and Survival -- IX. Conclusion: From Low to High Comedy
Physical Description:1 Online-Ressource (xii, 193 p.)
ISBN:0253313988
0585225672
9780253313980
9780585225678

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