Understanding cinema: a psychological theory of moving imagery
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2003
|
| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Includes bibliographical references (pages 261-275) and index Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator |
| Physical Description: | 1 Online-Ressource (xi, 281 pages) |
| ISBN: | 0511058411 0511064748 0511073208 0511497733 052181328X 9780511058417 9780511064746 9780511073205 9780511497735 9780521813280 |
Staff View
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Record in the Search Index
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| any_adam_object | |
| author | Persson, Per |
| author_facet | Persson, Per |
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| author_sort | Persson, Per |
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| dewey-full | 791.43/01/9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/01/9 |
| dewey-search | 791.43/01/9 |
| dewey-sort | 3791.43 11 19 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:27Z |
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| spelling | Persson, Per Verfasser aut Understanding cinema a psychological theory of moving imagery Per Persson Cambridge Cambridge University Press 2003 1 Online-Ressource (xi, 281 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 261-275) and index Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators interpret, feel, make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing on psychology and anthropology, he explains how cinematic techniques work, and why they affect the spectator Cinéma / Aspect psychologique PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures / Psychological aspects fast Filmkunst gtt Vertelsituatie gtt Psychologische aspecten gtt Film swd Psychologie swd Film Psychologie Motion pictures Psychological aspects Filmgestaltung (DE-588)4513464-9 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Psychologie (DE-588)4047704-6 gnd rswk-swf Filmanalyse (DE-588)4140882-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmgestaltung (DE-588)4513464-9 s Film (DE-588)4017102-4 s Publikum (DE-588)4047764-2 s Psychologie (DE-588)4047704-6 s 1\p DE-604 Filmanalyse (DE-588)4140882-2 s 2\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=120422 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Persson, Per Understanding cinema a psychological theory of moving imagery Cinéma / Aspect psychologique PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures / Psychological aspects fast Filmkunst gtt Vertelsituatie gtt Psychologische aspecten gtt Film swd Psychologie swd Film Psychologie Motion pictures Psychological aspects Filmgestaltung (DE-588)4513464-9 gnd Publikum (DE-588)4047764-2 gnd Psychologie (DE-588)4047704-6 gnd Filmanalyse (DE-588)4140882-2 gnd Film (DE-588)4017102-4 gnd |
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| title | Understanding cinema a psychological theory of moving imagery |
| title_auth | Understanding cinema a psychological theory of moving imagery |
| title_exact_search | Understanding cinema a psychological theory of moving imagery |
| title_full | Understanding cinema a psychological theory of moving imagery Per Persson |
| title_fullStr | Understanding cinema a psychological theory of moving imagery Per Persson |
| title_full_unstemmed | Understanding cinema a psychological theory of moving imagery Per Persson |
| title_short | Understanding cinema |
| title_sort | understanding cinema a psychological theory of moving imagery |
| title_sub | a psychological theory of moving imagery |
| topic | Cinéma / Aspect psychologique PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures / Psychological aspects fast Filmkunst gtt Vertelsituatie gtt Psychologische aspecten gtt Film swd Psychologie swd Film Psychologie Motion pictures Psychological aspects Filmgestaltung (DE-588)4513464-9 gnd Publikum (DE-588)4047764-2 gnd Psychologie (DE-588)4047704-6 gnd Filmanalyse (DE-588)4140882-2 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma / Aspect psychologique PERFORMING ARTS / Film & Video / History & Criticism Motion pictures / Psychological aspects Filmkunst Vertelsituatie Psychologische aspecten Film Psychologie Motion pictures Psychological aspects Filmgestaltung Publikum Filmanalyse |
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