Power performance for singers: transcending the barriers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
1998
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 313-316) and index pt. 1 - The power of performance -- - 1 - This thing called performance -- - 2 - The characteristics of peak performance -- - 3 - What is mental toughness -- - pt. 2 - Preperformance -- - 4 - The performance cycle : plans and routines -- - 5 - The self and performance : you, the person; you, the performer -- - 6 - Physical well-being and relaxation -- - 7 - Setting goals -- - 8 - Developing self-confidence through positive thinking -- - 9 - The art of concentrating -- - 10 - Distractions -- - 11 - Dealing with anxiety -- - 12 - Imagery in performance -- - 13 - Memory -- - 14 - The coach's place in singer's preperformance work -- - pt. 3 - Performance -- - 15 - Exploring and planning "meaning" for performance -- - 16 - The audition and the competition -- - 17 - The song recital and the staged performance -- - 18 - The coach's and/or accompanist's place in singers' audition, competition, and performance work -- - 19 - Fear in performance -- - pt. 4 - Postperformance -- - 20 - Postperformance management -- - 21 - Staleness and burnout in performers -- - 22 - Mental rehabilitation following vocal injury or illness To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc |
| Beschreibung: | 1 Online-Ressource (xvi, 320 pages) |
| ISBN: | 0195112245 0199761787 9780195112245 9780199761784 |
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| 500 | |a To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc | ||
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Datensatz im Suchindex
| _version_ | 1804175502925103104 |
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| any_adam_object | |
| author | Emmons, Shirlee |
| author_facet | Emmons, Shirlee |
| author_role | aut |
| author_sort | Emmons, Shirlee |
| author_variant | s e se |
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| dewey-full | 783/.043 |
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| dewey-ones | 783 - Music for single voices |
| dewey-raw | 783/.043 |
| dewey-search | 783/.043 |
| dewey-sort | 3783 243 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:17:19Z |
| institution | BVB |
| isbn | 0195112245 0199761787 9780195112245 9780199761784 |
| language | English |
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| spelling | Emmons, Shirlee Verfasser aut Power performance for singers transcending the barriers Shirlee Emmons, Alma Thomas New York Oxford University Press 1998 1 Online-Ressource (xvi, 320 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 313-316) and index pt. 1 - The power of performance -- - 1 - This thing called performance -- - 2 - The characteristics of peak performance -- - 3 - What is mental toughness -- - pt. 2 - Preperformance -- - 4 - The performance cycle : plans and routines -- - 5 - The self and performance : you, the person; you, the performer -- - 6 - Physical well-being and relaxation -- - 7 - Setting goals -- - 8 - Developing self-confidence through positive thinking -- - 9 - The art of concentrating -- - 10 - Distractions -- - 11 - Dealing with anxiety -- - 12 - Imagery in performance -- - 13 - Memory -- - 14 - The coach's place in singer's preperformance work -- - pt. 3 - Performance -- - 15 - Exploring and planning "meaning" for performance -- - 16 - The audition and the competition -- - 17 - The song recital and the staged performance -- - 18 - The coach's and/or accompanist's place in singers' audition, competition, and performance work -- - 19 - Fear in performance -- - pt. 4 - Postperformance -- - 20 - Postperformance management -- - 21 - Staleness and burnout in performers -- - 22 - Mental rehabilitation following vocal injury or illness To perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc Fine Arts Chant / Interprétation / Aspect psychologique MUSIC / Instruction & Study / Voice bisacsh Singing / Psychological aspects fast Sänger swd Auftritt swd Psychologie swd Vorbereitung swd Psychologie Singing Psychological aspects Psychologie (DE-588)4047704-6 gnd rswk-swf Sänger (DE-588)4124099-6 gnd rswk-swf Vorbereitung (DE-588)4188638-0 gnd rswk-swf Auftritt (DE-588)4209881-6 gnd rswk-swf Sänger (DE-588)4124099-6 s Auftritt (DE-588)4209881-6 s Vorbereitung (DE-588)4188638-0 s 1\p DE-604 Psychologie (DE-588)4047704-6 s 2\p DE-604 Thomas, Alma Sonstige oth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=359985 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Emmons, Shirlee Power performance for singers transcending the barriers Fine Arts Chant / Interprétation / Aspect psychologique MUSIC / Instruction & Study / Voice bisacsh Singing / Psychological aspects fast Sänger swd Auftritt swd Psychologie swd Vorbereitung swd Psychologie Singing Psychological aspects Psychologie (DE-588)4047704-6 gnd Sänger (DE-588)4124099-6 gnd Vorbereitung (DE-588)4188638-0 gnd Auftritt (DE-588)4209881-6 gnd |
| subject_GND | (DE-588)4047704-6 (DE-588)4124099-6 (DE-588)4188638-0 (DE-588)4209881-6 |
| title | Power performance for singers transcending the barriers |
| title_auth | Power performance for singers transcending the barriers |
| title_exact_search | Power performance for singers transcending the barriers |
| title_full | Power performance for singers transcending the barriers Shirlee Emmons, Alma Thomas |
| title_fullStr | Power performance for singers transcending the barriers Shirlee Emmons, Alma Thomas |
| title_full_unstemmed | Power performance for singers transcending the barriers Shirlee Emmons, Alma Thomas |
| title_short | Power performance for singers |
| title_sort | power performance for singers transcending the barriers |
| title_sub | transcending the barriers |
| topic | Fine Arts Chant / Interprétation / Aspect psychologique MUSIC / Instruction & Study / Voice bisacsh Singing / Psychological aspects fast Sänger swd Auftritt swd Psychologie swd Vorbereitung swd Psychologie Singing Psychological aspects Psychologie (DE-588)4047704-6 gnd Sänger (DE-588)4124099-6 gnd Vorbereitung (DE-588)4188638-0 gnd Auftritt (DE-588)4209881-6 gnd |
| topic_facet | Fine Arts Chant / Interprétation / Aspect psychologique MUSIC / Instruction & Study / Voice Singing / Psychological aspects Sänger Auftritt Psychologie Vorbereitung Singing Psychological aspects |
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