Playing with history: the historical approach to musical performance
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
©2002
|
| Schriftenreihe: | Musical performance and reception
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Historically informed performance in music criticism. Joining the historical performance debate -- Historically informed performance and the implications for work, composer and notation. Historical performance and 'truth to the work' : history and the subversion of Platonism -- Historical performance and 'truth to the composer' : rehabilitating intention -- Negotiating between work, composer and performer : rewriting the story of notational progress -- Historically informed performance within the culture of the late twentieth century. Historical performance at the crossroads of modernism and postmodernism -- 'A reactionary wolf in countercultural sheep's clothing'? : historical performance, the heritage industry and the politics of revival Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In the most ambitious study of the topic to date, John Butt sums up recent debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation.--Publisher description |
| Beschreibung: | 1 Online-Ressource (xvi, 265 pages) |
| ISBN: | 0511016638 0511613555 9780511016639 9780511613555 |
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Datensatz im Suchindex
| _version_ | 1804175501668909056 |
|---|---|
| any_adam_object | |
| author | Butt, John |
| author_facet | Butt, John |
| author_role | aut |
| author_sort | Butt, John |
| author_variant | j b jb |
| building | Verbundindex |
| bvnumber | BV043096206 |
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| dewey-full | 781.4/311 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/311 |
| dewey-search | 781.4/311 |
| dewey-sort | 3781.4 3311 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:17:18Z |
| institution | BVB |
| isbn | 0511016638 0511613555 9780511016639 9780511613555 |
| language | English |
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| physical | 1 Online-Ressource (xvi, 265 pages) |
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| publishDate | 2002 |
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| publisher | Cambridge University Press |
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| series2 | Musical performance and reception |
| spelling | Butt, John Verfasser aut Playing with history the historical approach to musical performance John Butt Cambridge Cambridge University Press ©2002 1 Online-Ressource (xvi, 265 pages) txt rdacontent c rdamedia cr rdacarrier Musical performance and reception Includes bibliographical references and index Historically informed performance in music criticism. Joining the historical performance debate -- Historically informed performance and the implications for work, composer and notation. Historical performance and 'truth to the work' : history and the subversion of Platonism -- Historical performance and 'truth to the composer' : rehabilitating intention -- Negotiating between work, composer and performer : rewriting the story of notational progress -- Historically informed performance within the culture of the late twentieth century. Historical performance at the crossroads of modernism and postmodernism -- 'A reactionary wolf in countercultural sheep's clothing'? : historical performance, the heritage industry and the politics of revival Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In the most ambitious study of the topic to date, John Butt sums up recent debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation.--Publisher description MUSIC / Instruction & Study / Techniques bisacsh Music fast Performance practice (Music) fast Musik Performance practice (Music) Music History and criticism Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-521-01358-5 Erscheint auch als Druck-Ausgabe, Hardcover 0-521-81352-2 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-01358-1 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-81352-5 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=77950 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Butt, John Playing with history the historical approach to musical performance MUSIC / Instruction & Study / Techniques bisacsh Music fast Performance practice (Music) fast Musik Performance practice (Music) Music History and criticism Historische Musikpraxis (DE-588)4197967-9 gnd |
| subject_GND | (DE-588)4197967-9 |
| title | Playing with history the historical approach to musical performance |
| title_auth | Playing with history the historical approach to musical performance |
| title_exact_search | Playing with history the historical approach to musical performance |
| title_full | Playing with history the historical approach to musical performance John Butt |
| title_fullStr | Playing with history the historical approach to musical performance John Butt |
| title_full_unstemmed | Playing with history the historical approach to musical performance John Butt |
| title_short | Playing with history |
| title_sort | playing with history the historical approach to musical performance |
| title_sub | the historical approach to musical performance |
| topic | MUSIC / Instruction & Study / Techniques bisacsh Music fast Performance practice (Music) fast Musik Performance practice (Music) Music History and criticism Historische Musikpraxis (DE-588)4197967-9 gnd |
| topic_facet | MUSIC / Instruction & Study / Techniques Music Performance practice (Music) Musik Music History and criticism Historische Musikpraxis |
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