Romantics and modernists in British cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
©2010
|
| Schriftenreihe: | Edinburgh studies in film
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1047 Volltext |
| Beschreibung: | Includes bibliographical references (pages 185-188) and index Cover; Copyright; Contents; Acknowledgements; List of fi gures; Introduction: romantics versus modernists?; CHAPTER 1 1929: romantics and modernists on the cusp of sound; CHAPTER 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum; CHAPTER 3 Running man 2: Carol Reed and his contemporaries; CHAPTER 4 David Lean: the troubled romantic and the end of empire; CHAPTER 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now; CHAPTER 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Orr identifies two prominent genres in the British template that often go unrecognised, the fugitive film and the trauma film, whose narratives have bridged the gap between romantic and modern forms. Here Hitchcock, Lean, Powel |
| Beschreibung: | 1 Online-Ressource (vi, 195 pages) |
| ISBN: | 0748642307 9780748642304 |
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| spelling | Orr, John 1943-2010 Verfasser (DE-588)1259767914 aut Romantics and modernists in British cinema John Orr Edinburgh Edinburgh University Press ©2010 1 Online-Ressource (vi, 195 pages) txt rdacontent c rdamedia cr rdacarrier Edinburgh studies in film Includes bibliographical references (pages 185-188) and index Cover; Copyright; Contents; Acknowledgements; List of fi gures; Introduction: romantics versus modernists?; CHAPTER 1 1929: romantics and modernists on the cusp of sound; CHAPTER 2 The running man: Hitchcock's fugitives and The Bourne Ultimatum; CHAPTER 3 Running man 2: Carol Reed and his contemporaries; CHAPTER 4 David Lean: the troubled romantic and the end of empire; CHAPTER 5 The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now; CHAPTER 6 Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view In a fresh and invigorating look at British cinema John Orr examines the neglected relationship between romanticism and modernism from 1929 to the present-day. Encompassing a broad selection of films, film-makers and debates, this book brings a new perspective to how scholars might understand and interrogate the major traditions that have shaped British cinema history. Orr identifies two prominent genres in the British template that often go unrecognised, the fugitive film and the trauma film, whose narratives have bridged the gap between romantic and modern forms. Here Hitchcock, Lean, Powel Geschichte swd Geschichte gnd rswk-swf ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Art and motion pictures fast Modernism (Aesthetics) fast Motion pictures fast Motion pictures / Aesthetics fast Romanticism fast Film swd Film Geschichte Ästhetik Motion pictures Great Britain History Art and motion pictures Great Britain Romanticism Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Film (DE-588)4017102-4 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 0-7486-4014-2 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7486-4014-0 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=329410 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Orr, John 1943-2010 Romantics and modernists in British cinema ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh PERFORMING ARTS / Film & Video / General bisacsh Art and motion pictures fast Modernism (Aesthetics) fast Motion pictures fast Motion pictures / Aesthetics fast Romanticism fast Film swd Film Geschichte Ästhetik Motion pictures Great Britain History Art and motion pictures Great Britain Romanticism Great Britain Modernism (Aesthetics) Great Britain Motion pictures Aesthetics Film (DE-588)4017102-4 gnd |
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| title | Romantics and modernists in British cinema |
| title_auth | Romantics and modernists in British cinema |
| title_exact_search | Romantics and modernists in British cinema |
| title_full | Romantics and modernists in British cinema John Orr |
| title_fullStr | Romantics and modernists in British cinema John Orr |
| title_full_unstemmed | Romantics and modernists in British cinema John Orr |
| title_short | Romantics and modernists in British cinema |
| title_sort | romantics and modernists in british cinema |
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