Audio Description New perspectives illustrated - Maszerowska, Anna (John Benjamins Publishing Company, 2014)
Description based upon print version of record. - 3. AD as a type of audiovisual translation
Audio Description; Editorial page; Title page; LCC data; Dedication page; Table of contents; Introduction. From source text to target text ; 1. The project ; 2. The partners ; 3. The book ; 4. The film ; 5. The chapters ; References ; Film references ; Chapter 1. Audiointroductions ; 1. Literature review ; 2. Audiointroduction for Inglourious Basterds ; 3. Strategies ; 3.1 The process ; 3.2 Characters ; 3.3 Locations ; 3.4 Visual style ; 3.5 Background information ; 3.6 Synopsis ; 3.7 Putting it all together ; 4. Language ; 5. Conclusions and suggestions for further research ; References
Film references Chapter 2. Intertextuality ; 1. Introduction ; 2. Verbal intertextuality and Inglourious Basterds ; 3. Nonverbal intertextuality and Inglourious Basterds ; 4. Context of situation and context of culture ; 5. Author intent and audience interpretation ; 6. Intertextuality and Tarantino ; 7. Conclusion ; References ; Film references ; Chapter 3. Textual cohesion ; 1. Theoretical introduction ; 2. Inglourious Basterds. Initial comments ; 3. Audio description of Inglourious Basterds ; 4. Another example text -- The English Patient ; 5. A longer perspective ; 6. Conclusion
References Film references ; Appendix 1. Original screenplay of The English Patient ; Appendix 2. Long-term cohesion in continuous and discontinuous phases (Inglourious Basterds) ; Chapter 4. Spatio-temporal setting ; 1. Introduction ; 2. Examples: Analysis ; 3. Theory and bibliography ; 3.1 Literature on the audio description of spatio-temporal settings ; 3.2 The narratological take on spatio-temporal settings for AD ; 3.3 The basic components of spatio-temporal settings ; 3.4 The construction of spatio-temporal settings by the author
3.5 The reconstruction of spatio-temporal settings by the audience 4. A possible strategy for audio describing spatio-temporal settings ; 5. The language ; 6. Conclusion ; References ; Film references ; Chapter 5. Film language and tools ; 1. Introduction ; 2. Analysis of the examples ; 2.1 Aesthetic breaks ; 2.2 Split screen ; 2.3 Sharp scene cuts ; 2.4 Parallel editing ; 2.5 Close-ups ; 2.6 Slow motion ; 2.7 Camera pedding ; 3. Theory and bibliography ; 4. AD strategies: Alternative possibilities ; 4.1 Aesthetic breaks ; 4.2 Split screen ; 4.3 Sharp scene cuts ; 4.4 Parallel editing