Towards tonality: aspects of Baroque music theory
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
Leuven
Leuven University Press
2007
|
Schriftenreihe: | Collected writings of the Orpheus Institute
#6 |
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
Beschreibung: | 1 online resource (204 pages) illustrations, music |
ISBN: | 9058675874 9461660979 9789058675873 9789461660978 |
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Datensatz im Suchindex
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any_adam_object | |
author_additional | Thomas Christensen -- Penelope Gouk -- Gérard Geay -- Susan McClary -- Markus Jans -- Joel Lester -- Marc Vanscheeuwijck |
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contents | This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era Genres of music theory, 1650-1750 Science and music, or the science of music : some little-known examples of "music theory" between 1650 and 1750 L'édition de la polyphonie française du 17e siè̀cle Towards a history of harmonic tonality Towards a history of the origin and development of the rule of the octave Thoroughbass as a path to composition in the early eighteenth century Giovanni Paolo Colonna and Petronio Franceschini : building acoustics and compositional style in late seventeenth-century Bologna |
ctrlnum | (OCoLC)873808399 (DE-599)BVBBV043040206 |
dewey-full | 781.258 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.258 |
dewey-search | 781.258 |
dewey-sort | 3781.258 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1650-1750 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1650-1750 |
format | Electronic eBook |
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spelling | Towards tonality aspects of Baroque music theory Thomas Christensen ... [et al. ; edited by Peter Dejans] Leuven Leuven University Press 2007 1 online resource (204 pages) illustrations, music txt rdacontent c rdamedia cr rdacarrier Collected writings of the Orpheus Institute #6 Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era Genres of music theory, 1650-1750 Science and music, or the science of music : some little-known examples of "music theory" between 1650 and 1750 L'édition de la polyphonie française du 17e siè̀cle Towards a history of harmonic tonality Towards a history of the origin and development of the rule of the octave Thoroughbass as a path to composition in the early eighteenth century Giovanni Paolo Colonna and Petronio Franceschini : building acoustics and compositional style in late seventeenth-century Bologna Thomas Christensen -- Penelope Gouk -- Gérard Geay -- Susan McClary -- Markus Jans -- Joel Lester -- Marc Vanscheeuwijck Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1650-1750 gnd rswk-swf MUSIC / Instruction & Study / Theory bisacsh Harmony fast Music theory fast Tonality fast Tonaliteit gtt Barok gtt Musiktheorie idszbz Tonalität idszbz Harmonik idszbz Tonalität swd Musiktheorie swd Geschichte Tonality Harmony Music theory History 17th century Music theory History 18th century Musiktheorie (DE-588)4040876-0 gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2004 Gent gnd-content Musiktheorie (DE-588)4040876-0 s Tonalität (DE-588)4185654-5 s Geschichte 1650-1750 z 2\p DE-604 Christensen, Thomas Street Sonstige oth Dejans, Peter 1964- Sonstige oth Erscheint auch als Druck-Ausgabe Towards tonality http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=714242 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Towards tonality aspects of Baroque music theory This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era Genres of music theory, 1650-1750 Science and music, or the science of music : some little-known examples of "music theory" between 1650 and 1750 L'édition de la polyphonie française du 17e siè̀cle Towards a history of harmonic tonality Towards a history of the origin and development of the rule of the octave Thoroughbass as a path to composition in the early eighteenth century Giovanni Paolo Colonna and Petronio Franceschini : building acoustics and compositional style in late seventeenth-century Bologna MUSIC / Instruction & Study / Theory bisacsh Harmony fast Music theory fast Tonality fast Tonaliteit gtt Barok gtt Musiktheorie idszbz Tonalität idszbz Harmonik idszbz Tonalität swd Musiktheorie swd Geschichte Tonality Harmony Music theory History 17th century Music theory History 18th century Musiktheorie (DE-588)4040876-0 gnd Tonalität (DE-588)4185654-5 gnd |
subject_GND | (DE-588)4040876-0 (DE-588)4185654-5 (DE-588)1071861417 |
title | Towards tonality aspects of Baroque music theory |
title_alt | Genres of music theory, 1650-1750 Science and music, or the science of music : some little-known examples of "music theory" between 1650 and 1750 L'édition de la polyphonie française du 17e siè̀cle Towards a history of harmonic tonality Towards a history of the origin and development of the rule of the octave Thoroughbass as a path to composition in the early eighteenth century Giovanni Paolo Colonna and Petronio Franceschini : building acoustics and compositional style in late seventeenth-century Bologna |
title_auth | Towards tonality aspects of Baroque music theory |
title_exact_search | Towards tonality aspects of Baroque music theory |
title_full | Towards tonality aspects of Baroque music theory Thomas Christensen ... [et al. ; edited by Peter Dejans] |
title_fullStr | Towards tonality aspects of Baroque music theory Thomas Christensen ... [et al. ; edited by Peter Dejans] |
title_full_unstemmed | Towards tonality aspects of Baroque music theory Thomas Christensen ... [et al. ; edited by Peter Dejans] |
title_short | Towards tonality |
title_sort | towards tonality aspects of baroque music theory |
title_sub | aspects of Baroque music theory |
topic | MUSIC / Instruction & Study / Theory bisacsh Harmony fast Music theory fast Tonality fast Tonaliteit gtt Barok gtt Musiktheorie idszbz Tonalität idszbz Harmonik idszbz Tonalität swd Musiktheorie swd Geschichte Tonality Harmony Music theory History 17th century Music theory History 18th century Musiktheorie (DE-588)4040876-0 gnd Tonalität (DE-588)4185654-5 gnd |
topic_facet | MUSIC / Instruction & Study / Theory Harmony Music theory Tonality Tonaliteit Barok Musiktheorie Tonalität Harmonik Geschichte Music theory History 17th century Music theory History 18th century Konferenzschrift 2004 Gent |
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