Mad loves: women and music in Offenbach's Les contes d'Hoffmann
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton, NJ
Princeton University Press
©2000
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Schriftenreihe: | Princeton studies in opera
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Print version record |
Beschreibung: | 1 online resource (165 pages) illustrations |
ISBN: | 0691058024 1400866723 9780691058023 9781400866724 |
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505 | 8 | |a "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket | |
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Datensatz im Suchindex
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any_adam_object | |
author | Hadlock, Heather |
author_facet | Hadlock, Heather |
author_role | aut |
author_sort | Hadlock, Heather |
author_variant | h h hh |
building | Verbundindex |
bvnumber | BV043037449 |
collection | ZDB-4-EBA |
contents | Telling the Tales -- Mesmerizing voices: music, medicine, and the invention of Dr. Miracle -- Song as symptom: Antonia, Olympia, and the Prima Donna Mother -- Offenbach, for posterity -- Reflections on the Venetian Act "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket |
ctrlnum | (OCoLC)898476937 (DE-599)BVBBV043037449 |
dewey-full | 782.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.1 |
dewey-search | 782.1 |
dewey-sort | 3782.1 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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id | DE-604.BV043037449 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:15:39Z |
institution | BVB |
isbn | 0691058024 1400866723 9780691058023 9781400866724 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028462097 |
oclc_num | 898476937 |
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physical | 1 online resource (165 pages) illustrations |
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publishDate | 2000 |
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publisher | Princeton University Press |
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series2 | Princeton studies in opera |
spelling | Hadlock, Heather Verfasser aut Mad loves women and music in Offenbach's Les contes d'Hoffmann Heather Hadlock Princeton, NJ Princeton University Press ©2000 1 online resource (165 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Princeton studies in opera Print version record Telling the Tales -- Mesmerizing voices: music, medicine, and the invention of Dr. Miracle -- Song as symptom: Antonia, Olympia, and the Prima Donna Mother -- Offenbach, for posterity -- Reflections on the Venetian Act "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket English Offenbach, Jacques / 1819-1880 / Contes d'Hoffmann Offenbach, Jacques / Contes d'Hoffmann swd Offenbach, Jacques 1819-1880 Contes d'Hoffmann Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 gnd rswk-swf Femmes à l'opéra Contes d'Hoffmann (Offenbach, Jacques) fast Opera fast Women fast Opera's gtt Vrouwen gtt Frau (Motiv) swd MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Frau Women in opera Frau Motiv (DE-588)4113617-2 gnd rswk-swf Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 u Frau Motiv (DE-588)4113617-2 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Hadlock, Heather Mad loves http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=909959 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Hadlock, Heather Mad loves women and music in Offenbach's Les contes d'Hoffmann Telling the Tales -- Mesmerizing voices: music, medicine, and the invention of Dr. Miracle -- Song as symptom: Antonia, Olympia, and the Prima Donna Mother -- Offenbach, for posterity -- Reflections on the Venetian Act "In an exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music, to parallels between nineteenth-century discourses of theater and medical science, to fascination with the hysterical female subject."--Jacket Offenbach, Jacques / 1819-1880 / Contes d'Hoffmann Offenbach, Jacques / Contes d'Hoffmann swd Offenbach, Jacques 1819-1880 Contes d'Hoffmann Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 gnd Femmes à l'opéra Contes d'Hoffmann (Offenbach, Jacques) fast Opera fast Women fast Opera's gtt Vrouwen gtt Frau (Motiv) swd MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Frau Women in opera Frau Motiv (DE-588)4113617-2 gnd |
subject_GND | (DE-588)300115350 (DE-588)4113617-2 |
title | Mad loves women and music in Offenbach's Les contes d'Hoffmann |
title_auth | Mad loves women and music in Offenbach's Les contes d'Hoffmann |
title_exact_search | Mad loves women and music in Offenbach's Les contes d'Hoffmann |
title_full | Mad loves women and music in Offenbach's Les contes d'Hoffmann Heather Hadlock |
title_fullStr | Mad loves women and music in Offenbach's Les contes d'Hoffmann Heather Hadlock |
title_full_unstemmed | Mad loves women and music in Offenbach's Les contes d'Hoffmann Heather Hadlock |
title_short | Mad loves |
title_sort | mad loves women and music in offenbach s les contes d hoffmann |
title_sub | women and music in Offenbach's Les contes d'Hoffmann |
topic | Offenbach, Jacques / 1819-1880 / Contes d'Hoffmann Offenbach, Jacques / Contes d'Hoffmann swd Offenbach, Jacques 1819-1880 Contes d'Hoffmann Offenbach, Jacques 1819-1880 Les contes d'Hoffmann (DE-588)300115350 gnd Femmes à l'opéra Contes d'Hoffmann (Offenbach, Jacques) fast Opera fast Women fast Opera's gtt Vrouwen gtt Frau (Motiv) swd MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Frau Women in opera Frau Motiv (DE-588)4113617-2 gnd |
topic_facet | Offenbach, Jacques / 1819-1880 / Contes d'Hoffmann Offenbach, Jacques / Contes d'Hoffmann Offenbach, Jacques 1819-1880 Contes d'Hoffmann Offenbach, Jacques 1819-1880 Les contes d'Hoffmann Femmes à l'opéra Contes d'Hoffmann (Offenbach, Jacques) Opera Women Opera's Vrouwen Frau (Motiv) MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal Frau Women in opera Frau Motiv |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=909959 |
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