Reading modern drama:
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo
University of Toronto Press
[2012]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (vi, 306 pages) illustrations, portraits |
| ISBN: | 1442612819 1442661488 9781442612815 9781442661486 |
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| 505 | 8 | |a Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies | |
| 505 | 8 | 0 | |t Gossip girls: Lady Teazle, Nora Helmer, and invisible-hand drama |t "Vinløv i håret": the relationship between women, language, and power in Ibsen's Hedda Gabler |t "¡Silencio, he dicho!": space, language, and characterization as agents of social protest in Lorca's rural tragedies |t The money shot: economies of sex, guns, and language in Topdog/Underdog |t The space stage and the circus: e.e. cummings's Him and Frederick Kiesler's Raumbühne |t How to do nothing with words, or waiting for Godot as performativity |t Reinventing Beckett |t Uncloseting drama: Gertrude Stein and the Wooster Group |t Synge's Playboy and the eugenics of language |t The Pillowman and the ethics of allegory |t Cognitive catharsis in The Caucasian chalk circle |t Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre |r Joseph Roach -- |r Tanya Thresher -- |r Bilha Blum -- |r Myka Tucker-Abramson -- |r Allison Carruth -- |r Richard Begam -- |r S.E. Gontarski -- |r Nick Salvato -- |r Nicholas Crawford -- |r Hana Worthen and W.B. Worthen -- |r R. Darren Gobert -- |r Julie Stone Peters |
| 648 | 7 | |a 1800 - 1999 |2 fast | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 650 | 4 | |a Théâtre (Genre littéraire) / 19e siècle / Histoire et critique | |
| 650 | 4 | |a Théâtre (Genre littéraire) / 20e siècle / Histoire et critique | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Literary |2 bisacsh | |
| 650 | 7 | |a Drama |2 fast | |
| 650 | 4 | |a Drama |y 19th century |x History and criticism | |
| 650 | 4 | |a Drama |y 20th century |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804175397084987392 |
|---|---|
| any_adam_object | |
| author_additional | Joseph Roach -- Tanya Thresher -- Bilha Blum -- Myka Tucker-Abramson -- Allison Carruth -- Richard Begam -- S.E. Gontarski -- Nick Salvato -- Nicholas Crawford -- Hana Worthen and W.B. Worthen -- R. Darren Gobert -- Julie Stone Peters |
| building | Verbundindex |
| bvnumber | BV043036490 |
| collection | ZDB-4-EBA |
| contents | Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies Gossip girls: Lady Teazle, Nora Helmer, and invisible-hand drama "Vinløv i håret": the relationship between women, language, and power in Ibsen's Hedda Gabler "¡Silencio, he dicho!": space, language, and characterization as agents of social protest in Lorca's rural tragedies The money shot: economies of sex, guns, and language in Topdog/Underdog The space stage and the circus: e.e. cummings's Him and Frederick Kiesler's Raumbühne How to do nothing with words, or waiting for Godot as performativity Reinventing Beckett Uncloseting drama: Gertrude Stein and the Wooster Group Synge's Playboy and the eugenics of language The Pillowman and the ethics of allegory Cognitive catharsis in The Caucasian chalk circle Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre |
| ctrlnum | (OCoLC)812253912 (DE-599)BVBBV043036490 |
| dewey-full | 809.2 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.2 |
| dewey-search | 809.2 |
| dewey-sort | 3809.2 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| era | 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 |
| era_facet | 1800 - 1999 Geschichte 1900-2000 Geschichte 1800-1900 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:38Z |
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| isbn | 1442612819 1442661488 9781442612815 9781442661486 |
| language | English |
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| spelling | Reading modern drama edited by Alan Ackerman Toronto ; Buffalo University of Toronto Press [2012] 1 online resource (vi, 306 pages) illustrations, portraits txt rdacontent c rdamedia cr rdacarrier Description based on print version record Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies Gossip girls: Lady Teazle, Nora Helmer, and invisible-hand drama "Vinløv i håret": the relationship between women, language, and power in Ibsen's Hedda Gabler "¡Silencio, he dicho!": space, language, and characterization as agents of social protest in Lorca's rural tragedies The money shot: economies of sex, guns, and language in Topdog/Underdog The space stage and the circus: e.e. cummings's Him and Frederick Kiesler's Raumbühne How to do nothing with words, or waiting for Godot as performativity Reinventing Beckett Uncloseting drama: Gertrude Stein and the Wooster Group Synge's Playboy and the eugenics of language The Pillowman and the ethics of allegory Cognitive catharsis in The Caucasian chalk circle Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre Joseph Roach -- Tanya Thresher -- Bilha Blum -- Myka Tucker-Abramson -- Allison Carruth -- Richard Begam -- S.E. Gontarski -- Nick Salvato -- Nicholas Crawford -- Hana Worthen and W.B. Worthen -- R. Darren Gobert -- Julie Stone Peters 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 Théâtre (Genre littéraire) / 19e siècle / Histoire et critique Théâtre (Genre littéraire) / 20e siècle / Histoire et critique PERFORMING ARTS / Theater / General bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh Drama fast Drama 19th century History and criticism Drama 20th century History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Moderne (DE-588)4039827-4 s Drama (DE-588)4012899-4 s 2\p DE-604 Ackerman, Alan L. Sonstige oth Erscheint auch als Druck-Ausgabe Reading modern drama http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682905 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Reading modern drama Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies Gossip girls: Lady Teazle, Nora Helmer, and invisible-hand drama "Vinløv i håret": the relationship between women, language, and power in Ibsen's Hedda Gabler "¡Silencio, he dicho!": space, language, and characterization as agents of social protest in Lorca's rural tragedies The money shot: economies of sex, guns, and language in Topdog/Underdog The space stage and the circus: e.e. cummings's Him and Frederick Kiesler's Raumbühne How to do nothing with words, or waiting for Godot as performativity Reinventing Beckett Uncloseting drama: Gertrude Stein and the Wooster Group Synge's Playboy and the eugenics of language The Pillowman and the ethics of allegory Cognitive catharsis in The Caucasian chalk circle Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre Théâtre (Genre littéraire) / 19e siècle / Histoire et critique Théâtre (Genre littéraire) / 20e siècle / Histoire et critique PERFORMING ARTS / Theater / General bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh Drama fast Drama 19th century History and criticism Drama 20th century History and criticism Drama (DE-588)4012899-4 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4039827-4 (DE-588)4143413-4 |
| title | Reading modern drama |
| title_alt | Gossip girls: Lady Teazle, Nora Helmer, and invisible-hand drama "Vinløv i håret": the relationship between women, language, and power in Ibsen's Hedda Gabler "¡Silencio, he dicho!": space, language, and characterization as agents of social protest in Lorca's rural tragedies The money shot: economies of sex, guns, and language in Topdog/Underdog The space stage and the circus: e.e. cummings's Him and Frederick Kiesler's Raumbühne How to do nothing with words, or waiting for Godot as performativity Reinventing Beckett Uncloseting drama: Gertrude Stein and the Wooster Group Synge's Playboy and the eugenics of language The Pillowman and the ethics of allegory Cognitive catharsis in The Caucasian chalk circle Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre |
| title_auth | Reading modern drama |
| title_exact_search | Reading modern drama |
| title_full | Reading modern drama edited by Alan Ackerman |
| title_fullStr | Reading modern drama edited by Alan Ackerman |
| title_full_unstemmed | Reading modern drama edited by Alan Ackerman |
| title_short | Reading modern drama |
| title_sort | reading modern drama |
| topic | Théâtre (Genre littéraire) / 19e siècle / Histoire et critique Théâtre (Genre littéraire) / 20e siècle / Histoire et critique PERFORMING ARTS / Theater / General bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh Drama fast Drama 19th century History and criticism Drama 20th century History and criticism Drama (DE-588)4012899-4 gnd Moderne (DE-588)4039827-4 gnd |
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