The art of sympathy in fiction: forms of ethical and emotional persuasion
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam ; Philadelphia
John Benjamins Publishing Company
2013
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| Series: | Linguistic approaches to literature
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| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Print version record. - 8.1 Empiricism, interdisciplinarity and literary studies: Obstacles and opportunities |
| Physical Description: | 1 online resource (206 pages) |
| ISBN: | 9027272204 9789027272201 |
Staff View
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| 505 | 8 | |a The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"? | |
| 505 | 8 | |a 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions | |
| 505 | 8 | |a 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy | |
| 505 | 8 | |a 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands." | |
| 505 | 8 | |a 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement | |
| 505 | 8 | |a By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath | |
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Record in the Search Index
| _version_ | 1804175396808163328 |
|---|---|
| any_adam_object | |
| author | Sklar, Howard |
| author_facet | Sklar, Howard |
| author_role | aut |
| author_sort | Sklar, Howard |
| author_variant | h s hs |
| building | Verbundindex |
| bvnumber | BV043036305 |
| collection | ZDB-4-EBA |
| contents | The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"? 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands." 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath |
| ctrlnum | (OCoLC)831120866 (DE-599)BVBBV043036305 |
| dewey-full | 813.009353 813.009 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813.009353 813.009 |
| dewey-search | 813.009353 813.009 |
| dewey-sort | 3813.009353 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| id | DE-604.BV043036305 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:38Z |
| institution | BVB |
| isbn | 9027272204 9789027272201 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028460954 |
| oclc_num | 831120866 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (206 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | John Benjamins Publishing Company |
| record_format | marc |
| series2 | Linguistic approaches to literature |
| spelling | Sklar, Howard Verfasser aut The art of sympathy in fiction forms of ethical and emotional persuasion Howard Sklar Amsterdam ; Philadelphia John Benjamins Publishing Company 2013 1 online resource (206 pages) txt rdacontent c rdamedia cr rdacarrier Linguistic approaches to literature Print version record. - 8.1 Empiricism, interdisciplinarity and literary studies: Obstacles and opportunities The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"? 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands." 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath American fiction / History and criticism LITERARY CRITICISM / American / General bisacsh American fiction History and criticism Sympathy in literature Literature and morals Books and reading Einfühlung (DE-588)4133262-3 gnd rswk-swf Kurzgeschichte (DE-588)4033842-3 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Leser (DE-588)4035441-6 gnd rswk-swf Mitleid Motiv (DE-588)4170182-3 gnd rswk-swf Mitgefühl (DE-588)4170170-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Kurzgeschichte (DE-588)4033842-3 s Leser (DE-588)4035441-6 s Mitleid Motiv (DE-588)4170182-3 s Einfühlung (DE-588)4133262-3 s Mitgefühl (DE-588)4170170-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Sklar, Howard Art of Sympathy in Fiction : Forms of Ethical and Emotional Persuasion http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547591 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sklar, Howard The art of sympathy in fiction forms of ethical and emotional persuasion The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"? 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands." 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath American fiction / History and criticism LITERARY CRITICISM / American / General bisacsh American fiction History and criticism Sympathy in literature Literature and morals Books and reading Einfühlung (DE-588)4133262-3 gnd Kurzgeschichte (DE-588)4033842-3 gnd Englisch (DE-588)4014777-0 gnd Leser (DE-588)4035441-6 gnd Mitleid Motiv (DE-588)4170182-3 gnd Mitgefühl (DE-588)4170170-7 gnd |
| subject_GND | (DE-588)4133262-3 (DE-588)4033842-3 (DE-588)4014777-0 (DE-588)4035441-6 (DE-588)4170182-3 (DE-588)4170170-7 |
| title | The art of sympathy in fiction forms of ethical and emotional persuasion |
| title_auth | The art of sympathy in fiction forms of ethical and emotional persuasion |
| title_exact_search | The art of sympathy in fiction forms of ethical and emotional persuasion |
| title_full | The art of sympathy in fiction forms of ethical and emotional persuasion Howard Sklar |
| title_fullStr | The art of sympathy in fiction forms of ethical and emotional persuasion Howard Sklar |
| title_full_unstemmed | The art of sympathy in fiction forms of ethical and emotional persuasion Howard Sklar |
| title_short | The art of sympathy in fiction |
| title_sort | the art of sympathy in fiction forms of ethical and emotional persuasion |
| title_sub | forms of ethical and emotional persuasion |
| topic | American fiction / History and criticism LITERARY CRITICISM / American / General bisacsh American fiction History and criticism Sympathy in literature Literature and morals Books and reading Einfühlung (DE-588)4133262-3 gnd Kurzgeschichte (DE-588)4033842-3 gnd Englisch (DE-588)4014777-0 gnd Leser (DE-588)4035441-6 gnd Mitleid Motiv (DE-588)4170182-3 gnd Mitgefühl (DE-588)4170170-7 gnd |
| topic_facet | American fiction / History and criticism LITERARY CRITICISM / American / General American fiction History and criticism Sympathy in literature Literature and morals Books and reading Einfühlung Kurzgeschichte Englisch Leser Mitleid Motiv Mitgefühl |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547591 |
| work_keys_str_mv | AT sklarhoward theartofsympathyinfictionformsofethicalandemotionalpersuasion |