Fernando Alonso: the father of Cuban ballet
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Florida
University Press of Florida
2013
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (264 pages) |
| ISBN: | 0813045002 9780813045009 |
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| 505 | 8 | |a Cover; Contents; Prologue with Letter from Alicia Alonso; Acknowledgments; Part I. Antes (Before); 1. Always Ask Why; 2. Pro-Arte Musical, Yavorsky, and New York; 3. Alicia, Fernando, and Laura: Giant Steps across a Changing Landscape; 4. Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre; 5. Repertoire, Camaraderie, and an Étoile; 6. Challenges and Pilgrimages; 7. Autumn in New York, and a Dawning in Havana; 8. Ballet Theatre, a University of Dance, and More . . .; 9. Ballet Alicia Alonso; 10. El Maestro de Maestros, the Father of Cuban Ballet | |
| 505 | 8 | |a 11. Crafting a Curriculum, Sculpting a Style12. Legends and Lessons: Laura and Loipa; 13. A Revolutionary Proposal; 14. Batista's Blackmail Bid; 15. The Soviet Union Invites the Alonsos; Part II. Después (After); 16. Cuban Revolution Triumphs-and Invests in Ballet!; 17. Constructing Ballet Schools, Extending the Revolution; 18. International Recognition Abroad, at Home, on Film, and in Print; 19. Camagüey: The Center of Gravity Shifts; 20. Révérence; Part III. Recuerdos (Recollections); Introduction; Aurora Bosch; Carlos Acosta; Azari Plisetsky; Ramona de Sáa; Lázaro Carreño and Yoel Carreño | |
| 505 | 8 | |a Tania VergaraMenia Martínez; René de Cárdenas; John White; Lorena Feijóo and Lupe Calzadilla; Jorge Esquivel; Lorna Feijóo and Nelson Madrigal; Donald Saddler; Grettel Morejón; Appendix A: Dance Magazine Interview; Appendix B: La danza eterna Interview; Appendix C: Address to the Assemblée Internationale, Toronto; Appendix D: Prizes Awarded to Cuban National Ballet Dancers, 1964-1974; Appendix E: Selected BNC-Commissioned Repertoire Works, 1959-1974; Appendix F: Elementary, Middle Ballet, and National Arts Schools; Appendix G: Proposal on Ballet | |
| 505 | 8 | |a Appendix H: Revolutionary Government Statute to Guarantee National Ballet and Law 812Chronology; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | |
| 505 | 8 | |a Written records of Alonso's work are scarce, yet Toba Singer's quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right | |
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Datensatz im Suchindex
| _version_ | 1804175395795238912 |
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| any_adam_object | |
| author | Singer, Toba |
| author_facet | Singer, Toba |
| author_role | aut |
| author_sort | Singer, Toba |
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| building | Verbundindex |
| bvnumber | BV043035801 |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; Prologue with Letter from Alicia Alonso; Acknowledgments; Part I. Antes (Before); 1. Always Ask Why; 2. Pro-Arte Musical, Yavorsky, and New York; 3. Alicia, Fernando, and Laura: Giant Steps across a Changing Landscape; 4. Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre; 5. Repertoire, Camaraderie, and an Étoile; 6. Challenges and Pilgrimages; 7. Autumn in New York, and a Dawning in Havana; 8. Ballet Theatre, a University of Dance, and More . . .; 9. Ballet Alicia Alonso; 10. El Maestro de Maestros, the Father of Cuban Ballet 11. Crafting a Curriculum, Sculpting a Style12. Legends and Lessons: Laura and Loipa; 13. A Revolutionary Proposal; 14. Batista's Blackmail Bid; 15. The Soviet Union Invites the Alonsos; Part II. Después (After); 16. Cuban Revolution Triumphs-and Invests in Ballet!; 17. Constructing Ballet Schools, Extending the Revolution; 18. International Recognition Abroad, at Home, on Film, and in Print; 19. Camagüey: The Center of Gravity Shifts; 20. Révérence; Part III. Recuerdos (Recollections); Introduction; Aurora Bosch; Carlos Acosta; Azari Plisetsky; Ramona de Sáa; Lázaro Carreño and Yoel Carreño Tania VergaraMenia Martínez; René de Cárdenas; John White; Lorena Feijóo and Lupe Calzadilla; Jorge Esquivel; Lorna Feijóo and Nelson Madrigal; Donald Saddler; Grettel Morejón; Appendix A: Dance Magazine Interview; Appendix B: La danza eterna Interview; Appendix C: Address to the Assemblée Internationale, Toronto; Appendix D: Prizes Awarded to Cuban National Ballet Dancers, 1964-1974; Appendix E: Selected BNC-Commissioned Repertoire Works, 1959-1974; Appendix F: Elementary, Middle Ballet, and National Arts Schools; Appendix G: Proposal on Ballet Appendix H: Revolutionary Government Statute to Guarantee National Ballet and Law 812Chronology; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Written records of Alonso's work are scarce, yet Toba Singer's quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right |
| ctrlnum | (OCoLC)827207337 (DE-599)BVBBV043035801 |
| dewey-full | 792.8028092 |
| dewey-hundreds | 700 - The arts |
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| dewey-search | 792.8028092 |
| dewey-sort | 3792.8028092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1914-2007 gnd |
| era_facet | Geschichte 1914-2007 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:37Z |
| institution | BVB |
| isbn | 0813045002 9780813045009 |
| language | English |
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| publisher | University Press of Florida |
| record_format | marc |
| spelling | Singer, Toba Verfasser aut Fernando Alonso the father of Cuban ballet Toba Singer Florida University Press of Florida 2013 1 online resource (264 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Contents; Prologue with Letter from Alicia Alonso; Acknowledgments; Part I. Antes (Before); 1. Always Ask Why; 2. Pro-Arte Musical, Yavorsky, and New York; 3. Alicia, Fernando, and Laura: Giant Steps across a Changing Landscape; 4. Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre; 5. Repertoire, Camaraderie, and an Étoile; 6. Challenges and Pilgrimages; 7. Autumn in New York, and a Dawning in Havana; 8. Ballet Theatre, a University of Dance, and More . . .; 9. Ballet Alicia Alonso; 10. El Maestro de Maestros, the Father of Cuban Ballet 11. Crafting a Curriculum, Sculpting a Style12. Legends and Lessons: Laura and Loipa; 13. A Revolutionary Proposal; 14. Batista's Blackmail Bid; 15. The Soviet Union Invites the Alonsos; Part II. Después (After); 16. Cuban Revolution Triumphs-and Invests in Ballet!; 17. Constructing Ballet Schools, Extending the Revolution; 18. International Recognition Abroad, at Home, on Film, and in Print; 19. Camagüey: The Center of Gravity Shifts; 20. Révérence; Part III. Recuerdos (Recollections); Introduction; Aurora Bosch; Carlos Acosta; Azari Plisetsky; Ramona de Sáa; Lázaro Carreño and Yoel Carreño Tania VergaraMenia Martínez; René de Cárdenas; John White; Lorena Feijóo and Lupe Calzadilla; Jorge Esquivel; Lorna Feijóo and Nelson Madrigal; Donald Saddler; Grettel Morejón; Appendix A: Dance Magazine Interview; Appendix B: La danza eterna Interview; Appendix C: Address to the Assemblée Internationale, Toronto; Appendix D: Prizes Awarded to Cuban National Ballet Dancers, 1964-1974; Appendix E: Selected BNC-Commissioned Repertoire Works, 1959-1974; Appendix F: Elementary, Middle Ballet, and National Arts Schools; Appendix G: Proposal on Ballet Appendix H: Revolutionary Government Statute to Guarantee National Ballet and Law 812Chronology; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Written records of Alonso's work are scarce, yet Toba Singer's quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right Alonso, Fernando 1914-2013 (DE-588)11850214X gnd rswk-swf Geschichte 1914-2007 gnd rswk-swf Alonso, Fernando, 1914- Ballet dancers / Cuba PERFORMING ARTS / Dance / Classical & Ballet bisacsh PERFORMING ARTS / Dance / Modern bisacsh PERFORMING ARTS / Dance / Reference bisacsh Ballet dancers fast Ballet dancers Cuba Biography Choreograf (DE-588)4277171-7 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Tänzer (DE-588)4136608-6 gnd rswk-swf Kuba (DE-588)4033340-1 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Kuba (DE-588)4033340-1 g Ballett (DE-588)4004351-4 s Tänzer (DE-588)4136608-6 s Choreograf (DE-588)4277171-7 s Geschichte 1914-2007 z 1\p DE-604 Alonso, Fernando 1914-2013 (DE-588)11850214X p 2\p DE-604 Erscheint auch als Druck-Ausgabe Singer, Toba Fernando Alonso : The Father of Cuban Ballet http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=536915 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Singer, Toba Fernando Alonso the father of Cuban ballet Cover; Contents; Prologue with Letter from Alicia Alonso; Acknowledgments; Part I. Antes (Before); 1. Always Ask Why; 2. Pro-Arte Musical, Yavorsky, and New York; 3. Alicia, Fernando, and Laura: Giant Steps across a Changing Landscape; 4. Musicals, Mordkin, Balanchine, and the Birth of Ballet Theatre; 5. Repertoire, Camaraderie, and an Étoile; 6. Challenges and Pilgrimages; 7. Autumn in New York, and a Dawning in Havana; 8. Ballet Theatre, a University of Dance, and More . . .; 9. Ballet Alicia Alonso; 10. El Maestro de Maestros, the Father of Cuban Ballet 11. Crafting a Curriculum, Sculpting a Style12. Legends and Lessons: Laura and Loipa; 13. A Revolutionary Proposal; 14. Batista's Blackmail Bid; 15. The Soviet Union Invites the Alonsos; Part II. Después (After); 16. Cuban Revolution Triumphs-and Invests in Ballet!; 17. Constructing Ballet Schools, Extending the Revolution; 18. International Recognition Abroad, at Home, on Film, and in Print; 19. Camagüey: The Center of Gravity Shifts; 20. Révérence; Part III. Recuerdos (Recollections); Introduction; Aurora Bosch; Carlos Acosta; Azari Plisetsky; Ramona de Sáa; Lázaro Carreño and Yoel Carreño Tania VergaraMenia Martínez; René de Cárdenas; John White; Lorena Feijóo and Lupe Calzadilla; Jorge Esquivel; Lorna Feijóo and Nelson Madrigal; Donald Saddler; Grettel Morejón; Appendix A: Dance Magazine Interview; Appendix B: La danza eterna Interview; Appendix C: Address to the Assemblée Internationale, Toronto; Appendix D: Prizes Awarded to Cuban National Ballet Dancers, 1964-1974; Appendix E: Selected BNC-Commissioned Repertoire Works, 1959-1974; Appendix F: Elementary, Middle Ballet, and National Arts Schools; Appendix G: Proposal on Ballet Appendix H: Revolutionary Government Statute to Guarantee National Ballet and Law 812Chronology; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. Written records of Alonso's work are scarce, yet Toba Singer's quest to spotlight his seminal role in the development of the modern ballet canon yields key material: pre-blockade tapes from Lincoln Center, Spanish-language sources from the Museum of Dance in Havana, and interviews with the ballet master himself alongside a broad range of friends, relatives, and collaborators from throughout his long career, including his ex-wife, Alicia, a famous ballerina in her own right Alonso, Fernando 1914-2013 (DE-588)11850214X gnd Alonso, Fernando, 1914- Ballet dancers / Cuba PERFORMING ARTS / Dance / Classical & Ballet bisacsh PERFORMING ARTS / Dance / Modern bisacsh PERFORMING ARTS / Dance / Reference bisacsh Ballet dancers fast Ballet dancers Cuba Biography Choreograf (DE-588)4277171-7 gnd Ballett (DE-588)4004351-4 gnd Tänzer (DE-588)4136608-6 gnd |
| subject_GND | (DE-588)11850214X (DE-588)4277171-7 (DE-588)4004351-4 (DE-588)4136608-6 (DE-588)4033340-1 (DE-588)4006804-3 |
| title | Fernando Alonso the father of Cuban ballet |
| title_auth | Fernando Alonso the father of Cuban ballet |
| title_exact_search | Fernando Alonso the father of Cuban ballet |
| title_full | Fernando Alonso the father of Cuban ballet Toba Singer |
| title_fullStr | Fernando Alonso the father of Cuban ballet Toba Singer |
| title_full_unstemmed | Fernando Alonso the father of Cuban ballet Toba Singer |
| title_short | Fernando Alonso |
| title_sort | fernando alonso the father of cuban ballet |
| title_sub | the father of Cuban ballet |
| topic | Alonso, Fernando 1914-2013 (DE-588)11850214X gnd Alonso, Fernando, 1914- Ballet dancers / Cuba PERFORMING ARTS / Dance / Classical & Ballet bisacsh PERFORMING ARTS / Dance / Modern bisacsh PERFORMING ARTS / Dance / Reference bisacsh Ballet dancers fast Ballet dancers Cuba Biography Choreograf (DE-588)4277171-7 gnd Ballett (DE-588)4004351-4 gnd Tänzer (DE-588)4136608-6 gnd |
| topic_facet | Alonso, Fernando 1914-2013 Alonso, Fernando, 1914- Ballet dancers / Cuba PERFORMING ARTS / Dance / Classical & Ballet PERFORMING ARTS / Dance / Modern PERFORMING ARTS / Dance / Reference Ballet dancers Ballet dancers Cuba Biography Choreograf Ballett Tänzer Kuba Biografie |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=536915 |
| work_keys_str_mv | AT singertoba fernandoalonsothefatherofcubanballet |