Digging: the Afro-American Soul of American Classical Music
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berkeley
University of California Press
2009
|
Schriftenreihe: | Music of the African diaspora
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Print version record |
Beschreibung: | 1 online resource (425 pages) |
ISBN: | 0520943090 9780520943094 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043035296 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 151120s2009 |||| o||u| ||||||eng d | ||
020 | |a 0520943090 |c electronic bk. |9 0-520-94309-0 | ||
020 | |a 9780520943094 |c electronic bk. |9 978-0-520-94309-4 | ||
035 | |a (OCoLC)609850067 | ||
035 | |a (DE-599)BVBBV043035296 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 780.8996073 | |
100 | 1 | |a Baraka, Amiri |e Verfasser |4 aut | |
245 | 1 | 0 | |a Digging |b the Afro-American Soul of American Classical Music |
264 | 1 | |a Berkeley |b University of California Press |c 2009 | |
300 | |a 1 online resource (425 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Music of the African diaspora | |
500 | |a Print version record | ||
505 | 8 | |a Cover; Table of Contents; Introduction; PART ONE: ESSAYS; 1. Griot/Djali; 2. Miles Later; 3. The "Blues Aesthetic" and the "Black Aesthetic"; 4. Blues People; 5. Rhythm; 6. The American Popular Song; 7. Blues Line; 8. Cosby and the Music; 9. Nina Returns; 10. Jazz Criticim and Its Effect on the Music; 11. Not "the Boss"; 12. Wynton Marsalis; 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture; 14. Newark's "Coast" and the Hidden Legacy of Urban Culture; 15. Black Music as a Force for Social Change | |
505 | 8 | |a 16. What You Mean, Du Wop?17. Classic American Music; 18. Singers and the Music; 19. Newark's Influence on American Music; 20. Ritual and Performance; 21. Bopera Theory; 22. "Jazz and the White Critic"; 23. Random Notes on the Last Decade; PART 2: GREAT MUSICIANS; 24. Panthalassa; 25. When Miles Split!; 26. David Murray, Ming's Samba; 27. David Murray, Fo Deuk Revue; 28. David Murray, Addenda to a Concert; 29. On Reissuing Trane; 30 | |
505 | 8 | |a For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famousMax Roach, Charlie Parker, Miles Davis, John Coltraneand on those whose names are known mainly by jazz aficionadosAlan Shorte | |
650 | 7 | |a MUSIC / Ethnomusicology |2 bisacsh | |
650 | 7 | |a MUSIC / Genres & Styles / Jazz |2 bisacsh | |
650 | 7 | |a African American musicians |2 fast | |
650 | 7 | |a African Americans / Music |2 fast | |
650 | 7 | |a Jazz |2 fast | |
650 | 7 | |a Music |2 fast | |
650 | 4 | |a Musik | |
650 | 4 | |a Schwarze. USA | |
650 | 4 | |a African Americans |x Music |x History and criticism | |
650 | 4 | |a Jazz |x History and criticism | |
650 | 4 | |a Music |x History and criticism | |
650 | 4 | |a African American musicians | |
650 | 0 | 7 | |a Schwarze |0 (DE-588)4116433-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
689 | 0 | 2 | |a Schwarze |0 (DE-588)4116433-7 |D s |
689 | 0 | |8 1\p |5 DE-604 | |
856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980 |x Aggregator |3 Volltext |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-028459946 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804175394889269248 |
---|---|
any_adam_object | |
author | Baraka, Amiri |
author_facet | Baraka, Amiri |
author_role | aut |
author_sort | Baraka, Amiri |
author_variant | a b ab |
building | Verbundindex |
bvnumber | BV043035296 |
collection | ZDB-4-EBA |
contents | Cover; Table of Contents; Introduction; PART ONE: ESSAYS; 1. Griot/Djali; 2. Miles Later; 3. The "Blues Aesthetic" and the "Black Aesthetic"; 4. Blues People; 5. Rhythm; 6. The American Popular Song; 7. Blues Line; 8. Cosby and the Music; 9. Nina Returns; 10. Jazz Criticim and Its Effect on the Music; 11. Not "the Boss"; 12. Wynton Marsalis; 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture; 14. Newark's "Coast" and the Hidden Legacy of Urban Culture; 15. Black Music as a Force for Social Change 16. What You Mean, Du Wop?17. Classic American Music; 18. Singers and the Music; 19. Newark's Influence on American Music; 20. Ritual and Performance; 21. Bopera Theory; 22. "Jazz and the White Critic"; 23. Random Notes on the Last Decade; PART 2: GREAT MUSICIANS; 24. Panthalassa; 25. When Miles Split!; 26. David Murray, Ming's Samba; 27. David Murray, Fo Deuk Revue; 28. David Murray, Addenda to a Concert; 29. On Reissuing Trane; 30 For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famousMax Roach, Charlie Parker, Miles Davis, John Coltraneand on those whose names are known mainly by jazz aficionadosAlan Shorte |
ctrlnum | (OCoLC)609850067 (DE-599)BVBBV043035296 |
dewey-full | 780.8996073 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.8996073 |
dewey-search | 780.8996073 |
dewey-sort | 3780.8996073 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04015nmm a2200625zc 4500</leader><controlfield tag="001">BV043035296</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151120s2009 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520943090</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-520-94309-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520943094</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-520-94309-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)609850067</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043035296</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.8996073</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Baraka, Amiri</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Digging</subfield><subfield code="b">the Afro-American Soul of American Classical Music</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley</subfield><subfield code="b">University of California Press</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (425 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music of the African diaspora</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover; Table of Contents; Introduction; PART ONE: ESSAYS; 1. Griot/Djali; 2. Miles Later; 3. The "Blues Aesthetic" and the "Black Aesthetic"; 4. Blues People; 5. Rhythm; 6. The American Popular Song; 7. Blues Line; 8. Cosby and the Music; 9. Nina Returns; 10. Jazz Criticim and Its Effect on the Music; 11. Not "the Boss"; 12. Wynton Marsalis; 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture; 14. Newark's "Coast" and the Hidden Legacy of Urban Culture; 15. Black Music as a Force for Social Change</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">16. What You Mean, Du Wop?17. Classic American Music; 18. Singers and the Music; 19. Newark's Influence on American Music; 20. Ritual and Performance; 21. Bopera Theory; 22. "Jazz and the White Critic"; 23. Random Notes on the Last Decade; PART 2: GREAT MUSICIANS; 24. Panthalassa; 25. When Miles Split!; 26. David Murray, Ming's Samba; 27. David Murray, Fo Deuk Revue; 28. David Murray, Addenda to a Concert; 29. On Reissuing Trane; 30</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famousMax Roach, Charlie Parker, Miles Davis, John Coltraneand on those whose names are known mainly by jazz aficionadosAlan Shorte</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Ethnomusicology</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / Jazz</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">African American musicians</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">African Americans / Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Jazz</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Schwarze. USA</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African Americans</subfield><subfield code="x">Music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African American musicians</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028459946</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV043035296 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:15:36Z |
institution | BVB |
isbn | 0520943090 9780520943094 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028459946 |
oclc_num | 609850067 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 online resource (425 pages) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | University of California Press |
record_format | marc |
series2 | Music of the African diaspora |
spelling | Baraka, Amiri Verfasser aut Digging the Afro-American Soul of American Classical Music Berkeley University of California Press 2009 1 online resource (425 pages) txt rdacontent c rdamedia cr rdacarrier Music of the African diaspora Print version record Cover; Table of Contents; Introduction; PART ONE: ESSAYS; 1. Griot/Djali; 2. Miles Later; 3. The "Blues Aesthetic" and the "Black Aesthetic"; 4. Blues People; 5. Rhythm; 6. The American Popular Song; 7. Blues Line; 8. Cosby and the Music; 9. Nina Returns; 10. Jazz Criticim and Its Effect on the Music; 11. Not "the Boss"; 12. Wynton Marsalis; 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture; 14. Newark's "Coast" and the Hidden Legacy of Urban Culture; 15. Black Music as a Force for Social Change 16. What You Mean, Du Wop?17. Classic American Music; 18. Singers and the Music; 19. Newark's Influence on American Music; 20. Ritual and Performance; 21. Bopera Theory; 22. "Jazz and the White Critic"; 23. Random Notes on the Last Decade; PART 2: GREAT MUSICIANS; 24. Panthalassa; 25. When Miles Split!; 26. David Murray, Ming's Samba; 27. David Murray, Fo Deuk Revue; 28. David Murray, Addenda to a Concert; 29. On Reissuing Trane; 30 For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famousMax Roach, Charlie Parker, Miles Davis, John Coltraneand on those whose names are known mainly by jazz aficionadosAlan Shorte MUSIC / Ethnomusicology bisacsh MUSIC / Genres & Styles / Jazz bisacsh African American musicians fast African Americans / Music fast Jazz fast Music fast Musik Schwarze. USA African Americans Music History and criticism Jazz History and criticism Music History and criticism African American musicians Schwarze (DE-588)4116433-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Musik (DE-588)4040802-4 s Schwarze (DE-588)4116433-7 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Baraka, Amiri Digging the Afro-American Soul of American Classical Music Cover; Table of Contents; Introduction; PART ONE: ESSAYS; 1. Griot/Djali; 2. Miles Later; 3. The "Blues Aesthetic" and the "Black Aesthetic"; 4. Blues People; 5. Rhythm; 6. The American Popular Song; 7. Blues Line; 8. Cosby and the Music; 9. Nina Returns; 10. Jazz Criticim and Its Effect on the Music; 11. Not "the Boss"; 12. Wynton Marsalis; 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture; 14. Newark's "Coast" and the Hidden Legacy of Urban Culture; 15. Black Music as a Force for Social Change 16. What You Mean, Du Wop?17. Classic American Music; 18. Singers and the Music; 19. Newark's Influence on American Music; 20. Ritual and Performance; 21. Bopera Theory; 22. "Jazz and the White Critic"; 23. Random Notes on the Last Decade; PART 2: GREAT MUSICIANS; 24. Panthalassa; 25. When Miles Split!; 26. David Murray, Ming's Samba; 27. David Murray, Fo Deuk Revue; 28. David Murray, Addenda to a Concert; 29. On Reissuing Trane; 30 For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famousMax Roach, Charlie Parker, Miles Davis, John Coltraneand on those whose names are known mainly by jazz aficionadosAlan Shorte MUSIC / Ethnomusicology bisacsh MUSIC / Genres & Styles / Jazz bisacsh African American musicians fast African Americans / Music fast Jazz fast Music fast Musik Schwarze. USA African Americans Music History and criticism Jazz History and criticism Music History and criticism African American musicians Schwarze (DE-588)4116433-7 gnd Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)4116433-7 (DE-588)4040802-4 (DE-588)4078704-7 |
title | Digging the Afro-American Soul of American Classical Music |
title_auth | Digging the Afro-American Soul of American Classical Music |
title_exact_search | Digging the Afro-American Soul of American Classical Music |
title_full | Digging the Afro-American Soul of American Classical Music |
title_fullStr | Digging the Afro-American Soul of American Classical Music |
title_full_unstemmed | Digging the Afro-American Soul of American Classical Music |
title_short | Digging |
title_sort | digging the afro american soul of american classical music |
title_sub | the Afro-American Soul of American Classical Music |
topic | MUSIC / Ethnomusicology bisacsh MUSIC / Genres & Styles / Jazz bisacsh African American musicians fast African Americans / Music fast Jazz fast Music fast Musik Schwarze. USA African Americans Music History and criticism Jazz History and criticism Music History and criticism African American musicians Schwarze (DE-588)4116433-7 gnd Musik (DE-588)4040802-4 gnd |
topic_facet | MUSIC / Ethnomusicology MUSIC / Genres & Styles / Jazz African American musicians African Americans / Music Jazz Music Musik Schwarze. USA African Americans Music History and criticism Jazz History and criticism Music History and criticism Schwarze USA |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=305980 |
work_keys_str_mv | AT barakaamiri diggingtheafroamericansoulofamericanclassicalmusic |