The calling card script: a writer's toolbox for screen, stage and radio
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
A & C Black
2011
|
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Beschreibung: | Description based on online resource; title from PDF title page (ebrary, viewed February 20, 2014) |
| Beschreibung: | 1 online resource (257 pages) illustrations |
| ISBN: | 9781408142233 1408142236 9781408110171 |
Internformat
MARC
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| 245 | 1 | 0 | |a The calling card script |b a writer's toolbox for screen, stage and radio |c Paul Ashton |
| 264 | 1 | |a London |b A & C Black |c 2011 | |
| 300 | |a 1 online resource (257 pages) |b illustrations | ||
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| 500 | |a Description based on online resource; title from PDF title page (ebrary, viewed February 20, 2014) | ||
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Rhetoric |2 bisacsh | |
| 650 | 7 | |a REFERENCE / Writing Skills |2 bisacsh | |
| 650 | 7 | |a Motion picture plays / Technique |2 fast | |
| 650 | 7 | |a Radio plays / Technique |2 fast | |
| 650 | 7 | |a Television plays / Technique |2 fast | |
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| 650 | 4 | |a Radio plays |x Technique | |
| 650 | 4 | |a Television plays |x Technique | |
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Datensatz im Suchindex
| _version_ | 1804175389469179904 |
|---|---|
| adam_text | THECALLINGCARDSCRIPT
PAULASHTON
CONTENTS
INTRODUCTION
ANACT OFFAITH
*
THE TOOLBOX
*
THE
FORM
OFTHIS
BOOK
*
WHAT
THIS
BOOKDOESNOT
DO
*
ANINDUSTRY
PERSPECTIVE
*
POINTS
OFREFERENCE
*
THE CALLING
CARD
SCRIPT
*
ABASIC
DEFINITION
*
THEWRITER S
EGO
VERSUS
THE
WRITER S
JOURNEY
THEMEDIUM
9
THEWRITER
AS
MEDIUM
11
MEDIUM
*
ONEMAN
AND
EVERY
MAN
*
WHAT
WRITERS
DO
*
INSTINCT
AND
CRAFT
*
ISTHE
WRITER
AMEDIUM?
*
USING
MEDIUM
THETHEATRICAL
SPACE
13
WHAT
ISTHEATRE?
*
MAGIC,RITUAL
AND
SPECTACLE
*
SPECTATOR
AND
AUDIENCE
*
AUDITORIA
*
COMPLEXITY
OFSPACE
*
COMPLEXITY
OFFORM
*
THE
EMPTY
SPACE
*
THE
TECHNOLOGICAL
SPACE
*
CLARITY
OFSPACE
*
MONEY,MONSTERISM
AND
MINIATURISM
*
THE
DIRECTOR
*
THE
ACTOR
*
DIRECTING
THE
ACTION
*
THEATRE
AND
METAPHOR
RADIO
ANDTHE
ACOUSTIC
ENVIRONMENT
21
THEATRE
OFTHE
AIRWAVES
*
CINEMA
OFTHE
AIRWAVES
*
THECONTRADICTION
*
AUDITORIUM
*
THE
PUREST
FORM
*
THE
AUDIENCE
*
ONLY
FORRADIO
*
ACOUSTIC
ENVIRONMENT
*
SCOPE
*
VOICE
*
MUSIC
*
SOUND
FILM
ANDTHE
CINEMATIC
CANVAS
26
THEBIGPICTURE
*
THEATRICAL
RELEASE
*
CINEMA
SCOPE
*
KNOWING
YOUR
PLACE
*
SHOW
DON T
TELL
*
SIGN
LANGUAGE
*
UPCLOSE
*
MONTAGE
*
THEWHOLE
STORY
*
THE
COMPLEX
SINGULARITY
*
THE
KIND
OFSTORY
*
UNIVERSAL
TELEVISION
ANDTHE
RELENTLESS
FORMAT
32
DISTRACTIONS
*
THE
MORNING
AFTER
*
THE
COLDLIGHT
OFDAY
*
THESCHEDULE
*
AUDIENCE
ISGOD
*
THE
PHENOMENON
*
JUMPING
THE
SHARK
*
THE
SINGLE
EXCEPTION
*
FORMAT
NOT
FORMULA
*
BASIC
DISTINCTIONS
*
SERIAL
*
CONTINUING
SERIES
*
PRECINCT
*
RETURNING
SERIES
*
RELENTLESS
MEETS
FORMAT
VIII
THE
CALLLNG
CARD
SCRIPT
2
THE
BEGINNING
45
WHAT
ARE
PRODUCERS
LOOKING
FOR?
47
THE
MEAT
MARKET
*
THE
MARKET
*
SOWHAT
ARE
PEOPLE
LOOKING
FOR?
WHERETO
BEGIN?
49
THE
BLANK
PAGE
*
KNOWLEDGE
ISPOWER
*
NEWS
OFTHE
WORLD
*
DEVIL
INTHE
DETAIL
*
AHEAD
FORIDEAS
*
YOU
*
YOURFEELINGS
*
YOURVOICE
*
THEXFACTOR
*
WHAT
ISAVOICE?
*
CAN
YOUHEAR
YOUR
OWNVOICE?
KINDS
OF
STORIES
55
ARCHETYPES
*
LINEAR
*
EPIC
*
FULL
CIRCLE
*
FRACTURED
*
REPETITIVE
*
REVERSED
*
THE
IMPACT
OFSHAPE
*
GENRE
*
THEATRE
AND
GENRE
*
RADIO
AND
GENRE
*
TELEVISION
AND
GENRE
*
TONE
*
THE
RIGHT
FORM
WHAT STHE
BIG
IDEA?
64
DROIT
MORAL
*
THEME
*
UNIVERSAL
*
CONCEPT
ANDWORLD
*
PREMISE
*
PREMISE
AND
CHARACTER
*
PREMISE
AND
EMOTION
*
THE
BIGIDEA
*
IDEA
AND
MEDIUM
*
THEATRE
*
RADIO
*
FILM
*
TELEVISION
WHAT STHE
STORY?
71
BEGINNINGS
AND
ENDINGS
*
KNOWING
WHERE
YOUARE
GOING
*
DIRECTION
AND
PURPOSE
*
FOCUS
*
POINT
OFVIEW
*
MOVIEENSEMBLES
*
HOOK
*
POVTURNED
UPSIDE-DOWN
GETTING
INTO
CHARACTER
77
TEST
OFCHARACTER
*
DRAMATIC
VERSUS
COMIC
*
SPENDING
TIME
*
EMPATHY
*
DEFINITION
*
ARCHETYPES
*
FEATURES
*
ECCENTRICITY
*
QUALITIES
*
CAPABILITIES
AND
FLAWS
*
ESTIMATION
*
ATTITUDE
*
POV
*
HISTORY
AND
BACKSTORY
*
MORAL
COMPASS
*
MORALITY
AND
CONFLICT
*
THE AGON
*
HERO
AND
VILLAIN
*
DESIRE
AND
NEED
*
DESIRE
VERSUS
NEED
*
ACTION
*
VULNERABILITY
*
CHARACTER
AND
MEDIUM
*
THEATRICAL
CHARACTER
*
RADIO
CHARACTER
*
FILM
CHARACTER
*
TVCHARACTER
HITTINGTHE
GROUND
RUNNING
94
PAGE
ONE
*
KNOWYOUR
STORY
*
HOOKTHE
ATTENTION
*
THE
MIDST
OF
AMOMENT
*
AFOCUSED
WAYIN
*
GETTING
TOKNOW
THE
CHARACTERS
*
EXPOSITION
*
THE
CAPTIVE
AUDIENCE
STRUCTURE
ANDTHE
BEGINNING
100
ACTONE
*
STRUCTURAL
DIAGRAMS
*
THE
UNIVERSAL
FORMULA
*
THREE
ISTHE
MAGIC
NUMBER
*
BUT
THREE
ISNOT
ASIMPLE
NUMBER
*
THE
BEGINNING
*
DISORIENTATION
VERSUS
CONFUSION
*
ESTABLISH
THE
WORLD
*
DELAYED
ESTABLISHMENT
*
DESIRE,
NEED,
PROBLEM
*
CALLTOCHANGE/
ACTION
*
THECOMPLEXCALL
*
THE
UNCERTAINTY
*
POINT
OFNORETURN
*
TENSION
*
EPISODE
AND
SERIES
BEGINNINGS
CONTENTS
IX
THE PLAN
OFACTION
WHEN
TOSTART
WRITING?
*
TREATMENTS
*
CLARITY
*
COHERENEE
*
BUILDING
ABLUEPRINT
112
3
THEMIDDLE
117
THE
MUDDLE
INTHE
MIDDLE
119
MANAGING
THE
MUDDLE
*
MUDDLED
METAPHORS
*
FAIL
BETTER
*
DIG
DEEPER
*
STRETEH
THE
LINE
*
DOMINOES
DEEPER
INTO
CHARACTER
122
THE ARE
*
CHANGE
*
STATE
OFBEEOMING
*
MUDDIED
WANTS
AND
NEEDS
MUDDLED
EONSEQUENCES
*
BEYOND
THE
COMFORT
ZONE
*
DEVELOPING
THE
AGON
*
DEVELOPING
THE
COMPLEXITY
*
NEWWORLD,
NEWCHARACTERISTIES
*
QUALITIES
*
CAPABILITIES
AND
FLAWS
*
POV,
MORALITY,
ATTITUDE
*
VULNERABILITIES
*
DEVELOPING
RELATIONSHIPS
*
JOURNEY
TOWARDS
AWARENESS
*
CONTRADICTION
*
SURPRISING
THEMSELVES
*
CHARACTER
AND
ACTION
*
CHARACTER
AND
STRUCTURE
*
THE MIDDIE INSERIES
AND
SERIALS
*
RETURNING
SERIES
*
SERIALS
*
ABSTRACT
ALTERNATIVES
SURPRISE
139
REVELATION
*
DEUS
EXMACHINA
*
SHOCK
TACTIES
*
SEERETS
*
DRAMATIC
IRONY
*
UNEXPECTED
OUTEOMES
*
PREDICTABILITY
*
TEDIUM
*
CLICHE
STRUCTURE
ANDTHE
MIDDLE
146
THE
DIVIDING
LINES
*
MOMENTUM
*
DOMINOES
*
PEAKS
AND
TROUGHS
*
THE
ROAD
AHEAD
*
SHARP
BENDS
AND
CHIEANES
*
CUL-DE-SACS
*
ACLEAR
VIEWOFTHE
DISTANCE
*
QUICKSANDS
AND
HIGH
TIDES
*
THE
CAVE
*
CHASMS
AND
ROEKFACES
*
ASECOND
POINT
OFNORETURN
*
THE
(NOT
SO)
NATURALORDER
CAUSING
A
SCENE
156
WHAT
ISASCENE?
*
THE
BASICS
*
PICTURE
AND
MONTAGE
*
DRAMATIC
ACTION
*
CONFLIET
*
GOALS
*
CONFLICTS
THAT
MATTER
*
WHAT S
AT
STAKE?
*
THREE
DRAMATIC
LEVELS
*
SUBTEXT
*
SURPRISE
*
BEATS
*
WHAT
TOSHOW
*
JUXTAPOSITION
*
LESS
ISMORE
*
KINDS
OFSEENES
*
THETHEATRICAL
SCENE
*
THE
RADIO
SCENE
*
THE
SCREEN
SCENE
FROM
PLANTO
ACTION
170
READY
TOWRITE
*
REFER
TOTHE
BLUEPRINT
*
DEVELOP
THE
BLUEPRINT
*
STEP
OUTLINE
*
WILDDRAFTS
*
WRITE
THE
BEGINNING
X THECALLLNG CARD SCRIPT
4
THE
END
175
AN
ENDING
INSIGHT
177
FUNDAMENTALS
*
SORNEENDINGS
*
THE
END
*
SIMPLE
VERSUS
COMPLEX
*
ISTHAT
IT?
*
ENDING
ISEMOTION
*
AFITTING
END
SATISFACTION
181
ENTERTAINMENT
*
FOLLOWTHROUGH
*
THE
STORY
BEYOND
*
OPEN
ENDINGS
*
AMBIGUITY
*
TWISTS
*
DEUS
EXMACHINA
*
ANAGNORISIS
*
IMPACT
STRUCTURE
ANDTHE
ENDING
190
CLIMAX
AND
CRISIS
*
CHANGE
*
RESOLUTION
*
CONCLUSION
*
CODA
*
ABSURD
ENDINGS
*
SERIES
AND
SERIAL
HOOKS
*
CLIFFHANGERS
*
THE
NATURALORDER
*
NOPAUSE
FORBREATH
*
AMEANS
TOAN
END
THE
CHARACTER S
VOICE
198
MOUTHPIECES
*
DIALECTIC
*
DIALOGUE
ISNOT
CONVERSATION
*
MONOLOGUE
*
THEATRICAL
SOLILOQUY
*
INNER
AND
CLOSE INRADIO
*
THE
CINEMATIC
VOICE-OVER
*
TVCATCHPHRASES
*
CAN
YOUHEAR
IT?
CAN
YOU
SAYIT?
*
DIALOGUE
ISNOT
LOGICAL
*
THE
NON-SEQUITUR
*
VOICE
ISEXPRESSION
*
AUTHENTICITY
*
UNIQUENESS
*
TICS
*
ACCENTS
*
DIALECT
AND
SLANG
*
NATURALISM
*
STYLISATION
*
RHETORIC
*
LYRICAL
*
ONTHE
NOSE
*
EXPOSITION
AND
INFORMATION
*
BAD
LANGUAGE
*
(PREFACING)
*
SHOUTING!
*
TERSE
VERSUS
GLIB
*
WIT
AND
WORDPLAY
*
SILENCE
AND
SPACE
*
SUBTEXT
WRITING
AND
REWRITING
218
FOCUS
AND
CONTROL
*
EXPECTATIONS
*
QUESTIONS
*
REALITIES
*
REWRITING
*
REWRITING
YOUR
SIGNATURE
*
TIME
AND
SPACE
*
OBJECTIVE
AND
SUBJECTIVE
*
FEEDBACK
*
THE
RED
PEN
*
RECLAIM
YOUR
SUBJECTIVITY
*
ISITREALLY
FINISHED?
*
HOWFINISHED
DOESITNEED
TOBE?
CODA
226
STARTING
OVER
*
ITNEVER
GETS
ANY
EASIER
APPENDIX
229
SCRIPT
READING
AND
VIEWING
*
BOOKSABOUT
WRITING
*
RESOURCES
INDEX
235
|
| any_adam_object | 1 |
| author | Ashton, Paul |
| author_facet | Ashton, Paul |
| author_role | aut |
| author_sort | Ashton, Paul |
| author_variant | p a pa |
| building | Verbundindex |
| bvnumber | BV043032307 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)874163482 (DE-599)BVBBV043032307 |
| dewey-full | 808.22 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.22 |
| dewey-search | 808.22 |
| dewey-sort | 3808.22 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043032307 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:31Z |
| institution | BVB |
| isbn | 9781408142233 1408142236 9781408110171 |
| language | English |
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| spelling | Ashton, Paul Verfasser aut The calling card script a writer's toolbox for screen, stage and radio Paul Ashton London A & C Black 2011 1 online resource (257 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (ebrary, viewed February 20, 2014) LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing bisacsh LANGUAGE ARTS & DISCIPLINES / Rhetoric bisacsh REFERENCE / Writing Skills bisacsh Motion picture plays / Technique fast Radio plays / Technique fast Television plays / Technique fast Motion picture plays Technique Radio plays Technique Television plays Technique http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=697284 Aggregator Volltext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028456958&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ashton, Paul The calling card script a writer's toolbox for screen, stage and radio LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing bisacsh LANGUAGE ARTS & DISCIPLINES / Rhetoric bisacsh REFERENCE / Writing Skills bisacsh Motion picture plays / Technique fast Radio plays / Technique fast Television plays / Technique fast Motion picture plays Technique Radio plays Technique Television plays Technique |
| title | The calling card script a writer's toolbox for screen, stage and radio |
| title_auth | The calling card script a writer's toolbox for screen, stage and radio |
| title_exact_search | The calling card script a writer's toolbox for screen, stage and radio |
| title_full | The calling card script a writer's toolbox for screen, stage and radio Paul Ashton |
| title_fullStr | The calling card script a writer's toolbox for screen, stage and radio Paul Ashton |
| title_full_unstemmed | The calling card script a writer's toolbox for screen, stage and radio Paul Ashton |
| title_short | The calling card script |
| title_sort | the calling card script a writer s toolbox for screen stage and radio |
| title_sub | a writer's toolbox for screen, stage and radio |
| topic | LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing bisacsh LANGUAGE ARTS & DISCIPLINES / Rhetoric bisacsh REFERENCE / Writing Skills bisacsh Motion picture plays / Technique fast Radio plays / Technique fast Television plays / Technique fast Motion picture plays Technique Radio plays Technique Television plays Technique |
| topic_facet | LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing LANGUAGE ARTS & DISCIPLINES / Rhetoric REFERENCE / Writing Skills Motion picture plays / Technique Radio plays / Technique Television plays / Technique Motion picture plays Technique Radio plays Technique Television plays Technique |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=697284 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028456958&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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