Theatre History Studies 2011: Volume 31
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Tuscaloosa
University of Alabama Press
2011
|
| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Print version record |
| Physical Description: | 1 online resource (190 pages) |
| ISBN: | 0817385843 9780817385842 |
Staff View
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| 505 | 8 | |a List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) -- Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community -- Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project -- Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke -- Rick Bowers; Burns Mantle and the American Theatregoing Public -- Dorothy Chansky | |
| 505 | 8 | |a Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism -- Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style -- Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black -- Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde -- Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class -- Reviewed by Dorothy Chansky | |
| 505 | 8 | |a Irene G. Dash, Shakespeare and the Ameri can Musical -- Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) -- Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players -- Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai -- Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 -- Reviewed by Eileen Herrmann- Miller | |
| 505 | 8 | |a Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 -- Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain -- Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 -- Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture -- Reviewed by Brian Neve | |
| 505 | 8 | |a John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora -- Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States -- Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife -- Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture -- Reviewed by Monica Stufft | |
| 505 | 8 | |a Catherine A. Schuler, Theatre and Identity in Imperial Russia -- Reviewed by Ryan Tvedt | |
| 505 | 8 | |a "Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member | |
| 650 | 4 | |a Theater / History / Periodicals | |
| 650 | 4 | |a Fine Arts | |
| 650 | 7 | |a PERFORMING ARTS / Theater / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Theater |2 fast | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Theater |x History | |
| 700 | 1 | |a Studies, Theatre History |e Sonstige |4 oth | |
| 700 | 1 | |a Barranger, Milly S. |e Sonstige |4 oth | |
| 700 | 1 | |a Osborne, Elizabeth |e Sonstige |4 oth | |
| 700 | 1 | |a Chansky, Dorothy |e Sonstige |4 oth | |
| 700 | 1 | |a Bank, Rosemarie K. |e Sonstige |4 oth | |
| 700 | 1 | |a Crespy, David Allison |d 1960- |e Sonstige |0 (DE-588)1048235572 |4 oth | |
| 700 | 1 | |a Herrmann-Miller, Eileen |e Sonstige |4 oth | |
| 700 | 1 | |a Kattwinkel, Susan |e Sonstige |4 oth | |
| 700 | 1 | |a Nathans, Heather S. |e Sonstige |4 oth | |
| 700 | 1 | |a Kokai, Jennifer A. |e Sonstige |4 oth | |
| 700 | 1 | |a Bowers, Rick |e Sonstige |4 oth | |
| 700 | 1 | |a Gordon, Kelly Carolyn |e Sonstige |4 oth | |
| 700 | 1 | |a Derrick, Patty S. |e Sonstige |4 oth | |
| 700 | 1 | |a Blansfield, Karen C. |e Sonstige |4 oth | |
| 700 | 1 | |a Chessum, Tracey Elaine |e Sonstige |4 oth | |
| 700 | 1 | |a Engle, Sherry |e Sonstige |4 oth | |
| 700 | 1 | |a Foley, Kathy |e Sonstige |4 oth | |
| 700 | 1 | |a Nelson, Laura M. |e Sonstige |4 oth | |
| 700 | 1 | |a Neve, Brian |e Sonstige |4 oth | |
| 700 | 1 | |a Ritschel, Nelson O'Ceallaigh |e Sonstige |4 oth | |
| 700 | 1 | |a Santvoord, Van |e Sonstige |4 oth | |
| 700 | 1 | |a Spingler, Michael |e Sonstige |4 oth | |
| 700 | 1 | |a Stufft, Monica |e Sonstige |4 oth | |
| 700 | 1 | |a Tvedt, Ryan |e Sonstige |4 oth | |
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Record in the Search Index
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| author | Justice-Malloy, Rhona |
| author_GND | (DE-588)1048235572 |
| author_facet | Justice-Malloy, Rhona |
| author_role | aut |
| author_sort | Justice-Malloy, Rhona |
| author_variant | r j m rjm |
| building | Verbundindex |
| bvnumber | BV043032282 |
| collection | ZDB-4-EBA |
| contents | List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) -- Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community -- Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project -- Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke -- Rick Bowers; Burns Mantle and the American Theatregoing Public -- Dorothy Chansky Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism -- Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style -- Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black -- Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde -- Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class -- Reviewed by Dorothy Chansky Irene G. Dash, Shakespeare and the Ameri can Musical -- Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) -- Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players -- Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai -- Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 -- Reviewed by Eileen Herrmann- Miller Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 -- Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain -- Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 -- Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture -- Reviewed by Brian Neve John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora -- Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States -- Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife -- Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture -- Reviewed by Monica Stufft Catherine A. Schuler, Theatre and Identity in Imperial Russia -- Reviewed by Ryan Tvedt "Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member |
| ctrlnum | (OCoLC)772845407 (DE-599)BVBBV043032282 |
| dewey-full | 792.0973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0973 |
| dewey-search | 792.0973 |
| dewey-sort | 3792.0973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043032282 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:31Z |
| institution | BVB |
| isbn | 0817385843 9780817385842 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028456933 |
| oclc_num | 772845407 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (190 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | University of Alabama Press |
| record_format | marc |
| spelling | Justice-Malloy, Rhona Verfasser aut Theatre History Studies 2011 Volume 31 Tuscaloosa University of Alabama Press 2011 1 online resource (190 pages) txt rdacontent c rdamedia cr rdacarrier Print version record List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) -- Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community -- Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project -- Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke -- Rick Bowers; Burns Mantle and the American Theatregoing Public -- Dorothy Chansky Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism -- Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style -- Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black -- Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde -- Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class -- Reviewed by Dorothy Chansky Irene G. Dash, Shakespeare and the Ameri can Musical -- Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) -- Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players -- Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai -- Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 -- Reviewed by Eileen Herrmann- Miller Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 -- Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain -- Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 -- Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture -- Reviewed by Brian Neve John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora -- Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States -- Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife -- Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture -- Reviewed by Monica Stufft Catherine A. Schuler, Theatre and Identity in Imperial Russia -- Reviewed by Ryan Tvedt "Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member Theater / History / Periodicals Fine Arts PERFORMING ARTS / Theater / History & Criticism bisacsh Theater fast Geschichte Theater History Studies, Theatre History Sonstige oth Barranger, Milly S. Sonstige oth Osborne, Elizabeth Sonstige oth Chansky, Dorothy Sonstige oth Bank, Rosemarie K. Sonstige oth Crespy, David Allison 1960- Sonstige (DE-588)1048235572 oth Herrmann-Miller, Eileen Sonstige oth Kattwinkel, Susan Sonstige oth Nathans, Heather S. Sonstige oth Kokai, Jennifer A. Sonstige oth Bowers, Rick Sonstige oth Gordon, Kelly Carolyn Sonstige oth Derrick, Patty S. Sonstige oth Blansfield, Karen C. Sonstige oth Chessum, Tracey Elaine Sonstige oth Engle, Sherry Sonstige oth Foley, Kathy Sonstige oth Nelson, Laura M. Sonstige oth Neve, Brian Sonstige oth Ritschel, Nelson O'Ceallaigh Sonstige oth Santvoord, Van Sonstige oth Spingler, Michael Sonstige oth Stufft, Monica Sonstige oth Tvedt, Ryan Sonstige oth Erscheint auch als Druck-Ausgabe Justice-Malloy, Rhona Theatre History Studies 2011 : Volume 31 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420372 Aggregator Volltext |
| spellingShingle | Justice-Malloy, Rhona Theatre History Studies 2011 Volume 31 List of Illustrations; In Memoriam: Vera Mowry Roberts (1913-2010) -- Milly S. Barranger; Class Act(resses): How Depression-Era Stage Actresses Utilized Conflicting Gender Ideals to Benefit Their Community -- Kelly Carolyn Gordon; Storytelling, Chiggers, and the Bible Belt: The Georgia Experiment as the Public Face of the Federal Theatre Project -- Elizabeth Osborne; Shakespearean Celebrity in America: The Strange Performative Afterlife of George Frederick Cooke -- Rick Bowers; Burns Mantle and the American Theatregoing Public -- Dorothy Chansky Weeki Wachee Girls and Buccaneer Boys: The Evolution of Mermaids, Gender, and "Man versus Nature" Tourism -- Jennifer A. KokaiJulia Marlowe's Imogen: Modern Identity, Victorian Style -- Patty S. Derrick; Book Reviews; Heather S. Nathans, Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black -- Reviewed by Rosemarie K. Bank; Kerry Powell, Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde -- Reviewed by Karen C. Blansfield; David Savran, Highbrow/Lowdown: Theater, Jazz, and the Makingof the New Middle Class -- Reviewed by Dorothy Chansky Irene G. Dash, Shakespeare and the Ameri can Musical -- Reviewed by Tracey Elaine ChessumRakesh H. Solomon, Albee in Performance, and Anne Paolucci, Edward Albee (The Later Plays) -- Reviewed by David A. Crespy; Judith Barlow, Women Writers of the Provincetown Players -- Reviewed by Sherry Engle; Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth Century Shanghai -- Reviewed by Kathy Foley; DeAnna M. Toten Beard, Sheldon Cheney's "Theatre Arts Magazine": Promoting a Modern Ameri can Theatre, 1916-1921 -- Reviewed by Eileen Herrmann- Miller Mark Cosdon, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833-1931 -- Reviewed by Susan KattwinkelMichael Ragussis, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain -- Reviewed by Heather S. Nathans; Pamela Cobrin, From Winning the Vote to Directing on Broad way: The Emergence of Women on the New York Stage, 1880-1927 -- Reviewed by Laura M. Nelson; Joseph Litvak, The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture -- Reviewed by Brian Neve John P. Harrington, ed., Irish Theatre in America: Essays on Irish Theatrical Diaspora -- Reviewed by Nelson O'Ceallaigh RitschelOscar Brockett, Margaret Mitchell, and Linda Hardberger, Making the Scene: A History of Stage Design and Technology in Europe and the United States -- Reviewed by Van Santvoord; Mechele Leon, Molière, the French Revolution, and the Theatrical Afterlife -- Reviewed by Michael Spingler; Marlis Schweitzer, When Broadway Was the Runway: Theater, Fashion, and American Culture -- Reviewed by Monica Stufft Catherine A. Schuler, Theatre and Identity in Imperial Russia -- Reviewed by Ryan Tvedt "Theatre History Studies" is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member Theater / History / Periodicals Fine Arts PERFORMING ARTS / Theater / History & Criticism bisacsh Theater fast Geschichte Theater History |
| title | Theatre History Studies 2011 Volume 31 |
| title_auth | Theatre History Studies 2011 Volume 31 |
| title_exact_search | Theatre History Studies 2011 Volume 31 |
| title_full | Theatre History Studies 2011 Volume 31 |
| title_fullStr | Theatre History Studies 2011 Volume 31 |
| title_full_unstemmed | Theatre History Studies 2011 Volume 31 |
| title_short | Theatre History Studies 2011 |
| title_sort | theatre history studies 2011 volume 31 |
| title_sub | Volume 31 |
| topic | Theater / History / Periodicals Fine Arts PERFORMING ARTS / Theater / History & Criticism bisacsh Theater fast Geschichte Theater History |
| topic_facet | Theater / History / Periodicals Fine Arts PERFORMING ARTS / Theater / History & Criticism Theater Geschichte Theater History |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420372 |
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