Center stage: operatic culture and nation building in nineteenth-century Central Europe
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
West Lafayette, Indiana
Purdue University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource |
| ISBN: | 1557536759 1612493297 1612493300 9781557536754 9781612493299 9781612493305 |
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| 505 | 8 | |a "Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework"-- | |
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| author | Ther, Philipp 1967- |
| author2 | Hughes-Kreutzmuller, Charlotte |
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| contents | "Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework"-- |
| ctrlnum | (OCoLC)879647780 (DE-599)BVBBV043031112 |
| dewey-full | 782.10943 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.10943 |
| dewey-search | 782.10943 |
| dewey-sort | 3782.10943 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 |
| era_facet | 1800 - 1999 Geschichte 1900-2000 Geschichte 1800-1900 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:29Z |
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| isbn | 1557536759 1612493297 1612493300 9781557536754 9781612493299 9781612493305 |
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| spelling | Ther, Philipp 1967- Verfasser (DE-588)124654118 aut (DE-588)1090935935 In der Mitte der Gesellschaft Center stage operatic culture and nation building in nineteenth-century Central Europe Philipp Ther ; translated by Charlotte Hughes-Kreutzmuller West Lafayette, Indiana Purdue University Press 2014 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on print version record "Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework"-- 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 HISTORY / Europe / Eastern bisacsh MUSIC / Genres & Styles / Opera bisacsh MUSIC / History & Criticism bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Nationalism in music fast Opera / Social aspects fast Gesellschaft Opera Social aspects Germany Dresden 19th century Opera Social aspects Germany Dresden 20th century Opera Social aspects Ukraine Lʹviv 19th century Opera Social aspects Ukraine Lʹviv 20th century Opera Social aspects Czech Republic Prague 19th century Opera Social aspects Czech Republic Prague 20th century Nationalism in music Deutschland Europa Tschechische Republik Hughes-Kreutzmuller, Charlotte trl Erscheint auch als Druck-Ausgabe Ther, Philipp, author Center stage http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=778416 Aggregator Volltext |
| spellingShingle | Ther, Philipp 1967- Center stage operatic culture and nation building in nineteenth-century Central Europe "Grand palaces of culture, opera theaters marked the center of European cities like the cathedrals of the Middle Ages. As opera cast its spell, almost every European city and society aspired to have its own opera house, and dozens of new theaters were constructed in the course of the "long" nineteenth century. At the time of the French Revolution in 1789, only a few, mostly royal, opera theaters, existed in Europe. However, by the turn of the nineteenth and twentieth centuries nearly every large town possessed a theater in which operas were performed, especially in Central Europe, the region upon which this book concentrates. This volume, a revised and extended version of two well-reviewed books published in German and Czech, explores the social and political background to this "opera mania" in nineteenth century Central Europe. After tracing the major trends in the opera history of the period, including the emergence of national genres of opera and its various social functions and cultural meanings, the author contrasts the histories of the major houses in Dresden (a court theater), Lemberg (a theater built and sponsored by aristocrats), and Prague (a civic institution). Beyond the operatic institutions and their key stage productions, composers such as Carl Maria von Weber, Richard Wagner, Bedřich Smetana, Stanisław Moniuszko, Antonín Dvořák, and Richard Strauss are put in their social and political contexts. The concluding chapter, bringing together the different leitmotifs of social and cultural history explored in the rest of the book, explains the specificities of opera life in Central Europe within a wider European and global framework"-- HISTORY / Europe / Eastern bisacsh MUSIC / Genres & Styles / Opera bisacsh MUSIC / History & Criticism bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Nationalism in music fast Opera / Social aspects fast Gesellschaft Opera Social aspects Germany Dresden 19th century Opera Social aspects Germany Dresden 20th century Opera Social aspects Ukraine Lʹviv 19th century Opera Social aspects Ukraine Lʹviv 20th century Opera Social aspects Czech Republic Prague 19th century Opera Social aspects Czech Republic Prague 20th century Nationalism in music |
| title | Center stage operatic culture and nation building in nineteenth-century Central Europe |
| title_GND | (DE-588)1090935935 |
| title_alt | In der Mitte der Gesellschaft |
| title_auth | Center stage operatic culture and nation building in nineteenth-century Central Europe |
| title_exact_search | Center stage operatic culture and nation building in nineteenth-century Central Europe |
| title_full | Center stage operatic culture and nation building in nineteenth-century Central Europe Philipp Ther ; translated by Charlotte Hughes-Kreutzmuller |
| title_fullStr | Center stage operatic culture and nation building in nineteenth-century Central Europe Philipp Ther ; translated by Charlotte Hughes-Kreutzmuller |
| title_full_unstemmed | Center stage operatic culture and nation building in nineteenth-century Central Europe Philipp Ther ; translated by Charlotte Hughes-Kreutzmuller |
| title_short | Center stage |
| title_sort | center stage operatic culture and nation building in nineteenth century central europe |
| title_sub | operatic culture and nation building in nineteenth-century Central Europe |
| topic | HISTORY / Europe / Eastern bisacsh MUSIC / Genres & Styles / Opera bisacsh MUSIC / History & Criticism bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Nationalism in music fast Opera / Social aspects fast Gesellschaft Opera Social aspects Germany Dresden 19th century Opera Social aspects Germany Dresden 20th century Opera Social aspects Ukraine Lʹviv 19th century Opera Social aspects Ukraine Lʹviv 20th century Opera Social aspects Czech Republic Prague 19th century Opera Social aspects Czech Republic Prague 20th century Nationalism in music |
| topic_facet | HISTORY / Europe / Eastern MUSIC / Genres & Styles / Opera MUSIC / History & Criticism MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal Nationalism in music Opera / Social aspects Gesellschaft Opera Social aspects Germany Dresden 19th century Opera Social aspects Germany Dresden 20th century Opera Social aspects Ukraine Lʹviv 19th century Opera Social aspects Ukraine Lʹviv 20th century Opera Social aspects Czech Republic Prague 19th century Opera Social aspects Czech Republic Prague 20th century Deutschland Europa Tschechische Republik |
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