New Literatures of Old: Dialogues of Tradition and Innovation in Anglophone Literature
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Newcastle upon Tyne
Cambridge Scholars Pub.
2008
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| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext Inhaltsverzeichnis |
| Item Description: | Print version record |
| Physical Description: | 1 online resource (202 pages) |
| ISBN: | 1443811688 9781443811682 |
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| 505 | 8 | |a TABLE OF CONTENTS; PREFACE; INTRODUCTION; PART I; MARGINALIZING THE CANON; TASTE OF MARGIN; THE INFLUENCE OF ANXIETY OR THE POSTMODERNITY OF EMERSON; PART II; "IN THE SHADOW OF THE NECROPOLIS"; "I LAY BACK AND THOUGHT OF BUSHMANLAND"; "OLD" ROMANCE AND "NEW" MAGIC REALISM; BUILDING AND PLOUGHING; BLUNDER AND MALPRACTICE IN P.D. JAMES'S THE BLACK TOWER; INHERITING TRADITIONAL ROLES OF AMERICAN FEMALE GROWTH; REWRITING TRADITION IN THE OLD AND NEW WORLD; PART III; INTERMEDIALITY AS A MODE OF COMMUNICATION IN THEATRE AND PERFORMANCE; CODE 46 A SCIENCE-FICTIONAL OEDIPUSOR JOCASTA GIVEN A VOICE. | |
| 505 | 8 | |a THE OLD MASTERS AND YOUNG VIEWERSEPITAPH FOR VICTOR; CONTRIBUTORS; INDEX. | |
| 505 | 8 | |a Artistic creativity is fuelled by the permanent interaction among artistic forms, cultures, societies, and eventually different individuals, in the form of an all-inclusive intertextuality. The dialogues between the past and the present help the artist examine his own art, making him conscious of his position in the field, whether through self-evaluation, renewal or experiment with new textualities. This book explores how the strategies reflecting the exchanges between past and present modes .. | |
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| 650 | 7 | |a English literature |2 fast | |
| 650 | 7 | |a Intertextuality |2 fast | |
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Record in the Search Index
| _version_ | 1804175385420627968 |
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| adam_text | Titel: New literatures of old
Autor: Prado-Pérez, José Ramón
Jahr: 2008
Table of Contents
Preface.......................................................................................................vii
Introduction.................................................................................................1
The Politics of Interculturalism, Intertextuality and Hybridization
Jose Ramön Prado-Perez
Part I: The Canon, Creativity and Reconceptualization
Marginalizing the Canon: National Literature in the Age of Globalization
Hans-Peter Söder.......................................................................................22
Taste of Margin: The Third World Dream of the Canon Re-evaluated
Hamed Habibzadeh...................................................................................39
The Influence of Anxiety or the Postmodernity of Emerson
Ricardo Miguel Alfonso............................................................................46
Part II: Re-writing Genre, Re-writing Tradition
In the Shadow of the Necropolis : Historylessness, Tradition
and (Re-)creation in Janice Galloway s Foreign Parts
Marie Odile Pittin-Hexion..........................................................................64
I lay back and thought of Bushmanland : Parody of Old Forms,
Satiric Devices and Reality in Christopher Hope s Darkest England
Manuel Vicente Calvo...............................................................................75
Old Romance and New Magic Realism: a Case of Generic
Reincaraation
Barbara Klonowska...................................................................................93
Building and Ploughing: Some Connections Between T. S. Eliot s
The Rock and William Langland s Piers Plowman
Didac Llorens Cubedo.............................................................................105
vi Table of Contents
Blunder and Malpractice in P. D. James s The Black Tower
Salvador Insa Sales..................................................................................116
Inheriting Traditional Roles of American Female Growth: from Louisa
May Alcott s Linie Women to Jeffrey Eugenides The Virgin Suicides
Marta Miquel Baldellou...........................................................................127
Rewriting Tradition in the Old and New World: The Holder ofthe World
and The Tree Bride by Bharati Mukherjee
Laura Peco Gonzalez...............................................................................136
Part III: The Visual
Intermediality as a Mode of Communication in Theatre and Performance
FredaChapple..........................................................................................146
Code 46: A Science-fictional Oedipus or Jocasta Given a Voice
Noemi Novell..........................................................................................160
The Old Masters and Young Viewers: Visual Tradition in American
Ekphrastic Poetry
Anna Szczepanek-Guz.............................................................................167
Epitaph for Victor: Migrations of Identity
John Danvers...........................................................................................174
Contributors.............................................................................................188
Index........................................................................................................192
|
| any_adam_object | 1 |
| author | Prado-Perez, Jose Ramon |
| author_facet | Prado-Perez, Jose Ramon |
| author_role | aut |
| author_sort | Prado-Perez, Jose Ramon |
| author_variant | j r p p jrp jrpp |
| building | Verbundindex |
| bvnumber | BV043029838 |
| collection | ZDB-4-EBA |
| contents | TABLE OF CONTENTS; PREFACE; INTRODUCTION; PART I; MARGINALIZING THE CANON; TASTE OF MARGIN; THE INFLUENCE OF ANXIETY OR THE POSTMODERNITY OF EMERSON; PART II; "IN THE SHADOW OF THE NECROPOLIS"; "I LAY BACK AND THOUGHT OF BUSHMANLAND"; "OLD" ROMANCE AND "NEW" MAGIC REALISM; BUILDING AND PLOUGHING; BLUNDER AND MALPRACTICE IN P.D. JAMES'S THE BLACK TOWER; INHERITING TRADITIONAL ROLES OF AMERICAN FEMALE GROWTH; REWRITING TRADITION IN THE OLD AND NEW WORLD; PART III; INTERMEDIALITY AS A MODE OF COMMUNICATION IN THEATRE AND PERFORMANCE; CODE 46 A SCIENCE-FICTIONAL OEDIPUSOR JOCASTA GIVEN A VOICE. THE OLD MASTERS AND YOUNG VIEWERSEPITAPH FOR VICTOR; CONTRIBUTORS; INDEX. Artistic creativity is fuelled by the permanent interaction among artistic forms, cultures, societies, and eventually different individuals, in the form of an all-inclusive intertextuality. The dialogues between the past and the present help the artist examine his own art, making him conscious of his position in the field, whether through self-evaluation, renewal or experiment with new textualities. This book explores how the strategies reflecting the exchanges between past and present modes .. |
| ctrlnum | (OCoLC)823721219 (DE-599)BVBBV043029838 |
| dewey-full | 820.9 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9 |
| dewey-search | 820.9 |
| dewey-sort | 3820.9 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| isbn | 1443811688 9781443811682 |
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| spelling | Prado-Perez, Jose Ramon Verfasser aut New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature Newcastle upon Tyne Cambridge Scholars Pub. 2008 1 online resource (202 pages) txt rdacontent c rdamedia cr rdacarrier Print version record TABLE OF CONTENTS; PREFACE; INTRODUCTION; PART I; MARGINALIZING THE CANON; TASTE OF MARGIN; THE INFLUENCE OF ANXIETY OR THE POSTMODERNITY OF EMERSON; PART II; "IN THE SHADOW OF THE NECROPOLIS"; "I LAY BACK AND THOUGHT OF BUSHMANLAND"; "OLD" ROMANCE AND "NEW" MAGIC REALISM; BUILDING AND PLOUGHING; BLUNDER AND MALPRACTICE IN P.D. JAMES'S THE BLACK TOWER; INHERITING TRADITIONAL ROLES OF AMERICAN FEMALE GROWTH; REWRITING TRADITION IN THE OLD AND NEW WORLD; PART III; INTERMEDIALITY AS A MODE OF COMMUNICATION IN THEATRE AND PERFORMANCE; CODE 46 A SCIENCE-FICTIONAL OEDIPUSOR JOCASTA GIVEN A VOICE. THE OLD MASTERS AND YOUNG VIEWERSEPITAPH FOR VICTOR; CONTRIBUTORS; INDEX. Artistic creativity is fuelled by the permanent interaction among artistic forms, cultures, societies, and eventually different individuals, in the form of an all-inclusive intertextuality. The dialogues between the past and the present help the artist examine his own art, making him conscious of his position in the field, whether through self-evaluation, renewal or experiment with new textualities. This book explores how the strategies reflecting the exchanges between past and present modes .. Canon (Literature) English literature / History and criticism Intertextuality LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Canon (Literature) fast English literature fast Intertextuality fast English literature History and criticism Cubedo, Didac Llorens Sonstige oth Erscheint auch als Druck-Ausgabe Prado-Perez, Jose Ramon New Literatures of Old : Dialogues of Tradition and Innovation in Anglophone Literature http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=523921 Aggregator Volltext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028454490&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Prado-Perez, Jose Ramon New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature TABLE OF CONTENTS; PREFACE; INTRODUCTION; PART I; MARGINALIZING THE CANON; TASTE OF MARGIN; THE INFLUENCE OF ANXIETY OR THE POSTMODERNITY OF EMERSON; PART II; "IN THE SHADOW OF THE NECROPOLIS"; "I LAY BACK AND THOUGHT OF BUSHMANLAND"; "OLD" ROMANCE AND "NEW" MAGIC REALISM; BUILDING AND PLOUGHING; BLUNDER AND MALPRACTICE IN P.D. JAMES'S THE BLACK TOWER; INHERITING TRADITIONAL ROLES OF AMERICAN FEMALE GROWTH; REWRITING TRADITION IN THE OLD AND NEW WORLD; PART III; INTERMEDIALITY AS A MODE OF COMMUNICATION IN THEATRE AND PERFORMANCE; CODE 46 A SCIENCE-FICTIONAL OEDIPUSOR JOCASTA GIVEN A VOICE. THE OLD MASTERS AND YOUNG VIEWERSEPITAPH FOR VICTOR; CONTRIBUTORS; INDEX. Artistic creativity is fuelled by the permanent interaction among artistic forms, cultures, societies, and eventually different individuals, in the form of an all-inclusive intertextuality. The dialogues between the past and the present help the artist examine his own art, making him conscious of his position in the field, whether through self-evaluation, renewal or experiment with new textualities. This book explores how the strategies reflecting the exchanges between past and present modes .. Canon (Literature) English literature / History and criticism Intertextuality LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Canon (Literature) fast English literature fast Intertextuality fast English literature History and criticism |
| title | New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature |
| title_auth | New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature |
| title_exact_search | New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature |
| title_full | New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature |
| title_fullStr | New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature |
| title_full_unstemmed | New Literatures of Old Dialogues of Tradition and Innovation in Anglophone Literature |
| title_short | New Literatures of Old |
| title_sort | new literatures of old dialogues of tradition and innovation in anglophone literature |
| title_sub | Dialogues of Tradition and Innovation in Anglophone Literature |
| topic | Canon (Literature) English literature / History and criticism Intertextuality LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Canon (Literature) fast English literature fast Intertextuality fast English literature History and criticism |
| topic_facet | Canon (Literature) English literature / History and criticism Intertextuality LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English literature English literature History and criticism |
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