The sounds of the silents in Britain:
Saved in:
| Format: | Electronic eBook |
|---|---|
| Language: | English |
| Published: |
New York
Oxford University Press
[2013]
|
| Subjects: | |
| Online Access: | FAW01 FAW02 Volltext |
| Item Description: | Description based on print version record |
| Physical Description: | 1 online resource (xiv, 334 pages) illustrations, music |
| ISBN: | 0199797544 0199797617 0199797641 0199979731 9780199797547 9780199797615 9780199797646 9780199979738 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043028836 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151120s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 0199797544 |9 0-19-979754-4 | ||
| 020 | |a 0199797617 |9 0-19-979761-7 | ||
| 020 | |a 0199797641 |c electronic bk. |9 0-19-979764-1 | ||
| 020 | |a 0199979731 |c ebook |9 0-19-997973-1 | ||
| 020 | |a 9780199797547 |9 978-0-19-979754-7 | ||
| 020 | |a 9780199797615 |9 978-0-19-979761-5 | ||
| 020 | |a 9780199797646 |c electronic bk. |9 978-0-19-979764-6 | ||
| 020 | |a 9780199979738 |c ebook |9 978-0-19-997973-8 | ||
| 035 | |a (OCoLC)858861706 | ||
| 035 | |a (DE-599)BVBBV043028836 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 781.5/42094109041 |2 23 | |
| 245 | 1 | 0 | |a The sounds of the silents in Britain |c edited by Julie Brown and Annette Davison |
| 264 | 1 | |a New York |b Oxford University Press |c [2013] | |
| 264 | 4 | |c © 2013 | |
| 300 | |a 1 online resource (xiv, 334 pages) |b illustrations, music | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on print version record | ||
| 505 | 8 | |a Overture / Julie Brown, Annette Davison -- Professional lecturing in Early British Film shows / Joe Kember -- "Now, where were we?" ideal and actual early cinema lecturing practices in Britain, Germany and the United States / Judith Buchanan -- Eric Williams: speaking to pictures / Stephen Bottomore -- Sounding Scottish: sound practices and silent cinema in Scotland / Trevor Griffiths -- "Suitable music": accompaniment practice in early London screen exhibition from R.W. Paul to the Picture Palaces / Ian Christie -- The art of not "playing to pictures" in British cinemas, 1906-1914 / Jon Burrows -- "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913 / Andrew Higson -- The reception of British exhibition practices in moving picture world, 1907-1914 / James Buhler -- Selsior dancing films, 1912-1917 / Stephen Bottomore -- Song of performance in the early sound shorts British pathé / Derek B. Scott -- Framing the atmospheric film prologue in Britain, 1919-1926 / Julie Brown -- Animating the audience: singalong films in Britain in the 1920s / Malcolm Cook -- Workers' rights and performing rights: cinema music and musicians prior to synchronized sound / Annette Davison -- Sound at the film society / John Riley -- Edmund Meisel's "visual sound" in The crimson circle (1929): the case of the vanishing part-talkie / Fiona Ford | |
| 505 | 8 | |a This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology | |
| 650 | 7 | |a MUSIC / Instruction & Study / Theory |2 bisacsh | |
| 650 | 7 | |a Silent film music |2 fast | |
| 650 | 7 | |a Silent films |2 fast | |
| 650 | 7 | |a Silent films / Musical accompaniment |2 fast | |
| 650 | 4 | |a Silent film music |z Great Britain |x History and criticism | |
| 650 | 4 | |a Silent films |z Great Britain |x History and criticism | |
| 650 | 4 | |a Silent films |z Great Britain |x Musical accompaniment | |
| 650 | 0 | 7 | |a Stummfilm |0 (DE-588)4058257-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Großbritannien | |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 1 | |a Stummfilm |0 (DE-588)4058257-7 |D s |
| 689 | 0 | 2 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Brown, Julie |e Sonstige |4 oth | |
| 700 | 1 | |a Davison, Annette |d 1971- |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Sounds of the silents in Britain |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028453487 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Record in the Search Index
| _version_ | 1804175383731372032 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV043028836 |
| collection | ZDB-4-EBA |
| contents | Overture / Julie Brown, Annette Davison -- Professional lecturing in Early British Film shows / Joe Kember -- "Now, where were we?" ideal and actual early cinema lecturing practices in Britain, Germany and the United States / Judith Buchanan -- Eric Williams: speaking to pictures / Stephen Bottomore -- Sounding Scottish: sound practices and silent cinema in Scotland / Trevor Griffiths -- "Suitable music": accompaniment practice in early London screen exhibition from R.W. Paul to the Picture Palaces / Ian Christie -- The art of not "playing to pictures" in British cinemas, 1906-1914 / Jon Burrows -- "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913 / Andrew Higson -- The reception of British exhibition practices in moving picture world, 1907-1914 / James Buhler -- Selsior dancing films, 1912-1917 / Stephen Bottomore -- Song of performance in the early sound shorts British pathé / Derek B. Scott -- Framing the atmospheric film prologue in Britain, 1919-1926 / Julie Brown -- Animating the audience: singalong films in Britain in the 1920s / Malcolm Cook -- Workers' rights and performing rights: cinema music and musicians prior to synchronized sound / Annette Davison -- Sound at the film society / John Riley -- Edmund Meisel's "visual sound" in The crimson circle (1929): the case of the vanishing part-talkie / Fiona Ford This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology |
| ctrlnum | (OCoLC)858861706 (DE-599)BVBBV043028836 |
| dewey-full | 781.5/42094109041 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42094109041 |
| dewey-search | 781.5/42094109041 |
| dewey-sort | 3781.5 1142094109041 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04748nmm a2200685zc 4500</leader><controlfield tag="001">BV043028836</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151120s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199797544</subfield><subfield code="9">0-19-979754-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199797617</subfield><subfield code="9">0-19-979761-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199797641</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-19-979764-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0199979731</subfield><subfield code="c">ebook</subfield><subfield code="9">0-19-997973-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199797547</subfield><subfield code="9">978-0-19-979754-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199797615</subfield><subfield code="9">978-0-19-979761-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199797646</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-19-979764-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199979738</subfield><subfield code="c">ebook</subfield><subfield code="9">978-0-19-997973-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)858861706</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043028836</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/42094109041</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The sounds of the silents in Britain</subfield><subfield code="c">edited by Julie Brown and Annette Davison</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiv, 334 pages)</subfield><subfield code="b">illustrations, music</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on print version record</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Overture / Julie Brown, Annette Davison -- Professional lecturing in Early British Film shows / Joe Kember -- "Now, where were we?" ideal and actual early cinema lecturing practices in Britain, Germany and the United States / Judith Buchanan -- Eric Williams: speaking to pictures / Stephen Bottomore -- Sounding Scottish: sound practices and silent cinema in Scotland / Trevor Griffiths -- "Suitable music": accompaniment practice in early London screen exhibition from R.W. Paul to the Picture Palaces / Ian Christie -- The art of not "playing to pictures" in British cinemas, 1906-1914 / Jon Burrows -- "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913 / Andrew Higson -- The reception of British exhibition practices in moving picture world, 1907-1914 / James Buhler -- Selsior dancing films, 1912-1917 / Stephen Bottomore -- Song of performance in the early sound shorts British pathé / Derek B. Scott -- Framing the atmospheric film prologue in Britain, 1919-1926 / Julie Brown -- Animating the audience: singalong films in Britain in the 1920s / Malcolm Cook -- Workers' rights and performing rights: cinema music and musicians prior to synchronized sound / Annette Davison -- Sound at the film society / John Riley -- Edmund Meisel's "visual sound" in The crimson circle (1929): the case of the vanishing part-talkie / Fiona Ford</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Instruction & Study / Theory</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Silent film music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Silent films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Silent films / Musical accompaniment</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Silent film music</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Silent films</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Silent films</subfield><subfield code="z">Great Britain</subfield><subfield code="x">Musical accompaniment</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Stummfilm</subfield><subfield code="0">(DE-588)4058257-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Stummfilm</subfield><subfield code="0">(DE-588)4058257-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brown, Julie</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Davison, Annette</subfield><subfield code="d">1971-</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Sounds of the silents in Britain</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028453487</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV043028836 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:25Z |
| institution | BVB |
| isbn | 0199797544 0199797617 0199797641 0199979731 9780199797547 9780199797615 9780199797646 9780199979738 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028453487 |
| oclc_num | 858861706 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (xiv, 334 pages) illustrations, music |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | The sounds of the silents in Britain edited by Julie Brown and Annette Davison New York Oxford University Press [2013] © 2013 1 online resource (xiv, 334 pages) illustrations, music txt rdacontent c rdamedia cr rdacarrier Description based on print version record Overture / Julie Brown, Annette Davison -- Professional lecturing in Early British Film shows / Joe Kember -- "Now, where were we?" ideal and actual early cinema lecturing practices in Britain, Germany and the United States / Judith Buchanan -- Eric Williams: speaking to pictures / Stephen Bottomore -- Sounding Scottish: sound practices and silent cinema in Scotland / Trevor Griffiths -- "Suitable music": accompaniment practice in early London screen exhibition from R.W. Paul to the Picture Palaces / Ian Christie -- The art of not "playing to pictures" in British cinemas, 1906-1914 / Jon Burrows -- "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913 / Andrew Higson -- The reception of British exhibition practices in moving picture world, 1907-1914 / James Buhler -- Selsior dancing films, 1912-1917 / Stephen Bottomore -- Song of performance in the early sound shorts British pathé / Derek B. Scott -- Framing the atmospheric film prologue in Britain, 1919-1926 / Julie Brown -- Animating the audience: singalong films in Britain in the 1920s / Malcolm Cook -- Workers' rights and performing rights: cinema music and musicians prior to synchronized sound / Annette Davison -- Sound at the film society / John Riley -- Edmund Meisel's "visual sound" in The crimson circle (1929): the case of the vanishing part-talkie / Fiona Ford This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology MUSIC / Instruction & Study / Theory bisacsh Silent film music fast Silent films fast Silent films / Musical accompaniment fast Silent film music Great Britain History and criticism Silent films Great Britain History and criticism Silent films Great Britain Musical accompaniment Stummfilm (DE-588)4058257-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Stummfilm (DE-588)4058257-7 s Musik (DE-588)4040802-4 s 2\p DE-604 Brown, Julie Sonstige oth Davison, Annette 1971- Sonstige oth Erscheint auch als Druck-Ausgabe Sounds of the silents in Britain http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The sounds of the silents in Britain Overture / Julie Brown, Annette Davison -- Professional lecturing in Early British Film shows / Joe Kember -- "Now, where were we?" ideal and actual early cinema lecturing practices in Britain, Germany and the United States / Judith Buchanan -- Eric Williams: speaking to pictures / Stephen Bottomore -- Sounding Scottish: sound practices and silent cinema in Scotland / Trevor Griffiths -- "Suitable music": accompaniment practice in early London screen exhibition from R.W. Paul to the Picture Palaces / Ian Christie -- The art of not "playing to pictures" in British cinemas, 1906-1914 / Jon Burrows -- "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913 / Andrew Higson -- The reception of British exhibition practices in moving picture world, 1907-1914 / James Buhler -- Selsior dancing films, 1912-1917 / Stephen Bottomore -- Song of performance in the early sound shorts British pathé / Derek B. Scott -- Framing the atmospheric film prologue in Britain, 1919-1926 / Julie Brown -- Animating the audience: singalong films in Britain in the 1920s / Malcolm Cook -- Workers' rights and performing rights: cinema music and musicians prior to synchronized sound / Annette Davison -- Sound at the film society / John Riley -- Edmund Meisel's "visual sound" in The crimson circle (1929): the case of the vanishing part-talkie / Fiona Ford This title explores the sonic dimension of film exhibition in Britain, from the emergence of cinema through to the introduction of synchronized sound. Edited by Julie Brown and Annette Davison, the volume includes original scholarship from many highly-regarded experts on British silent film from a range of disciplinary backgrounds, such as film history, theatre studies, economic history, and musicology MUSIC / Instruction & Study / Theory bisacsh Silent film music fast Silent films fast Silent films / Musical accompaniment fast Silent film music Great Britain History and criticism Silent films Great Britain History and criticism Silent films Great Britain Musical accompaniment Stummfilm (DE-588)4058257-7 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4058257-7 (DE-588)4040802-4 (DE-588)4022153-2 (DE-588)4143413-4 |
| title | The sounds of the silents in Britain |
| title_auth | The sounds of the silents in Britain |
| title_exact_search | The sounds of the silents in Britain |
| title_full | The sounds of the silents in Britain edited by Julie Brown and Annette Davison |
| title_fullStr | The sounds of the silents in Britain edited by Julie Brown and Annette Davison |
| title_full_unstemmed | The sounds of the silents in Britain edited by Julie Brown and Annette Davison |
| title_short | The sounds of the silents in Britain |
| title_sort | the sounds of the silents in britain |
| topic | MUSIC / Instruction & Study / Theory bisacsh Silent film music fast Silent films fast Silent films / Musical accompaniment fast Silent film music Great Britain History and criticism Silent films Great Britain History and criticism Silent films Great Britain Musical accompaniment Stummfilm (DE-588)4058257-7 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | MUSIC / Instruction & Study / Theory Silent film music Silent films Silent films / Musical accompaniment Silent film music Great Britain History and criticism Silent films Great Britain History and criticism Silent films Great Britain Musical accompaniment Stummfilm Musik Großbritannien Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=642164 |
| work_keys_str_mv | AT brownjulie thesoundsofthesilentsinbritain AT davisonannette thesoundsofthesilentsinbritain |